Financial Times Europe - 02.11.2019 - 03.11.2019

(Grace) #1
6 ★ FT Weekend 2 November/3 November 2019

E


very two years, people go for
an eye test and their prescrip-
tion changes and they chuck
away their old frames and get
n e w o n e s ,” s a y s To m
Broughton, founder of the London-
based eyewear brand Cubitts. “Most
glasses are made from cellulose acetate,
so even though it’s not plastic it’s not
from Mother Earth and doesn’t biode-
grade. We’ve been looking for an alter-
native to acetate.”
Waste not, want not, so the age-old
adage goes. It’s certainly true for
Broughton, who recently unveiled a 10-
piece collection of opticals and sun-
glasses crafted from waste materials
including corn husks and mushrooms in
a bid to reduce his brand’s impact on the
planet. Due to appear in stores in Janu-
ary, the Cubitts Redux line includes
chunky round spectacles with a corru-
gated surface that look a bit like they
could be crafted from wood (they’re
actually made from corn starch), and
rectangular frames with a textured mid-
brown finish that are derived from pota-
toes and old coffee grounds. “The pota-
toes come from a company that works
with McCain’s chip offcuts,” he says.
Single-use plastics and discarded fish-
ing nets were among the first materials
to be recycled into luxury products, but
now food waste is getting the sustaina-
ble spin. US designer Mara Hoffman
crafts all her buttons from tree nuts,
while Hugo Boss and Veja sell sneakers
made from repurposed pineapple leaves
and corn starch, and Italian start-up
Orange Fiber makes silk from scraps of
citrus peel which has been usedfor Sal-
vatore Ferragamo’s slinky floral printed
scarves and dresses.
Stella McCartney, who has long been a
champion of sustainable alternative
fabrics, has recently partnered with Bolt
Threads, a Californian company that
was last year valued at $700m nda

dining to beauty and fashion. “Food
waste is definitely trending right now,”
says Lisa Carolan, founder of the first
waste-free wellness resort Our Retreat,
in Sardinia; she introduced a waste-free
policy after discovering that 1.3bntons
of food is wasted annually. (The figure is
expected to rise to 2.2bn y 2025,b
according to the United Nations.) From
upwards of £1,450, guests can enjoy six
days of mindfulness, meditation and
day trips out to sea on a private yacht,
accompanied by lunches that use up
leftovers from the night before. “Carrot
salads are made into vegan cakes, avo-
cado is blitzed into guacamole, leftover
raw cauliflower salad can be made into
pizza base,” says Carolan. “We’ve had a
positive response from our guests.”
Clos19’s supper clubs — and Cubitts’
glasses — salvage what would “other-
wise go in the dustbin,” says Clos 19’s
founder Stéphanie Watine Arnault. She
adds, “I was horrified when I learnt the
statistics that one-third of the food
grown or produced in the world is dis-
carded.” She says her luxury supper
clubs help to change people’s attitudes
around waste by turning it into meals
made by Michelin-starred chefs. “We
work with suppliers [to source food]
which can’t be sold — this can be as sim-
ple as incorrect size, shape or cut,” she
says. “For me, these supper clubs show
that with a little more thought we can all
minimise how much we trash.”
The growing demand for natural skin-
care and plastic-free packaging has seen
the beauty industry wake up to waste
too. Earlier this year, The Body Shop
unveiled a collection of cleansers and
moisturisers crafted from organic,
wonky carrots that are too crooked to
sell in supermarkets. Cowshed’s packag-
ing is made from repurposed sugar
cane, while London-based brands
UpCircle and MontaMonta have both
partnered with coffee shops across the
British capital to turn used coffee
grounds into scrubs and serums that are

Last season in menswear saw the
reinvention of the cross-
body utility bag; now,
luxury brands and
designers are returning
to a timeless silhouette
for winter — the tote.
Whether you like loudly
patterned shoppers or
prefer a sturdy canvas style,
it has been given a chic —
and practical — reboot and there
are plenty to choose from.


