USA Today - 21.10.2019

(Sean Pound) #1

2D z MONDAY, OCTOBER 21, 2019 z USA TODAY LIFE


It’s almost time to take a bite out of Apple’s new
streaming service.
The company is launchingApple TV Plus on Nov. 1
with nine original programs for $4.99 a month. The
new programming includes dramas, comedies and
movies with big-name stars and producers such as
Oprah Winfrey, Steven Spielberg, Jennifer Aniston
and Jason Momoa. (Several of them attended a major
kickoff event in March to showcase the new service.)
But can Apple TV Plus replicate the success seen by
other services including Netflix, Amazon and Hulu?
Take a look at what will be offered to its streaming cus-
tomers on its first day and beyond.


‘The Morning Show’ (Nov. 1)


This isn’t a morning show: It’s “The Morning Show,”
a drama about a “Today”-like show. The series stars
Aniston as an over-the-hill news anchor, Reese With-
erspoon as an upstart and Steve Carell as a #MeToo’d
anchor (think Matt Lauer). Apple already has picked
up a second 10-episode season.


‘Oprah’s Book Club’ (Nov. 1)


Apple announced a multiyear partnership with the
talkshow legend and founder of the OWN cable net-
work. The deal includes the series “Oprah’s Book
Club,” a feature made popular on Winfrey’s talk show
after it first launched in 1996. For the first Apple TV
Plus episode, Winfrey interviews author Ta-Nehisi
Coates about his new book “The Water Dancer.”


‘See’ (Nov. 1)


Jason Momoa and Alfre Woodard (“Luke Cage”)
star in this dystopian drama set 600 years in the fu-
ture. The series follows the struggle and survival of the
human race after a virus kills a large number of hu-
mans and leaves the survivors blind.


‘Dickinson’ (Nov. 1)


Hailee Steinfeld (“Bumblebee”) plays “Dickinson”
in a comedy about the early life of poet Emily Dickin-
son, with Jane Krakowski (“30 Rock”) as her mother.


‘For All Mankind’ (Nov. 1)


The new space series explores how different our
world would be if the space race had never ended. The
show is being created by Ronald D. Moore (“Outland-
er,” ) and stars Joel Kinnaman (“The Killing”) and Sa-
rah Jones (”Alcatraz”).


‘Helpsters’ (Nov. 1)


The team behind “Sesame Street” takes on this se-
ries about lovable monsters who help solve problems.


‘Snoopy in Space’ (Nov. 1)


Get the gang together and bring the dog, too! The
beloved characters from “Peanuts,” created by Charles
M. Schulz, will make Apple their home for series, spe-
cials and shorts based on “Peanuts” characters. The
agreement includes STEM content in partnership with
NASA. First up: “Snoopy in Space,” about a dog who
wants to become an astronaut.


‘Ghostwriter’ (Nov. 1)

A mysterious ghost in a bookstore enlists the help of
four kids to release fictional characters from literature.
The show is a reboot of a 1990s PBS series.

‘The Elephant Queen’ (Nov. 1)

Apple TV+ also will take on nonfiction fare, includ-
ing this documentary that follows a mother elephant
and her herd.

‘Servant’ (Nov. 28)

A tragedy creates a rift in the marriage of a Philadel-
phia couple, which opens a portal for a mysterious
force in this series from thriller creator M. Night Shya-
malan.

‘Truth Be Told’ (Dec. 6)

Octavia Spencer (“Hidden Figures”) and Aaron Paul
(“Breaking Bad”) star in this series, which examines
truecrime podcasts and the consequences of Amer-
ica’s obsession with this new form of media.

‘The Banker’ (January)

Anthony Mackie and Samuel L. Jackson, who both
recently starred in “Avengers: Endgame,” play entre-
preneurs trying to provide housing loans to African
Americans in 1950s Texas. The project also stars Nia
Longand Nicholas Hoult. The movie will premiere in
theaters Dec. 6 before it appears on Apple TV Plus.

