The Hollywood Reporter - 30.10.2019

(ff) #1

The Hollywood Reporter, Vol. CDXXV, No. 35 (ISSN 0018-3660; USPS 247-580) is published weekly; 39 issues — two issues in April, July, October and December; three issues in January and June; four issues in February, March, May, August and September; and five issues in November — with 15 special issues:
Jan. (1), Feb. (2), June (4), Aug. (4), Nov. (3) and Dec. (3) by MRC Media LLC, 5700 Wilshire Blvd., 5th floor, Los Angeles CA 90036. Subscription rates: Weekly print only, $199; weekly print and online, including daily edition PDF only, $249; online only, $199; digital replica of weekly print, $199. Single copies,
$7.99. Periodical Postage paid at Los Angeles, CA and additional mailing offices. POSTMASTER: Send all UAA to CFS. Non-Postal and Military Facilities send address changes to The Hollywood Reporter, P.O. Box 125, Congers, NY 10920-0125. Under Canadian Publication Mail Agreement No. 41450540
return undeliverable Canadian addresses to MSI, PO BOX 2600, Mississauga, On L4T OA8. Direct all other correspondence to The Hollywood Reporter, 5700 Wilshire Blvd., 5th Floor, Los Angeles, CA 90036. MRC Media, LLC: Vice President, Human Resources: Alexis Capra. Advertising/Editorial Reprints:
Reprints of editorial or ads can be used as effective marketing tools. For details, please contact Wright’s Media: (877) 652-5295 or email at [email protected]. Permission: Looking for a one-time use of our content, as a full article, excerpt or chart? Please contact Wright’s Media, (877) 652-5295;
[email protected]. Subscription inquiries: U.S. call toll-free (866) 525-2150. Outside the U.S., call (845) 267-4192, or email [email protected]. Copyright ©2019 MRC Media, LLC. All rights reserved. No part of this publication may be reproduced, stored in any retrieval system or
transmitted, in any form or by any means — electronic, mechanical, photocopying, recording or otherwise — without the prior written permission of the publisher. THR.com PRINTED IN THE U.S.A.


Memorable moments from a storied history

90 Years of THR


THE HOLLYWOOD REPORTER 80 OCTOBER 30, 2019
TRISTAR PICTURES/PHOTOFEST

Top: James Cameron on the set of 1991’s Te r m i n a to r 2 with Linda Hamilton (as Sarah Connor). Above right: THR’s review ran opening day: Oct. 26, 1984.

With the release of Terminator:
Dark Fate on Nov. 1, the merce-
nary brought to life by Arnold
Schwarzenegger proves again to
be one resilient robot. Dark Fate —
which reunites Schwarzenegger
with Linda Hamilton, who last
appeared in the franchise in 1991’s
Terminator 2: Judgment Day — is
the fifth sequel spawned by 1984’s
The Terminator (and the first since
T2 produced by James Cameron).
Schwarzenegger, who was just
coming off the success of Conan
the Barbarian, thought it an iffy
career move to play the emotion-
less killer. “There was no question
it was a gamble,” says Lou Pitt, his
agent at the time. “But it had the
potential to take his career to a
different place and another level.”
The Austrian bodybuilder, then


37, was wooed into the role by
director Cameron, then 30, who
he described as “a skinny, intense
guy” in his 2012 autobiography
Total Recall: My Unbelievably True
Life Story. (This was Cameron’s
second time directing a feature;
it came after Piranha II: The
Spawning, which had a $150,000
budget.) The Hollywood Reporter
liked Cameron’s casting choices.
The first line of THR’s rave review
was: “No doubt about it: Arnold
Schwarzenegger was born to play
‘The Terminator.’ ” Later, the
review praises Hamilton’s “tre-
mendous resiliency.” Arnie liked
that he’d be paid $750,000, or
$1.8 million in today’s dollars —
but was less thrilled that he’d have
only 17 lines of dialogue and that
much of the shooting would be

done at night. He wrote that the
after-dark schedule was because
“control freaks like Jim are big
fans of night shooting. It gives
you total control over the lighting
because you create it.” The Orion
release’s budget was $6.4 million
($16 million today) and it grossed
$78 million worldwide ($193 mil-
lion currently). Altogether, the

Te r m i n a t o r films have grossed
$1.2 billion, according to Box
Office Mojo. They also produced
a marriage — between Cameron
and Hamilton, in 1997. The duo
divorced two years later, with
Hamilton, in a 2010 interview in
U.K. magazine The Lady, calling
their time spent together “terrible
on every level.” — BILL HIGGINS

In ’84, Ter minator Arrived (and Kept Coming Back)


1199744 4 1 997755 1199766 19777 1 199788 1 979 99 199801 1981 1 11982 1983 1984 1985 191986 19987 11988 19898 19990 0 19991 19992 2 1993 3 1 99999 44

Free download pdf