Scale Aviation Modeller International – March 2019

(WallPaper) #1
THE BUILD
If you have been toying with
the idea of building a biplane
but have been deterred by the
prospect of the dreaded rigging,
then the Fokker D.VII could be
the perfect solution. For having
been constructed around a
welded tubular steel frame,
the aircraft had very little in
the way of tensioning wires. As
far as the model is concerned,
with just two crossed lengths
that span the undercarriage
struts and some short control
wires that protrude from the
fuselage and wings, rigging a
D.VII is straight forward. What
is advisable before beginning
assembly of any model biplane,
however, is that you have a
plan in mind about the way in
which you intend to go about
construction and painting.
I ind it useful to initially
separate the majority of parts
and group them into painting
order. So, for example, I will
have a small pot containing
all those parts that require a
metallic inish, another with
those requiring a Lozenge
inish and so on. Unless you
are incredibly skilled and
patient and intent upon hand-
painting the complex lozenge
camoulage yourself, these
latter items will of course be
treated according to the decals
you are intending to use. A
comprehensive set of wing, tail
and fuselage lozenge decals is
provided by Eduard, and they
are conveniently split into
sections for ease of application.

Individual rib-tapes are also
provided on a separate sheet
and there is a comprehensive
placement diagram within the
instruction booklet. However,
because the colours in which
the Eduard items had been
printed seemed to me to be
somewhat inaccurate, I opted
instead to use the decals kindly
provided by Richard Andrews
of Aviattic. Anyone interested
in World War One aero subjects
who has not yet visited the
Aviattic website is missing a
trick. As well as the excellent
range of thoroughly researched,
transparent lozenge decals
(more of which below),
Aviattic also produce RAC/
RAF colour fabric decals, resin
pilot igures, aircraft models,
ground equipment and vehicle
kits and are also the creators
of Luftkrieg 1919. The latter
is a ictional scenario based
around a Bolshevik takeover
of the German military at the
end of the Great War, which
has so far led to Richard
expanding his idea to include
resin igures of some of the
characters in his imaginative
scenario and many pieces of
artwork to further expand his
personal universe – which
should be seen to be believed.

DECALS
Aviattic lozenge-print decals
are transparent in nature –
which I believe makes them
unique, though I stand ready to
be corrected. Practically, what
this means is that the surface

colour of the model greatly
afects the appearance of the
decals once in place and should,
therefore, be light in nature.
Any darker-painted areas
beneath the decals will appear
as shadows, meaning that pre-
shading can be utilised to great
efect to create a sense
of depth. With this in
mind, the wings of my
D.VII were assembled
but not attached to
the fuselage, and both
sets airbrushed in Humbrol
satin white enamel. Once dry, I
used temporary masks against
which I sprayed a contrasting
colour along the edges of
the raised rib detailing – in
this instance dark-earth. A
generous gloss-coat was
then applied, which once
thoroughly dry, was wet-
sanded and polished to create
the perfect surface upon which
to secure the Aviattic lozenge
decals. These are available to
buy in four and ive-colour
patterns with both a faded or
factory-fresh appearance and
with a selection of rib-tape
colours. They come as either
A4 sheet-sized decals that
require cutting to size or
shaped decals appropriately
proportioned for the required
aircraft type. Those I chose
to use on this occasion were
the pre-sized, faded-fabric

variety featuring pale blue rib-
tapes. The decals were itted
in their pre-cut sections and
they itted the Eduard parts
perfectly, settling smoothly
into place with an application
of Micro Sol solution. Once
the decals had dried, small
sections of decal were removed
to expose the inter-plane strut
mounting brackets on the
underside of the mainplanes
and these were painted
green to match the struts.

COCKPIT
The woodgrain efect on the
cockpit loor panel was created
by initially applying a sand
enamel basecoat followed
once dry by a red brown coat,
which before it had hardened
completely was partially
removed to create linear
patterns. This was again left
to dry thoroughly before, yet
darker shades were applied.
The propeller was similarly
treated, though masks were cut

MARCH 2019 • SCALE AVIATION MODELLER INTERNATIONAL

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