‘Little America’

This new anthology series captures the stories of
immigrants in the United States. Based on a collection
of stories in Epic Magazine, the show will be execu-
tive-produced by Kumail Nanjiani and Emily V. Gor-
don, the husband-and-wife team behind “The Big
Sick.”

‘Hala’

A high school senior struggles to balance her life as
a teenager with her traditional Muslim upbringing.
The movie was an official selection of the Sundance
Film Festival and Toronto International Film Festival.
The following Apple TV Plus projects are among
those expected to appear in 2020 and beyond.

Chris Evans project

Evans has been tapped to executive-produce and

star in “Defending Jacob,” a drama based on the book
by William Landay. Evans, best known as Captain
America in the Marvel movie franchise, plays a man
whose 14-year-old son is the prime suspect in a mur-
der.

Brie Larson series

Larson, who triumphed at the box office with “Cap-
tain Marvel,” will try her hand at producing and star-
ring in an Apple TV Plus series. The untitled project is
based on the book “Life Undercover: Coming of Age in
the CIA,” by former CIA undercover operative Amaryl-
lis Fox.

Bill Murray movie

Director Sofia Coppola is reuniting with her “Lost in
Translation” star Murray in “On the Rock,” a film about
a larger-than-life figure who reconnects with his
daughter during an adventure in New York City. Ra-
shida Jones also is set to star.

‘Time Bandits’

The new comedy series, about a young boy picked
up by a group of time travelers, is based on the 1981
movie from “Monty Python” alum Terry Gilliam. “Thor:
Ragnarok” director Taika Waititi has been added to the
project to direct and co-write the pilot.

‘My Glory Was I Had Such Friends’

Jennifer Garner and director J.J. Abrams(“Alias) are
reuniting for this limited drama series about a group of
women supporting a friend waiting for a heart trans-
plant. The show is based on the memoir by Amy Silver-
stein.

‘Mythic Quest’

Fans of “It’s Always Sunny in Philadelphia,” will be
happy to see Rob McElhenney and Charlie Day work-
ing on the new Apple TV Plus series “Mythic Quest” as
writers and producers. McElhenney also stars in the
workplace series about a video game studio alongside
F. Murray Abraham (“Amadeus”) and Danny Pudi
(“Community”).

Kevin Durant’s ‘Swagger’

The Golden State Warriors’ Kevin Durant’s life in
youth basketball is the basis for the drama “Swagger,”
which explores the lives of players, families and
coaches in an amateur basketball league. The NBA star
is an executive producer along with Brian Grazer (“Fri-
day Night Lights”).

Spielberg’s ‘Amazing Stories’ returns

Executive producer Steven Spielberg is rebooting
his NBC anthology series “Amazing Stories.”The 1985-
87 sci-fi/fantasy series’ cast includes Edward Burns
and Kerry Bishe (“Halt and Catch Fire”).

Animated ‘Park’

“Central Park,” about a family of caretakers in the
famed New York City park, includes the voice talents
of Josh Gad (”Frozen”), Kristen Bell, Leslie Odom Jr.
and Daveed Diggs (“Hamilton”) and Tituss Burgess
(“Unbreakable Kimmy Schmidt”).

STREAMING


Star power, variety at core of Apple TV Plus lineup


Jenny Cohen
USA TODAY


Jennifer Aniston and Reese Witherspoon star in the
new Apple TV Plus series “The Morning Show.”APPLE

LOS ANGELES – Disney’s “Maleficent: Mistress of
Evil”has knocked “Joker” out of the No. 1 spot at the
box office, but just barely.
Studios on Sunday estimate that the film starring
Angelina Jolie grossed $36 million in North America
and $117 million internationally in its first weekend in
theaters. The first film had a much stronger domestic
showing, opening to nearly $70 million in 2014.
“Joker” landed in second place i with $29.2 million
and has grossed more than $247 million domestically.
Third place went to another sequel, “Zombieland:
Double Tap,” with $26.7 million.
Rounding out the rest of the top five: “The Addams
Family,” starring the voices of Charlize Theron and
Oscar Isaac, finished fourth with $16.1 million, and
Will Smith’s “Gemini Man” was fifth with $8.5 million.
Final numbers are expected Monday.
Contributing: Kim Willis, USA TODAY


