New York sure spits ’em out. The city has
been a breeding ground for a thousand bands that
matter. And when a green young combo by the
name of Hollis Brown took the stage at Don Hill’s
bar in Greenwich Village a decade ago, all five
punters in attendance surely predicted great things
for them. Singer Mike Montali says that since that
first show they’ve been through the rough and
the smooth. But with the soul-rock R&B of third
album Ozone Park they’re finally catching up with
the giants in their record collection.
They were born in a garage.
Rewind to 2009 and, as rock’n’roll purists, it’s
fitting that Montali and guitarist Jonathan Bonilla
set out in the quintessential grass-roots American
rehearsal space.
“We were just kids wanting a hang out to listen
to music, get stoned and play,” says the singer.
“We painted this garage all different colours, put
up posters of our favourite bands, record covers,
magazine articles, pasted ’em everywhere to give
us inspiration. We still have that primal energy.
That’s something missing now, because everyone’s
trying to say something cute or be witty or dress
it up in some political agenda. We just want to get
out there and fucking rock.”
They took their band name from Bob Dylan.
If Hollis Brown sounds half-familiar, that’s because
it’s lifted from the bleak suicide ballad from Dylan’s
The Times They Are A-Changin’.
“We couldn’t come up with any names,” sighs
Montali. “Everything was terrible. Jon pulled
out a Stones vinyl and said: ‘Well, they got their
name from a Muddy Waters song, so let’s just
pick a Stones song.’ We talked about Mother’s Little
Helper, but then somebody said: ‘What about The
Ballad Of Hollis Brown?’ It’s a depressing song, but
he’s probably the greatest American songwriter. ”
They’re bringing old-school into new-school.
It’s tough to salute the past without becoming
a throwback, but Ozone Park walks the tightrope.
From the pounding soul of Blood From A Stone to
Hollis Brown
So who are these New Yorkers making a blood-spattered journey from the garage to the stars?
Interview: Henry Yates
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