The Washington Post - 20.10.2019

(Darren Dugan) #1

C4 EZ RE THE WASHINGTON POST.SUNDAY, OCTOBER 20 , 2019


BY JASON NEURINGER

S


ummer is over, and fall is
here, which means the re-
turn of three things to
Montgomery County.
Pumpkin-spiced everything, traf-
fic congestion and a county gov-
ernment and state delegation
that are unwilling to solve our
traffic nightmare.
In a March 24 Local Opinions
essay, “Just build the bridge al-
ready,” I challenged the Mont-
gomery County Council to help
ease a major traffic headache in
our region by supporting the
construction of a second Potomac
River crossing. Since then, the
Montgomery County govern-

ment and its state delegation
have done nothing to improve
traffic and instead have wasted
precious time and taxpayer mon-
ey on imprudent issues.
Instead of alleviating traffic
and working to benefit the over-
whelming majority of Montgom-
ery County residents, they have,
instead, bungled future budget-
ing and financing for the county,
been outraged over alleged police
brutality and ranted against ordi-
nary citizens for voicing their real
concerns about the direction of
this county.
While all this was occurring,
Maryland Gov. Larry Hogan (R)
and concerned leaders have
worked to alleviate another traf-

fic nightmare: Interstates 270
and 495. As a regular traveler on
I-270 and I-495, I could not be
more appreciative.
Since the spring, Hogan has
added lanes on the 270/495
merge, improved add and drop
lanes to 270 and made traffic
significantly better. Many of
these improvements were final-
ized ahead of schedule and were
seen even before the summer
break began. Their improve-
ments were noticeable. There is
still much work to do, but we are
on the right path. Perhaps, if the
Montgomery County govern-
ment and its state delegation
cooperated and worked for the
vast majority of Montgomery

County residents, solving the
traffic problem may be an achiev-
able goal.
I could write page after page
about how bad traffic in our
region is. Countless articles al-
ready explain how bad it is. Most
Montgomery County residents
know how bad it is, notably near
the American Legion Bridge and
I-270.
Instead, our county govern-
ment officials and elected repre-
sentatives and state delegation
are grossly indifferent to the
plight of the hardworking and
struggling residents of Mont-
gomery County. Instead, they lis-
ten to a vocal minority that is
opposed to not just reasonable

solutions but any solution. From
their criticism, it is clear both
these naysayers and this county
government don’t regularly trav-
el I-270 or I-495 and do not
understand just how bad it is.
But it’s not just those of us
sitting on I-270 or I-495 who
suffer when traffic is bad. Feeder
roads — Watkins Mill Road, Mon-
trose Road, Rockville Pike, Geor-
gia Avenue, River Road — are
unbearable at 8:30 in the morn-
ing because of backups on I-270
and I-495. Alleviating I-270 and
I-495 traffic congestion means
alleviating congestion on other
roads as well.
The naysayers are vocal. How-
ever, it is time the residents who

are frustrated with sitting in traf-
fic also have a voice. I am just a
dad who has precious little free
time, but I cannot sit idly by. I
have written about my frustra-
tion, and I have publicly spoken
about it as well. I encourage
others to do the same.
The county and our state del-
egation must know that most
residents support widening I-270
and I-495 and support a second
Potomac crossing. Let’s get a
county government that will
work for the benefit of Montgom-
ery County residents. Let’s build a
road to the future.

The writer is a longtime Montgomery
County resident.

