108 newyork| november25–december8, 2019
THEATER/ HELENSHAW
LostConnection
TheInheritancestartsoutsopowerfully
thatit’s unsustainable.
howdoyourecommendTheInheritance? It’simmense,soofferingit to
someonefeelslikeaskingthemtohelpyoucarry somethingheavy.Thisisn’t an
evening’s entertainment.It’lleat a weekofyourlife.Constructedasa two-partBroadway
marathon—PartOneis a three-hour-and-15-minutecomictragedy,andPartTwois a
three-hour-and-ten-minutemelodrama—itleanshard enoughonE.M.Forster’sHow-
ardsEndthat youmightwanttospenda day ortworeadingit inpreparation.Then
there’s thepost-showanguishtoreckonwith:TheplaywrightMat-
thewLopez’sskillat communicatingsorrowmightshatteryoufor
hours,maybedays.Andwhiletheplay hassublimesections,under
allthatweightit wobbles.Its most obviousforebear,AngelsinAmer-
ica,alsois longandtaxing,alsograppleswithaids, alsolooksatthe
wholecountrythroughonebadbreakupinNewYorkCity. Butthis
ain’tAngels.Lopezharnessesexhilaratingforcesbutthengets
theater / movies / pop
draggedbythem,onlytoregaincontrol for
a moment,thenge t yankedoff hisfeet.
Lopezisinterestedintheways things
likereviewsandrecommendations are
really shibboleths,thepasswords that
determinea community.Tasteand the
transmissionoftastelinkhischaracters.
Thespecific lineage ofgay menhere don’t
share genetic ties, butthey do share
books—Giovanni’sRoom,Maurice, Sense
andSensibility—andfilmsandmusic and
dance.They usereadinglistsand refer-
encestoseduceortestoneanother, to
cementbonds,andtowelcomenewcomers.
Soeventhoughtheplay fallsfrompathos
intobathos,andLopez’snovelisticcontrol
eventuallyturnspurple,it’s preciousforthis
eminentqualityoftenderness.TheInheri-
tanceseemstohavebeenmadespecifically
forthepreviousgeneration.Sittinginan
audienceof weepingmen,youcouldalmost
seetheyoungactorspassingtheplay down PHOTOGRAPH: MATTHEW MURPHY
The CULTURE PAGES
CRITICS
Helen Shaw on The Inheritance ... David Edelstein on Marriage Story ...
Craig Jenkins on Magdalene.
THEINHERITANCE
BY MATTHEWLOPEZ.
ETHELBARRYMORE
THEATRE.
The Inheritance