52 Artists&Illustrators
SELWYNLEAMYshowsyouhowto
emulatetheFrenchmaster’stechniques
anddescribeformswithyour
brushworkin thissimpledemonstration
T
hispaintingofa tree-linedavenue
atPaulCézanne’sfamilyestate
perfectlycapturesthefeelingofa
hot,sunnyafternoon.Heslightlycompresses
thespaceinTheAvenueattheJasde
Bouffan, particularlythegrassesandthe
shadowsintheforeground,whichseem
quiteflat.Concentratingonthetreeatthe
leftofthecanvas,wecanseehisskillat
creatinga tangiblesenseofthree-
dimensionalform.Thebrightfoliage
shimmersagainsttheblacksilhouetteofthe
trees,asthesun-bakedpathdisappears
undertheshadycanopy.
A largeswatheofshadowdominatesthe
image,andfromthisCézannebuildsthe
structureofthefoliageandtrunkswiththick,
slab-likeblocksofcolour.These
brushstrokesstandoutagainstthedark
paint,butmovingacrosstheimage,they
subtlyblendanddisappearintothe
backgroundbeyond.
Cézanneusedheavy,diagonalstrokesto
createtheclumpsoftheleaves.Thetrunk
wasdescribedwitha moreverticalstroke,
thelighterred-brownpaintworkingin
contrasttotheblueshadow.Inthispainting,
Cézanneuseda paletteknifeaswellasa
brushtoapplypaintthickly,addingtothe
overallformandtextureofthepiece.
Cézanne’s
Trees
DEMO
Paul Cézanne,
The Avenue at the Jas de
Bouffan, c.1874-’75, oil
on canvas, 38.1x46cm
© TATE, LONDON 2019/SELWYN LEAMY