I-270 and I-495 improvements are welcome to regular users


BY CHRIS BYRD

E


vents DC’s a nnouncement that it will
raze RFK Stadium by 2021 presents
it, with the National Park Service’s
cooperation, the opportunity to re-
move the memorial to late Washington
football team owner George Preston Mar-
shall (1896-1969) from the front of the
stadium.
Washingtonians should know this monu-
ment honors a man who exploited racial
divisions to build one of the National
Football League’s more prosperous fran-
chises. And he obdurately stood in the way
of necessary and welcome societal change
long after it was otherwise the universal
norm.
Before moving the franchise here from
Boston in 1937, Marshall regrettably
changed the team’s nickname from the
Braves to its current pejorative name. That
shameful decision haunts us still.
The relocation made our franchise the
only one then situated below the Mason-
Dixon line, and the owner determined to
make Washington the NFL’s team of the
South. A calculating businessman, he built a
regional TV network throughout the South
to broadcast the team’s games.
That scheme expanded the team’s fan
base considerably, engendering legions and
generations of fans in North Carolina, Vir-
ginia and Te nnessee. Even now, when you
travel deep into those states, you’re more
likely to see Washington jerseys than Cow-
boys or Panthers ones.
Marshall’s cultivation of a Southern fan
base also reflected his deep-seated segrega-
tionist views, which, many have forgotten,
were once embodied in the team’s fight
song. Fans have been accustomed to singing
“fight on for old D.C.,” but for a brief period,
the lyrics were “fight for old Dixie.” And
“Dixie” was played in tandem with the
national anthem before each game.
And Marshall famously refused to sign
African American players long after the rest
of the NFL embraced them. His obstinacy
prompted fabled Post sportswriter Shirley
Povich to comment the team’s colors were
“burgundy, gold and Caucasian.”
The NFL had employed African A merican
players Fritz Pollard and Bobby Marshall as
early as the 1920s. The league then banned
African Americans in 1933, b ut Kenny Wash-
ington’s signing by the Los Angeles Rams in
1946 conclusively integrated the league. By
1961, Washington was the only NFL team
without an African American player. And
numerous African Americans, who were by
then the majority of District residents,
boycotted the games.
Kennedy administration Interior Secre-
tary Stewart Udall forced the owner’s hand.
Either sign an African American, he insist-
ed, or the government would revoke D.C.
Stadium’s 30-year lease. Stymied, Marshall
relented. Holding the top pick in the 1962
draft, Marshall wanted to take Syracuse
running back Ernie Davis, universally con-
sidered that draft’s top pick. But “The
Elmira Express” f amously said, “I won’t p lay
for that SOB.” Which prompted the owner to
trade the rights to Davis to the Cleveland
Browns for future Hall of Famer Bobby
Mitchell.
Developing leukemia in the summer of
1962, Davis tragically died at 23 without
playing an NFL down, while Mitchell, as the
first African American to play here, is
happily and synonymously associated with
Washington football.
But justice was delayed and denied too
long. Once largely discredited, Marshall’s
views are sadly resurgent. By removing the
monument to the late owner, Events DC
could powerfully signal hatred and division
aren’t welcome here. That action could also
instruct the team’s current owner.
Refusing to replace the team’s offensive
name and make a change that will make our
city and society better, Daniel Snyder mim-
ics his predecessor. And his team’s perpetu-
ating ugly stereotypes about one group
merely emboldens some people to vilify
other groups.
If Events DC removed the tribute to
Marshall, it could show the team and us a
better way.

The writer is a native Washingtonian.

The Marshall


memorial at


RFK Stadium


should go, too


BY JOHN SEYMOUR

A


few minutes’ drive from my
home in Arlington lies the head-
quarters of the National Rifle
Association, the country’s most
powerful gun-rights advocacy and lob-
bying organization. Except for the bold
red NRA logo and the large Blue Lives
Matter flags at i ts entrance, the structure
is indistinguishable from a thousand
other office buildings orbiting the na-
tion’s capital. Within it, however, is the
popular National Firearms Museum dis-
playing more than 1,500 rare and histor-
ic weapons, many with stocks hand-
somely carved and metalworks finely
engraved, in polished mahogany cases.
To a non-collector, the guns, although
rare and valuable, tend to blend together
pretty quickly. The bulk of the museum,
however, purports to tell our nation’s
story through a series of galleries, ar-
ranged chronologically and labeled “The
Road to American Liberty,” “The Pros-
pering New Republic” and “Ever Vigi-
lant.” The exhibits, minimally explained,
are intended to show how firearms were
used during our nation’s history to se-
cure freedom and independence and
how they have been used since to protect
and maintain that freedom.
Despite the endlessly repeated equa-
tion of guns with liberty, history inexora-
bly exerts its pull. One weapon of partic-
ular interest to the guide on my recent
tour was a ceremonial Colt pistol, manu-
factured for President John F. Kennedy
and decorated with the presidential seal
and the serial number PT-109, the num-
ber of Kennedy’s PT boat. The guide did
not mention, however, that, as the cura-
tor’s notes reveal, “the president’s un-
timely death in November 1963 prevent-
ed this hand-gun from being presented.”
To many visitors interested more in
history than in guns as artifacts, the Colt
pistol seemed dangerously evocative of a
weapon not mentioned in the museum:
the Italian bolt-action rifle and scope
purchased by Lee Harvey Oswald for
$19.95 in response to an advertisement
in American Rifleman, the official publi-
cation of the NRA. On Nov. 22, 1963,
Oswald used that weapon to assassinate
Kennedy.
The museum also displays, in yet
another instance of astonishing lack of
self-awareness and historical tone-deaf-
ness, another ceremonial Colt pistol, this
one given to President Abraham Lincoln
by his Cabinet. While taking time to
describe the Lincoln pistol, the guide did
not mention the derringer used by John
Wilkes Booth to assassinate Lincoln, a
weapon now displayed in the Ford’s
Theatre National Historic Site adminis-
tered by the National Park Service. That
weapon and the bloodstained pillow
from Lincoln’s deathbed tell us more
about the complicated relationship be-

