An illustration of Hollywood Blvd after. Credit: Nathan Schroeder
S26
THE ENVELOPE LOS ANGELES TIMES THURSDAY, OCTOBER 31, 2019
geared toward what he was read-
ing and watching.”
Tarantino’s deep knowledge of
the area — Hollywood, the Valley
— fuels the world of the film, just
as Los Angeles native Ling’s does.
“He wanted as real as we
could get, and not just landmarks.
He would say, ‘I really like Van
Nuys Boulevard. As a kid, I was
driving on Van Nuys Boulevard in
Panorama City — that’s where we
used to go shopping.’
“The greatest line he ever said
to me in terms of how things [for
the film] were perceived was,
‘Imagine an 8-year-old lying in
the back of his mom’s car, and his
point of view.’ ”
Much has been made of the
film’s restoration of 1969 Holly-
wood — the era-appropriate
mural on Hollywood’s Aquarius
Theatre, so many iconic façades
in Westwood Village and Holly-
wood Boulevard. The production
even repainted crosswalks to
O
nce Upon a Time ...
in Hollywood” is
Quentin Tarantino’s
nostalgic fable,
alternate history,
love letter to film, violent fantasy.
Production designer Barbara Ling
says it’s also very personal.
“It is his epic. It’s extremely
personal to Quentin,” she said on
the Sony lot. “He always says,
‘This is how I became a film-
maker. Growing up [here], my
mom letting me go to movies
really early. Watching TV. When-
ever I could, going to the book-
store or poster shop, getting
another comic.’ Everything was
resemble those of the time.
But perhaps more telling are
the tiny details: filmmaking
choices that came from the heart
of an 8-year-old lying in the
backseat of his mother’s car.
“I said, ‘OK. The signs I could
build, full-scale: Roy Rogers
restaurant, the Earl Scheib, the
Holiday Inn,’ ” said Ling.
“Another thing you remember
from Van Nuys is those enormous
electric and telephone lines. You
saw the signs through the lines.
So we put lines up, telephone
poles, then billboards and signs.
So when you saw Cliff [Brad Pitt’s
character] making that drive,
THE CRAFTS
Inside the
mind of
Tarantino
‘Once Upon a Time ... in Hollywood’
draws on the director’s memories of a bygone
L.A. to create an authentic period look.
BY MICHAEL ORDOÑA
1969
2019