MOVIES


‘Maleficent 2’


knocks ‘Joker’


down a peg


Lindsey Bahr
The Associated Press


Angelina Jolie toes the line between hero and villain
again in “Maleficent: Mistress of Evil.”DISNEY


thing from scratch when they got there.”
Springsteen, who was living in Jersey Shore,soon
made his way out, too.
“The first time I visited them they were in a tiny
little apartment in San Mateo and I was 20 or 21,”
Springsteen says. “The idea that continues to hold
true for a large portion of the country when people
think of creating something new, or becoming some-
thing new – that lure of a place to restart your life, re-
trace your steps, erase your sins – continues to be
westward.”
California is the land of dreams and also broken
promises. So it is in “Western Stars,” where the album
vividly brims with scenic deserts, dusty highways
and the last chance stands of wayfarers, cowboys,
renegades and solitary figures on the fringes of show
business.
“Those were just characters I was interested in and
I felt I could write about them in a certain moment,”
Springsteen says. “I’ve been involved in writing these
Western stories for quite a while. If you go back to
‘Tom Joad’ (1995’s ‘The Ghost of Tom Joad’), you have
all the border songs that I wrote at the time. If you go
to ‘Devils and Dust,’ ‘Silver Palomino,’ ‘Black Cowboys’
and ‘Matamoros Banks,’ I’ve been writing in the geog-
raphy for quite a while and this particular record al-
lowed me to sort of draw on what are to me Western
musical influences along with Western stories. So I
said, ‘What’s the modern West?’ It’s Hollywood, it’s
Los Angeles.
“I went searching there for a few interesting char-
acters to write about.”
A closer look, however, reveals that the film is one
of Springsteen’s most personal works, revealing an
inner turmoil that has shadowed him throughout
adulthood.
“For a long time, if I loved you or if I felt a deep at-
tachment to you, I would hurt you if I could,” says
Springsteen in a vignette setting up “Tucson Train” in
“Western Stars.”

In the film, Springsteen thanks his wife, Patti Scial-
fa, and his loved ones and friends for pulling him
through the darkness. He’s had bouts of depression
and has been in therapy for more than 30 years.
His dad’s struggles with mental illness is depicted
in “Born to Run” and “Springsteen on Broadway.”
“Everybody has to find their own way, but if I had
grown up in a house, say, where (treatment) had been
part of our resources, it would have been a very differ-
ent life,” Springsteen says.
The film is, in part, a love letter to Scialfa.
The couple have three children: Evan, 28; Jessica,
27; and Sam, 25.
“Patti was an enormous, enormous part of bringing
all of that into my life, that I had resisted and failed to
be able to do earlier,” Springsteen says. “I got into a
place where I was, I kind of dug myself into a black
hole. It took quite a while to dig myself out of it and it
took a lot of help from a lot of different places. So I’m
very grateful for it and a part of what the film is is a
thank you to my lovely wife.”
The musical performances in “Western Stars” were
filmed over two days in May inside a barn on Spring-
steen’s property in Colts Neck, New Jersey.
Springsteen earned his co-director title, says
“Western Stars” co-director Thom Zimny.
“Bruce was there with me in the cutting room, he
was there discussing things on set with me. He was
bringing references. We collaborated together 100%
on this, and he was there when I was color correcting
and when I was mixing,” says Zimny,who recently
won an Emmy for his directing of the Netflix version of
“Springsteen on Broadway.”
The stories were in the songs of the album “West-
ern Stars,” mostly composed in 2012.
“It was all there waiting to come out. It was in the
record, it just hadn’t been verbalized,” Springsteen
says. “Then we started to use them as just voiceovers,
and then we needed images to accompany the voice-
overs. So Thom had some found images. ... Then we
went out and spent a couple of days shooting our own
footage and came back. Then... suddenly we had
something that turned into an actual movie, turned
into an actual film.” An actual film that Springsteen
considers one of his brightest stars. Western or not.

Springsteen

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