28
TOWN
AND VILLAGE
GATEWAYS
invertsthewholesequence
of their derivation. The
rail sur-
roundingaBuddhistor
Jain
stdpa,
and placed theretoprotect
it from the influence of evil spirits,
was not derived directly
from Buddhistor
Jain
ritual. Theriteof
pradakshina,which
Buddhist
andJain pilgrims
performedwithinthe
rails oftheir
sttlpas,
was theancient
Vedicritepractisedbyall
Indo-Aryans
within the walls of their
villages, and the rail was merely a
symbolicaladaptationtoreligiouspurposes
oftheheavytimber
fence constructed by the hereditary
village carpenters and
joinerswhich protectedthewholecommunity
fromits enemies
intheflesh.
Even the religious significance
which attached itself to
the railin connectionwith
Jain
and Buddhist
sttipas
was of
much greaterantiquitythan eitherJainism or
Buddhism,
for
thiswas
the identical fence—the vediki—
which enclosed
the
sacrificial
areapreparedwith the sacred kusha-grass in Vedic
sacrifices.
Similarly,
thetorans,orgateways,o'fBharhutand Sanchi
(PI.V)'are reproductions
of the four gateways of an Indian
villageortown whenthey
were
constructed of
timber. PI.VI
shows one from the Amaravati
sculptures, with part of the
railing. The subject of the sculpture
is Prince Siddhartha
quittinghisnativetown atthetimeofthe
GreatRenunciation,
the Princebeingrepresented symbolically
as aBodhisattva,
or
Buddha
that is to be, bya horsewithout
a rider attended
by
heavenly beings, one ofwhom holds
the royal umbrella
over
his head. Here
the toran is a plain,
businesslike
structure,
withoutanyofthe
elaboratesculpture
whichadorned
thegate-
ways of
Jain
and
Buddhist stdpasafter
the Mauryan
epoch.
1
Thepresentgateways of
Sinchiarelater than
thestflpaitself,
whichwas
oneof
thosebuiltbyAsokainthethird
centuryB.C. They
wereprobably
addedabouta
century
later,andthe sculpturerepresents
thetransitionfrom
thesevere
simplicity
oftheartof
HinayanaBuddhismtothegreat
elaborationof
theMahayina
school. Thetown
gateway
showninPI.VIgives
agoodideaoftheoriginal
Asokantorans
ofBharhut
andSanchL