  1. or those who don’t shyF
    away from pattern and colour,
    look to Burberry. Its
    Artle vintage-check
    tote bag takes
    inspiration from the
    house’s 1960s archives.
    Created with a cotton-
    blend canvas, it has a
    handy detachable
    shoulder strap (£590,
    matchesfashion.com).

  2. Outerwear brand Folk has
    also gone bold. Its
    monotone shopper is
    patterned with up-and-
    coming artist Mr Alfie
    Kungu’s abstract prints
    and is perfect for
    everyday (£55,
    mrporter.com).

  3. ounded in 2013,F


Style


ou wearY


sold at Cult Beauty and Liberty. Coffee is
rich in antioxidants, and the caffeine is
said to also boost collagen production.
The grounds are readily available —
according to Allegra World Coffee Por-
tal, analysts of the global sector, the UK
coffee trade was worth £10.1bn in 2018,
with independent outlets serving 10.5m
cups of coffee per week.
“The supply of the material is plenti-
ful,” says Broughton, of his potato
glasses — one of his most
successful product trials
based on its likeness to
acetate in terms of dura-
bility and mouldability.
“Particularly in this coun-
try, we eat a lot of chips.
Chips Board, the clever
company we work with,
take the stuff that’s too
small to constitute a chip by
McCain’s standards and turn it
into board using heat and pressure,” he
says. Helmed by four recent graduates,
the London-based start-up company
normally make the boards for computer
processors. “On its own, the mate-
rial looks nice-ish,”
h e s a y s. “ Yo u
wouldn’t say it was
beautiful, but you
wouldn’t think it
looks like pota-
toes either. We
experimented with
other materials to make it look more
interesting — we sprinkled coffee
grounds into it which made it a bit more
prismatic and to give texture. He adds,
“the appearance is really important,
because there’s no point making some-
thing from an alternative material like
mushrooms if no one wants to wear it.”
Using food waste in fashion has its
downsides, though. Broughton’s mush-
room glasses didn’t pass the brand’s
standards testing; the material —
called mycelium, which is also used in
vegan leathers — proved too flimsy and

Troubadour’s bags are a best
seller. “We have seen a
massive rise in the
sale of men’s
totes,” says co-
founder Samuel
Bail. “Our creative
director Samantha
Jacob pushed the
team to create a
tote in 2017 and it
literally became our bestselling
style on the day it launched.” Its
most popular version? “The
Adventure tote,” says Bail.
“It has snaps to
keep it closed and
expand the
capacity... The bag
is made from only
two pieces of fabric
so there are no
seams at the front,
giving it a refined look.”
(£225, troubadourgoods.com)
4. Constantly rummaging
for work key cards
and other
miscellaneous
items at the
bottom of your
bag? Well search
no more, thanks
to Trunk x
Porter’s collaboration tote.

Made from cotton canvas with
vegetable-tanned leather trims,
this smart bag has a series of
waterproof compartments
for pens, wallets and small
everyday essentials. The
canvas has also been treated
with wax for water resistance.
Neat. (£130,
trunkclothiers.com).


  1. ult Japanese labelC
    Ichizawa Hanpu also prefers to keep
    things simple; its shopper bags
    (made in Kyoto and available in
    myriad colours) are crafted
    from hard-wearing 8oz cotton
    canvas and feature an internal
    zip pocket to keep your
    everyday essentials organised.
    (£125, trunkclothiers.com)

  2. If you appreciate graphic
    design, opt for Italian luxury
    brand Valentino’s collaboration
    with Japanese label Undercover.
    Although the brands are perhaps an
    unlikely pairing, the shopper is sleek
    and built to last. Crafted from
    Italian black nappa leather
    with two thick straps and a
    funky UFO print in lilac, it can
    easily translate from day to
    night. Plus it’s large enough to
    fit a 13” Apple Macbook Pro in.
    (£919, endclothing.com)
    Flora Macdonald Johnston


