Practical Boat Owner – June 2019

(Sean Pound) #1

PRACTICAL


My policy for painting GRP is guided by
two principles. First, the only bit that
anyone sees is the top layer of molecules
in the final coat. Primers and undercoats
may be useful for improving adhesion or
obliterating backgrounds and fairing the
substrate, but they are not always
essential. They may even make the finish
more vulnerable to impact damage,
because a thick layer of multiple coats is
more likely to spall deeply, producing a
prominent blemish that will be difficult to
smooth and touch-up successfully.
Secondly, most people will view the boat


from a distance of a few metres, when
minor imperfections will be invisible,
especially when the hull is afloat and light
patterns reflect from ripples on the water.
An ultra-perfect finish is impressive in
close-up but the effect is lost as soon as a
few lines of scum settle on it.
My own boat, London Apprentice, had a
double gel coat, but surface defects after 26
years of use demanded a paint covering. In
anticipation of this work, I’d eschewed any
polishes and I also degreased very
thoroughly before applying just two coats
of two-part polyurethane gloss. It was put

on and tipped off with a brush. As there
was a contrasting blue stripe below the
gunwale, I could use masking tape on that
stripe and brush straight over its edge,
rather than having to ‘cut in’ with the brush
under the gunwale, which would have
encouraged brush marks and runnels.
That double coat was rock-solid and
generally admired for 19 years, but at a
molecular level the gloss must have been
slowly fading because the white hull
displayed increasing amounts of yellow
staining from marine organic compounds
that required cleaning with citric or oxalic
acid. I therefore decided to renew those
upper molecules while doing the absolute
minimum of extra work. That meant
degreasing and power sanding, followed
by a single coat of two-part polyurethane,
cost about £40. Five years later people still
admire the quality of the ‘gelcoat’! Brush
marks are visible when sunlight slants
along the surface and when it is inspected
closely, but I can live with that, although the
yellow staining is now beginning to
reappear and I may be tempted to treat the
old girl to some more make-up.

Five more top tips


General excellence


“It’s amazing how many customers will
apply a gloss enamel on a damp day of
just 5°C, and wonder why the finish goes
matt,” a paint supplier told me.
And it’s no longer a case of merely
following the instructions on the tin and
hoping for the best. Paint manufacturers
have found that producing data sheets
helps applicators – both professional and
DIY – to get the paint on in the right

thickness and in the right conditions.
“We have found that social media has a
big role to play,” said Robbert van der
Eijk of Dutch-based De Ijssel Coatings.
“Boaters can now watch an instructional
video on YouTube that helps to build their
confidence, and also points out the best
practice for using each type of product.”
Some manufacturers also run paint
courses for instruction in best practice.

Delegates on paint courses learn the
importance of getting the mix ratios
between hardener and pigment exact

6: Always follow the instructions


7: Use the best materials you can afford


Professionals use the best products
available, even when it comes to
something as simple as masking
tape. Cheaper products could lead to
expensive failures

“Professional paints are expensive to
make,” said Jotun’s Marcus Reynolds.
“They are formulated to be highly
resistant to UV and to knocks and bangs,
but easily applied by brush, roller or spray
gun. It’s a big initial investment for the
customer, but if the coating lasts 10-15
years (and often longer) then it becomes
very cost effective, not just in materials
but also in time and effort saved each
season.”
The same applies to the sundries.
Cheap rollers, brushes and tapes that

break up after just a few minutes are a
false economy and can mess up the entire
topcoat. The professionals use top quality
products because they save so much time
by not having to go back over their work
to remove lost hairs, pick out bits of
broken foam roller, or touch in paint that
has leaked though inferior masking tape.
Time is money, so invest in quality.

Hull-painting for effect


by Ken Endean


Ken Endean's Sabre 27, London Apprentice
first had her topsides painted 24 years ago.
A second coat was added five years ago
Free download pdf