Capture Australia – September-October 2019

(sharon) #1
PETER HILL
Latesfossen III

8


DOUWE DIJKSTRA
When shooting black
and white, change your
viewfinder setting to
mono; your world will
look completely
different and will help
you find your subject.

JOHN CRAWFORD
Create a point of
difference in your work
which immediately
makes your images
stand out above others.

ANTHONY MCKEE
When it comes to making
strong black-and-white
images, ultimately, it is
about learning to see, not
with your eyes, but with
your heart. Our eyes are too
easily seduced by colour
and bright light, but it is
your heart that can often
be the better judge of
emotion and moment.
Photography is no different
to music or any other art –
when you learn to feel what
it is you are trying to say,
you will become a better
artist with your camera.

JACKIE RANKIN
Generally, a good subject
for monochrome images
will be one that has a good
solid black and a nice
clean white tone.
An award-winning image
will show a subject in an
uncommon way. It will be
unique (if only for a while).

B


&


W


T


IP


S


F


R


O


M


T


H


E


J


U


D


G


E


S


capturemag.com.au
[capture] sep_oct.
Free download pdf