tween guns and liberty in our nation
than all those displayed in the NRA
museum.
Other exhibits display a similar myo-
pia and selective memory in their treat-
ment of U.S. history. The museum refer-
ences, in its gallery labeled “A Nation
Asunder,” t he “War Between the States,”
an aging Southern euphemism for the
Civil War. The exhibit highlights South
Carolina’s protestation that the war was
righteous because states need to defend
the “powers granted to them by the
Te nth Amendment of the Constitution”
to secure “a free and sovereign govern-
ment.” Slavery goes unmentioned. A
prominent photograph of Confederate
president Jefferson Davis, as the colonel
then commanding the 1st Mississippi
volunteers, might strike a particularly
jarring note for many local visitors. Ar-
lington County only recently managed,
after years of opposition by Republican
majorities in Richmond, to remove Da-
vis’s name from one of the county’s
major highways.
A massive display holding various
models of modern assault rifles —
“A merica’s Rifle” — as captioned by the
curators, exerts a powerful effect on the
viewer and reinforces the museum’s de-
piction of their owners as the true de-
scendants of the Founding Fathers, mod-
ern Minutemen. That e xhibit, too, seems
particularly graceless in light of the
weapon’s f requent use in mass shootings

today. The NRA’s museum however,
proudly proclaims the weapon to be the
“most popular rifle pattern in America,”
and the organization continues to op-
pose all state and federal legislation
seeking to curb its use. According to our
guide, however, another weapon is even
more popular with museum-goers — the
Smith & Wesson .44-caliber police re-
volver used by Clint Eastwood in the film
“Dirty Harry.” Both guns bolster the
museum’s narrative that weapons are
essential to secure individual agency
where institutions fail, when the social
contract is torn and only weapons can
make the playing field equal.
The ahistoric treatment of wars, the
lauding of guns as exemplars of freedom
and the enshrining of guns into popular
mass culture myths of manhood and
rugged individualism were grating and,
after a bit, wearisome. But they were
hardly surprising in an NRA museum.
But then I came to a gallery dubbed “For
the Fun of It” with a diorama labeled “A
Child’s Room” — a lovingly curated ex-
hibit of a young boy’s bedroom circa


  1. Within a softly lit, sepia-toned
    bedroom decorated with cowboy-
    themed flooring, wallpaper and bed-
    spread were scattered toys of my g enera-
    tion: a Slinky, a record player with 45s,
    paint-by-numbers sets, a Viewmaster
    and slides, a couple of Hardy Boys books,
    Davy Crockett’s coonskin cap. But the
    bedroom is also littered with a dozen or


