Wnn
ethe
Pooh:
Lne
ustrat
ons
copyr
ght
©E.H.
Shepard,Co
our
ng
ofthe
ustrat
ons
©^1970
and
1973,
by
Ernest
H.
Shepard
and
Egmont
UK
Lm
ted,
Reproduced
wth
perm
ss
on
from
Curt
sBrown
Group
Ltd,
on
beha
fof
The
Shepard
Trust,
Iustrat
ons
prov
ded
by
Egmont
UK
Lm
ted
and
pr
nted
wth
perm
sson.
December 2019 BBC Wildlife 73
CHAESTRATHIEis anaward-winning
authorofmorethan 20 picturebooks
andfiction titles for children.
thewolfinTheThreeLittlePigsisn’t
portrayedasanamiablefellowintent
onhelpingthediminutiveporcinetrio
witha spotofDIY.
Doesthishaveaneffectinforming
opinionsinyoungmindsregardingreal-life
animalsthatmightlastintolaterlifeand
skewthewaysomeanimalsareviewed?
Oris thattakingthingstoofar?Perhaps
not– eveninadulthoodmanystillregard
foxesascunning(Pinocchio,TheTaleof
JemimaPuddle-Duck), miceasnice(The
Gruffalo,StuartLittle) andratsasrotten
(ScabbersinHarryPotter).
Inapplyinghumantraitstocertain
animals,perhapswedothema disservice,
oratleastmisleadsmallreadersinterms
ofthinkingofsomeanimalsasgoodand
someasbadwhenallanimalsare,of
course,neutral.
AndsoI cometomyownwork.In
writingthispieceI’veexaminedforthefirst
timemymotivationsforfocussingsome
ofmypicturebooksonanimals.Whyhave
I usedmice,gorillasandassortedother
creaturesinmywork?
Well,I havetoadmitthatBedtimeforTiny
Mousewasa decisionbornoutofsheer
cuteness.It’sa tinymouse!Whocan’t
sleep!Whogetsa lullabysungtohim!
Comeon,people– havea heart.AndGorilla
LovesVanilla? Thebookwassetinanice
creamparlour.Youtellmeanotheranimal
thatrhymeswith‘vanilla’.Sometimes the
answer really is that simple.
toanimalbooks.There’smoneyinthem
tharbunnies,mice,cats,etc.Thatis
oftendowntothewarmtha cute,cuddly
creaturecanbring,particularlytoan
illustratedpicturebook.Asthesebooksare
particularlyusedasbedtimestories,there’s
somethingdeliciouslycosyaboutsnuggling
inandtellinga taleofa loveablefurry
creaturedoingsomethingsweet.
A
nyonewhohasreadSam
McBratney’stimeless 1994
picturebookGuessHow
MuchI LoveYoucan’tdeny
thatthecharactersbeing
animalselevatesit toanotherlevelof
“Aww,bless”.Upto 11 onthecuteamp.In
thestory,BigNutbrownHareandLittle
NutbrownHaretelleachother,youguessed
it,howmuchtheyloveeachother,andthe
factthattheyarelovely,soft,floppy-eared
haresjustmakesit worksomuchbetter.
It couldhavebeendonewitha human
adultandchild,butit wouldn’thavebeen
nearlyasendearingoreffective– oras
commerciallysuccessful.
Kidsrespondtocuteanimals,which
meansadultsdotoo– andthatmeans
puttingtheirhandsintheirpocketsand
forkingoutforthebooks.
Anotherreasonanimalsprove
popularis thepotentialforhumour.
Kidsloveanythingthatmakesthem
giggle,andadultsarehappytopay
tohearthatsound.
Throughouttheages,animal
charactershavemadechildren–
andadults– laugh.There’sjust
somethinginherentlyfunnierabout
ananimalbeingdroll,dopeyor
indulginginslapstick.It’sthelong
ears,necksorlegs,thehorns,the
trunks,thesizedifferences.The
combination of familiarity and
‘otherness’thatanimalslendtoa storycan
reallyrampuptheopportunitiesforhilarity,
eitherinpicturesorinprose.
Goingbacktotheearlydaysofchildren’s
literaturewehavethesillysurrealismofthe
grinningCheshireCatinAlice’sAdventures
inWonderland, theridiculouspomposity
ofToadinTheWindintheWillowsandthe
knock-kneedwhimperingoftheCowardly
LioninTheWizardof Oz.
Inmoremoderntimes,we’veseenthe
deadpanbearsearchingforhishatinJon
Klassen’sThisis NotmyHat, anexasperated
mouse(andanotherbear)inRossCollins’
hilariousThere’sa BearonmyChair
andDogManbyDavPilkeyofCaptain
Underpantsfame.Funnysellsandanimals
sell– it’stheperfectcombination.
S
o is thisa cynicalandsuperficial
useofourfurryfriendstofeather
thenestofthebookindustry?
Somemaysayso,butif theside-
effectis thatourchildrenare
surroundedbyanimalsinstoryformfrom
tottoteen,isn’tthatjustificationinitself?
Doesn’tit makethemmorelikelyto
becomeanimalloversastheygrowup
if theyseethemasmorethanjustbeasts
andbirds,andinsteadhavea senseof
creaturesascharacters?
Onequestionthisraisesis thatof
theeffect– bothpositiveandnegative
- ofanthropomorphism.Aresome
animalsgivenanunfairlybadpress
whenit comestotakingonhuman
characteristicsinbooks,for
instance?Doesthewolfin
LittleRedRidingHoodreally
reflecttheactualcharacter
traitsofwolves?Aretheyreally
someanthatthey’ddressupasa
deadgrandmothertotricka small
girlinto becoming dinner? Similarly,
Featuringeverything
fromgatecrashingtigers
andintransigentfrogs
toinsatiablecaterpillars,
children’sliteratureis
wall-to-wall with animals.
WATCHIT CatchTheSnailandthe
Whale, starringSallyHawkins,RobBrydon
andDameDianaRigg,onBBCOnethis
Christmas. CheckRadio Times for details.