Watercolor Artist - USA (2019-12)

58 Watercolor artist | DECEMBER 2019

Bright Ideas

I

n workshops, I often get asked this

question: What should I paint to get

into a national exhibition? It’s a

common question because, of course,

artists want recognition for their

creative eff orts. But let’s start with a

diff erent question: Is entering a com-

petition a good idea? Th e answer isn’t

straightforward.

Th ere’s no doubt that winning

awards can help grow your reputation

in the art world. Developing a name

on the national level can be especially

helpful if you have ambitions to be an

art instructor. It can also mean fi nan-

cial support if your work wins prize

money. As an artist friend of mine

once said: As artists, we have to wear

many hats to make a living.

It’s also rewarding to get recognition

from peers. If your work is considered

high quality by various art societies,

you may gain signature membership

and the chance to show your painting

alongside other nationally renowned

artists. All support feels good, but

there’s something especially gratifying

about a nod from established artists

and reputable art societies.

START LOCAL

To ease in to the world of competi-

tions, it’s a good idea to start at the

local level. Try to get into art shows

in your area before attempting to

break into the national ones. If

you’re winning prizes in local or

even statewide competitions, there’s

a good chance that you’ll also get

In the Spotlight

FRANK EBER, who co-juried the 99th National Watercolor Society Annual Exhibition,

shares his best insights on how to bring attention to your work.

Anytown USA

(watercolor on paper, 14x17)