more weapons, from shotguns to single-
shot rifles to air rifles and cap guns. The
room traps in amber the NRA’s world-
view: Guns are the birthrights of Ameri-
cans, markers of masculinity and as
ordinary, appropriate and common-
place for children as Lincoln Logs and
Erector Sets.
But children and guns are not so easily
paired now, if they ever were. Not in the
wake of Sandy Hook Elementary School
in Newtown, Conn., where, in the bath-
room in Lauren Rousseau’s classroom,
15 first-graders, hiding and huddling
from their assailant, were slaughtered.
Or the library at Columbine, where 10
students were shot dead. Or any Virginia
classroom, where students now shelter
during the quarterly active shooter drills
required by state law.
After Newtown and Parkland and Col-
umbine and Virginia Te ch, the diorama
cannot be characterized as merely taste-
less and tone-deaf and willfully blind; it’s
grotesque and shameless. Like a tableau
of lost innocence staged in an abattoir; it
furthers the NRA’s central myth: That
the answer to gun violence is more guns.
It also reveals the NRA’s central strategy
for achieving more universal gun owner-
ship: Normalize and promote firearms
through a toxic and counterfactual com-
bination of fearmongering, sentimental-
ities and manipulation of history.

The writer is a longtime Arlington resident.

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BY MARION GRAY-HOPKINS

M


y 19-year-old son, Gary Hop-
kins Jr., was killed by the
Prince George’s Police Depart-
ment nearly 20 years ago. I am
saddened that the same type of senseless
killings are still occurring with little or
no accountability and no transparency
from those we pay to protect and to
serve us. Systemic racism runs deep in
the veins of our police forces. How many
headlines can we afford to see?
The lack of accountability is just one
of the vehicles that drive the needless
killings of black and brown people. Last
month, Leonard Shand answered with
his life.
We must say his name: Leonard
Shand.
Te n officers with the Prince George’s
County, Mount Rainier and Hyattsville
police departments surrounded 49-
year-old Shand and shot and killed him
in front of college and high school
students, several of whom recorded the

killing.
The police said they spent about 30
minutes trying to contain Shand and
using “less than lethal force.” Their “less
than lethal force” strategy included
screaming at t he disoriented man, using
pepper spray and tasers and throwing a
flashbang grenade, all of which escalat-
ed the situation. The use of the flash-
bang grenade undoubtedly led to
Shand’s death. Who wouldn’t run from
an exploding flashbang grenade? As the
ACLU of Maryland said in a statement,
“The police created a more dangerous
situation, causing an armed man to run
towards them, and then used the inevi-
table result of their actions as the
justification to shoot him.”
Based on information provided at a
Prince George’s County Police Depart-
ment news conference, a health profes-
sional was not called to peacefully de-es-
calate the situation. Instead, officers
followed Shand with their guns pointed.
They shot multiple times while he lay
motionless on the ground. Officers not

only left numerous bullet holes in the
victim’s body but also holes in nearby
buildings.
In t he aftermath of Shand’s d eath, the
police department has tried to paint a
deceptive narrative by using selective
characterization of facts. This was exem-
plified when the PGPD Twitter account
chose to release photos of bloody knives
that the victim was alleged to have been
carrying instead of the vast footage that
the department claims to have of the
incident. Bystanders, however, took nu-
merous videos of what happened.
In the footage released, nobody was
seen to be stabbed. The blood on the
knives most likely came from Shand
after he had been shot multiple times.
These videos also show that far from
“charging” at them as police have al-
leged, Shand was fleeing the grenade
police had flung at him. This tactic of
dehumanizing the victim remains the
first line of defense by law enforcement,
which gets its narrative out first.
There is a clear pattern with Mary-

land law enforcement officers gunning
down black and brown people. The
officers’ official narrative, as the ACLU
of Maryland put it, “continues to paint
victims as threats while wiping their
hands clean of any wrongdoing.”
We r egularly see police officers peace-
fully arresting armed white mass shoot-
ers alive, including the shooters in El
Paso and at Emanuel AME Church in
Charleston, S.C. Ye t black people too
often do not survive police encounters
and are seen as more “dangerous” be-
cause of their skin color.
Systemic racism and unconscious
bias cannot be excuses for Maryland law
enforcement officers to kill black and
brown people with little or no account-
ability.
As Marylanders, we should demand
the truth. We cannot be silent. We
cannot afford another unjust killing,
another life taken like this.

The writer is president of the Coalition of
Concerned Mothers.

20 years after police killed my son, I see little accountability


‘A Child’s Room’ at the NRA


MICHAEL A. MCCOY FOR THE WASHINGTON POST
The NRA headquarters in Fairfax in August.

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