SHOPPING


MEN ’S TOTE S


impractical. Similarly, Veja’s leather-
look material crafted from corn waste
was originally used in its sleek Campo
tennis trainer, but had to be switched
to its signature V10 basketball sneaker
after the designers realised the process
of meshing it to the vulcanised sole was
damaging the fibre. “It has to spend an
hour and 10 minutes in the oven at
200 degrees to glue the sole to the
upper,” says co-founder Sébastien
Kopp. “We’ve had to switch it to a shoe
that stitches the sole on instead — we
can only use it for sewn shoes. It was a
bitter learning curve.”
In recent years, as the fashion indus-
try has started to acknowledge the
impact of garment production on the
planet (being the second most polluting
industry after oil), sustainability has
become something of a buzzword.
“There’s a lot of greenwashing around
right now,” says Broughton. Fashion’s
overuse of ‘sustainable’ and ‘ethical’ as
blanket terms has, he argues, made both
lose meaning with consumers because
the details regarding production remain
abstract. “It’s much more nuanced than
that,” Broughton adds.
Waste, on the other hand, is a new
term being championed by numerous
brands — it’s more specific and direct
when used as a marketing tool. “Circula-
tory doesn’t have that same pull with
customers,” says Broughton, “whereas
waste does because they can visualise it.
That’s one of the reasons that plastic has
played into our minds and hearts,
because people have all these visual
images of non-biodegradable plastics

floating in the ocean and turtles swim-
ming in it. People just think food is bio-
degradable and goes back into the earth,
but they’re not thinking of the impact
the production of it has had.” The word
waste, argues Broughton, is a new way of
repackaging the sustainability message
in a way customers can understand.
“We opted to see the value in waste,
rather than the waste in it,” says Mike
Schlebach, co-founder of the South Afri-
can label Sealand — it’s just one
of a number of labels to adopt
the term into its key market-
ing messaging. Other brands
and businesses to utilise the
waste-free catchphrase
include London-based ELV
Denim — which repurposes
old jeans in its designs — and
Kering’s Worn Again Tech-
nologies, which breaks down
used materials to make new ones.
While Sealand doesn’t use food waste, it
does use old yacht sails that would oth-
erwise end up in a landfill, turning them
into backpacks and tote bagsstocked on
Mr Porter. “Waste [as a luxury term] is
being reconsidered,” he says. “We’re
intercepting it prior to landfill —
we’re proud to cham-
pion it.”
B r o u g h t o n
thinks the way to
g e t c u s t o m e r s
rethinking waste — and
its value — is literally to transform it in
front of their eyes. “We want someone to
be able to bring in their old plastic bags
or other waste from home, put them
into a shredder that turns them into pel-
lets, and those pellets can be turned into
frames to make your own glasses,” he
says. He says the brand isn’t far off intro-
ducing such tech to stores.
“We want to emphasise that our own
trash can also become our own treas-
ure,” says Watine Arnault. “We all have
a responsibility to reconsider our atti-
tude to waste.”

hat you eatw


makes buttery vegan leathers out of
mushrooms. For spring/summer 2019,
McCartney offered gauzy vests and
T-shirts crafted from vegan silk made
from yeast, and leather trousers in
earthy mustards and burgundy hues.
Meanwhile, LVMH’s wine and spirits
platform Clos19 has teamed up with
London charity Refettorio Felix to host
supper clubs where stellar chefs such as
Skye Gyngell serve up three-course din-
ners using only waste produce — tickets
cost £90, and each event sells out almost
instantly. It’s a movement happening
across different lifestyle categories from

Beauty brands partner


with local coffee shops to


turn waste grounds into


scrubs and serums


Clockwise from main: Stella
McCartney AW17 campaign;
MontaMonta sage and
coffee scrub, £17,
libertylondon.com; Pinatex
sneakers, £219, Hugo Boss;
Cubitts Redux potato glasses,
available from January;
LVMH’s Clos 19 waste supper
club, hosted at Refettorio
Felix in London; Stella
McCartney SS19

Sustainability Corn, mushrooms|


and even potatoes are being converted


into luxury items.GraceCook eportsr


on the rebranding of food waste


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NOVEMBER 2 2019 Section:Weekend Time: 31/10/2019- 17:37 User:andrew.higton Page Name:WKD6, Part,Page,Edition:WKD, 6, 1

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