2019-09-09 Publishers Weekly

(Sean Pound) #1

HONOREES


20 PUBLISHERS WEEKLY ■ SEPTEMBER 9, 2019

JOSH REDLICH
Senior publicist
Random House Children’s Books, New York City

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ominique Cimina, RHCB’s v-p, executive director,
publicity and corporate communications, reports that
since joining her team in June 2016, she has received
praise from authors, illustrators, colleagues, teammates,
editors, and agents regularly for Redlich’s “performance and truly
ardent commitment.” Redlich has spearheaded the campaigns for
Christopher Paolini’s The Fork, the Witch, and the Worm, the critically
acclaimed release Stronger,
Faster, More Beautiful by
Arwen Elys Dayton, and the
bestseller Aurora Rising by Jay
Kristoff and Amie Kaufman,
published in May. He also pro-
vides “smart support,” Cimina
says, on high-profile brands,
including Magic Tree House,
Sesame Street, and Netflix’s
Stranger Things, in addition to overseeing the programming for the
various conventions that happen year-round. Outside of the office,
Redlich has leadership roles on multiple committees. He is currently
chair of the Young to Publishing Group, overseeing a group of around
a dozen individuals from across AAP member houses, and he cochairs
the planning committee of the Publishers Publicity Association.

CLARE REETH
Director, literary affairs
Fox 2000 and 20th Century Fox/Disney, Los Angeles

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lare Reeth is an exemplary book-to-film scout,”
Haley Hamilton, a colleague at Fox, says. Reeth
began her career as an intern at Writers House, but
was quickly snapped up by Drew Reed and his team
at Fox, where she has specialized in comic book adaptations and
young adult literature for the past four years. According to
Hamilton, Reeth has been instrumental in finding and assessing
strong IP for Fox studios and has
helped create positive relationships
between publishing and the film/
TV world. “She’s a bright and shiny
scouting star who makes toggling
successfully between two industries
look easy as lemon pie,” Hamilton
says, adding, “Bonus points are due
for Reeth being part of a team that
respects authors while being able to
help them, their agents, and their
publishers succeed.”

JENNIFER POWELL
Director of rights and co-editions
Scholastic Inc., New York City

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n just over three years, Powell
has increased her department’s
revenue by 82% and profits by
58%. Powell attributes much
of the growth (which in the prior 15
years was between 2% and 5%) to
her work establishing co-editions as
a lucrative business model. In addition to working with coagents,
her team now works directly on a co-edition basis for picture, nov-
elty, and illustrated licensed books in major markets. “This ensures
the highest possible production value to all international editions,”
she explains, “guaranteeing the author/illustrator royalties up-
front, and gaining access to markets which might otherwise not be
able to afford to publish high-end picture, novelty, or illustrated
licensed books.” Among her successes are Harry Potter co-editions
(over $2 million in revenue), Klutz Lego co-editions (over $1.5
million), Dog Man translations (32 languages sold), Riverdale
translations (12 languages sold), and Graphix translations (a 44%
increase in sales). Powell has encouraged her team to travel far and
wide for sales trips and to attend book fairs from Frankfurt to
Guadalajara, Taipei, Shanghai, Beijing, and beyond.



AMELIA POSSANZA
Assistant director of publicity
Flatiron, New York City

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melia Possanza possesses
the covetable qualities
that make a first-rate
book publicist: excellent
communication, superb leadership,
strong writing skills, and an unflappable devotion and dedication
to her colleagues and authors that lead to proven sales and big
cultural conversations,” her former colleague Jessica Yu says.
Among Possanza’s roster of authors are Melinda Gates, Sarah
Baker, Laurie Frankel, Jane Harper, Sarah Kendzior, and Shobha
Rao. And while a bold-face name like Gates may be easy to win
attention for, it’s not for a newish true-crime writer like Jane
Harper, for whom Possanza won a feature in the New York Times,
publicity’s holy grail. Her cheerleading for books doesn’t stop at
the office—she reviews books and writes for the Rumpus, Electric
Literature, the Washington Post, and Buzzfeed. Yu adds, “Her lead-
ership and steadfast commitment to teamwork is demonstrated
in her ability to successfully build relationships with her col-
leagues, authors, booksellers, and reviewers,” which was recently
on display at BookExpo, when she spoke on a panel to discuss how
Macmillan can further build its relationships with booksellers.


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