THE HOLLYWOOD REPORTER 69 NOVEMBER 6, 2019
Find out Lashana Lynch’s and Ana de Armas’ Hollywood role models at THR.COM/VIDEO
KNIVES
: CLAIRE FOLGER/LIONSGATE. FORD: DAVE J HOGAN/GETTY IMAGES.
MOONRAKER, DIES
: UNITED ARTISTS/PHOTOFEST.
AGAIN
: WARNER BROS./PHOTOFEST.
KILL, GOLDENEYE, DIE
: MGM/PHOTOFEST.
still be at work giving his best and
giving the best shots ever,” says
Lynch, who continued filming
while Craig recovered. De Armas’
schedule was shuffled, so she left
for three months and returned in
October to film her scenes.
Along with London’s Pinewood,
where the Cuba scenes were
shot on a set, the cast filmed
in Scotland, Italy, Norway and
Jamaica, the latter of which was
especially significant for Lynch,
whose parents emigrated when
they were teens. “There’s a heat
and spice that comes with Jamaica
that no matter what you’re shoot-
ing, whether it’s a drama or an
action movie, you can’t help but
feel that,” she says.
Being a part of one of the big-
gest franchises in movie history
— and one of the most secretive
— brought its own challenges.
Rumors leak, both true and not
(for example, de Armas says
reports of an intimacy coach
being hired for her scenes with
Craig are false). Everything the
actresses say about the film
makes headlines — and they
can’t say much. In the lobby of the
Charlotte Street Hotel, de Armas
begins to talk about Paloma, then
gets nervous. “I don’t know how
much I can tell you,” she says. Five
months out, only their charac-
ter names have been officially
confirmed, though when pressed,
both actresses do divulge a little
more than previously known.
“[Paloma] is a character that
is very irresponsible,” says de
Armas. “She’s got this bubbliness
of someone who is excited to be
on a mission, but she plays with
this ambiguity — you don’t really
know if she’s like a really trained,
prepared partner for Bond.” Sure,
de Armas is running around in
a gorgeous gown with sky-high
actresses will remain busy until
they take off on the global pro-
motional tour ahead of the film’s
release. In the new year, Lynch
will shoot FX’s new series Y, based
on the comic book series Y: T h e
Last Man, set in a postapocalyptic
world where women rule after a
cataclysmic event leaves just one
man alive. “Every female char-
acter has agency and is equipped
to take over the world, which is a
nice reflection of where the world
— and our industry in particular
— is going right now,” she says.
De Armas’ Marilyn Monroe
biopic Blonde, from Plan B and
Netflix, is awaiting a release
date. “It’s not what I think people
think or have seen before about
Marilyn,” she says. “It’s a very
deep, raw, dark side of the same
story we think we know — behind
the smiles and the glamour.”
She’s going straight from the
Bond set to New Orleans to shoot
New Regency’s erotic thriller Deep
Water with Ben Affleck. She says,
with a wry smile, “So maybe I’ll
sleep next year, someday.”
heels (“No one can train you or
prepare you for that,” she says),
but she adds that “brains and
looks are equal this time. She’s
very smart. She helps Bond navi-
gate through certain things that
he wouldn’t be able to do alone.”
So far, the biggest leak about
No Time to Die is that Lynch’s
character begins the film having
inherited the “007” designa-
tion from Bond, who has retired.
(Lynch won’t confirm the rumor,
but sources close to the film tell
THR that it’s accurate.)
When the rumor leaked, the
trolls on Twitter went crazy, with
many people expressing fervent
anger that a black woman was
being named 007. Lynch says she’s
been taking it in stride. “It doesn’t
dishearten me. It makes me feel
quite sad for some people because
their opinions, they’re not even
from a mean place — they’re
actually from a sad place,” she
says. “It’s not about me. People
are reacting to an idea, which has
nothing to do with my life.”
She said every once in a while,
she has messaged a hater back,
usually saying something very
nice. “Then they’ve been like, ‘Oh
my gosh, thank you so much!’ But
it’s an interesting test because it
reminds them that they definitely
wouldn’t say that to someone’s
face,” she says, though she adds
that she doesn’t plan on interact-
ing with trolls anymore.
It’s not only Lynch and de
Armas who have a lot riding on
No Time to Die, but also studio
MGM, which for the first time
will distribute the film via its
United Artists Releasing ban-
ner co-owned with Annapurna
(Universal is handling interna-
tional). “Lashana and Ana both
have that magical combination
of a remarkable acting range
matched with undeniable cha-
risma,” says Jonathan Glickman,
MGM’s Motion Picture Group
president, noting that the team
behind Bond is “committed to
continuing to bring on emerging
talents that allow the films to
expand their relevance.”
In the meantime, both
Left: De Armas (left) and Katherine Langford
in Knives Out. Right (from left): Sylvia Hoeks,
Harrison Ford, Ryan Gosling and de Armas
promoted Blade Runner 2049.
Bond Women: Mixed Career Trajectories
According to industry lore, playing opposite 007 can be a killer, but some defy the odds
NAME FILM TRAJECTORY RESULT
After playing NASA astronaut Dr. Holly Goodhead
opposite Roger Moore’s 007, Chiles took a break
from acting for several years. Her career never
regained momentum, although she has appeared
on several TV series, including CSI and L.A. Law.
LOIS
CHILES
Moonraker
1979
Her work playing geologist Stacey Sutton in
A View to a Kill earned her only one award: a
Razzie for worst actress. In 2015, Roberts said
she was never offered another lead role. She later
played Laura Prepon’s mother on That ’70s Show.
TANYA
ROBERTS
A View to a Kill
1985
The Polish-Swedish actress, who played
programmer Natalya Simonova, didn’t appear in
another major film for five years. “I was confused,
and I think I was a little bit lost,” she told
Actor News in 2004 about that time in her life.
IZABELLA
SCORUPCO
GoldenEye
1995
Berry’s NSA agent Jinx was so popular, there
were plans for a spinoff (it was eventually
scrapped when other female action films weren’t
performing). But the Oscar winner went on to play
Catwoman and Storm in multiple X-Men movies.
HALLE
BERRY
Die Another Day
2002
She appeared in Playboy the same year she
starred as Bond’s main squeeze Domino Petachi,
and neither hurt her career. Basinger went
on to star in The Natural, Batman and won an
Oscar for L.A. Confidential in 1997.
KIM
BASINGER
Never Say
Never Again
1983
Pierce Brosnan was so impressed with Yeoh
(she did her own fight scenes) that he called her
“the female James Bond.” She went on to star in
Crouching Tiger, Hidden Dragon, Memoirs of
a Geisha and, most recently, Crazy Rich Asians.
MICHELLE
YEOH
Tomorrow
Never Dies
1997