STAR WARS INSIDER / 19
THE SKYWALKER SAGA
he Empires Strikes
Back, Episode V
of the Skywalker
saga, opens on
a snow-covered
planet. Amid
familiar elements, it quickly
becomes apparent that some time
has passed since the end of Star
Wars: A New Hope (1977). Between
stints repairing the Millennium
Falcon, Han Solo and Chewbacca
are scouting the perimeter of a new
rebel base. Luke Skywalker still has
his lightsaber and X-wing, but now
commands a squadron. Princess
Leia is a key voice in the command
center and briefs combat pilots as
the Empire’s forces closes in on
their location.
The movie’s fi rst act establishes
that the big three characters’
relationships have developed.
Their friendships have endured
long past their frantic escape from
the Death Star—and quite possibly
more than friendship is brewing
between Han and Leia.
Most importantly, the fi lm’s
memorable fi rst act also highlights
that the war between the Rebel
Alliance and the Empire is far from
over. The Battle of Hoth showcases
how the two opposing forces must
fi ght differently, with massive
Imperial AT-AT walkers deployed
on the planet’s icy surface to take
out the rebel shield generator,
defended by ground troops and
snowspeeders. The destruction of
the Death Star wasn’t an ending,
but rather a beginning...
Fairy Tale At Its Core
In 2010, Vanity Fair interviewed
director Irvin Kershner about
making the sequel to A New Hope.
He said: “When I fi nally accepted
the assignment, I knew that it was
going to be a dark fi lm, with more
depth to the characters than in the
fi rst fi lm. It took a few years for the
critics to catch up with the fi lm,
and to see it as a fairy tale rather
than a comic book.”
But what exactly are the aspects
of a fairy tale that Kershner
captured? In the most obvious
sense for moviegoers, the fi lm is
saturated with color, particularly
once the heroes fl ee Hoth and
go their separate ways. From the
interior shots of the Millennium
Falcon, where Leia and Han are
forced to confront their feelings
for each other, to Dagobah, where
Luke begins his spirit journey
with the help of Yoda, the fi lm
is vibrant, evoking such classic
cinematic fairy tales as Disney’s
Snow White (1939) and Sleeping
Beauty (1959).
“a tense and pictorially dazzling
science-fiction chase melodrama
that sustains two hours of elaborate
adventure while sneaking up
on you emotionally.”
Gary Arnold, Washington Post
T
FACTS &
FIGURES
Title / Star Wars: The
Empire Strikes Back
Episode / Five
Poster Tagline / The Star
Wars saga continues
Theatrical Release /
May 21, 1980
Run time / 124 mins
MPAA / “Rated PG”
Budget / $18 Million
Domestic Opening
Weekend / $4,910,
Domestic Box Offi ce /
$290, 475, 067
Worldwide Box Offi ce /
$538, 375, 067
Awards / Academy Award
for Best Sound, Special
Academy Achievment
Award for Visual Effects,
BAFTA for Best Score.