94 MAXIMUMPC APRIL 2007
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FRAME-RATE MADNESS!
I don’t care who says what, once you hit 60fps in
any media, that’s it—unless you happen to be from
Krypton or $6 million was spent rebuilding you. I
engineer systems and networks for graphics, video,
and audio clients.
This also means I tend to build home systems
for these folks. Since the first 3D cards hit the
consumer market in the ’90s I have been doing
my own benchmarks. This allows me to see what I
can offer my clients for the best possible price. I do
all the testing blind, and I do not run benchmarks
until after I see the user experience. I know those
benchmarks are going to show a huge jump in
performance, but the only time users can actually
discern these performance jumps is when they go
from a low-end PC to a high-end rig or when they
see the benchmark scores.
Simply put, I have seen only one occasion in which
a human actually saw any performance leap from
65fps to 80fps. Yet I keep reading in your mag how cool
it is to jump from 80ish frame rates to the 100s.
—Frank Mondana
SENIOR EDITOR GORDON MAH UNG RESPONDS:
Frank, I agree with you that going from a steady
80fps to 100fps is difficult or impossible for
mortal gamers to see, but as one of the last few
here from the old boot days, I can tell you that
nothing has changed.
I can still hear Senior Editor Andrew Sanchez
saying that most people can’t see any difference
above 60fps. However, we recommend videocards
that deliver greater than 60fps for two reasons.
First, cards that hit higher frame rates give you
breathing room for future games that will stress
your hardware more. A rig that delivers 60fps on
average today will not do so in games that come
out six months from now.
Second, we publish the average frame
rate, because that’s what most benchmarking
tools report. However, the more telling number
is actually the minimum frame rate during the
run—when a game’s frame rate drops below
60fps, people notice, and the result is unpleas-
ant. In FEAR on machines that average 60fps,
the minimum frame rate can dip as low as
20fps. Not good.
You should also remember that today
people push 24-inch panels with resolutions of
1920x1200. Even if a machine ekes out 60fps at
that resolution, it’s not going to run at the same
speed on super-high-resolution 30-inch panels.
WE’RE VERY, VERY SORRY
Page 59 in the March 2007 issue is one of the
worst pages I’ve ever tried to read in a magazine.
My only conciliation is that the product on that
page [Philips’ amBX speakers] was rated so low
that I guess I didn’t miss much. You value sub-
stance over style with your product reviews, so
please remember that philosophy in the layout.
—Hollis Jackson
EDITOR IN CHIEF WILL SMITH RESPONDS: As some-
one with spectacularly bad vision, I can assure
you that we didn’t intend for that page to look as it
did. Unfortunately, in some issues, a printing error
caused the page to be exceptionally difficult to read.
We’ve taken steps to ensure that the problem won’t
occur again, as you can see on page 59 of this
issue. If you received an affected copy of the maga-
zine, please contact me at [email protected]
and I’ll send you a PDF of the amBX review.
WE’LL CALL IT THE CRAPCARD
I was surprised to read in Will Smith’s “10 Reasons
You Don’t Need Vista Today” (February 2007) that
“Vista won’t support CableCard for the vast major-
ity of users.” I just read about ATI’s new OCUR
CableCard, which is supposed to come out in mid
Sure about
the Sansa?
Your review of the SanDisk Sansa e260
digital media player (November 2006)
was generally positive, but you raised
a major objection to the Record button,
which was too easy to push, and gave
the player a 5. I’ve heard that newer
releases in the E series have upgraded
firmware with a software-activated lock
for the Record button. How would you
rate those players?
—Dave Braune
EXECUTIVE EDITOR MICHAEL BROWN
RESPONDS: We actually review the Sansa
e280R in this issue (see page 62) and can
confirm what you’ve heard about the firm-
ware. Being able to lock the Record but-
ton resolves our biggest complaint about
this player, but we still don’t care for the
undersized buttons. SanDisk showed us
a new player at CES—the Sansa Connect
Wireless—that has a completely different
button/wheel interface, but it’ll be a couple
of months before we can get our hands on
one of those. Stay tuned!
in outYOU WRITE, WE RESPOND
CUTCOPYPASTE
Our review of Roku’s SoundBridge Radio (January 2007)
incorrectly reported that Roku Labs does not provide
its own server software: The company’s open-source
Firefly Media Server is at version 1.0. The company also
tells us it will add WPA security with version 2.7 of its
SoundBridge software, which was in beta at press time.
The Sansa
e280r fixes
many of the
problems that
plagued its
predecessor,
but we’re really
excited about
the upcoming
Wi-Fi-equipped
version.