Elle USA - 11.2019

(Joyce) #1
JANET MOCK
Mock, who got her start as an author and
magazine writer, became the first trans
woman of color to write and direct a TV
series with her work on Ryan Murphy’s
FX show Pose. In June, Mock signed a
historic multimillion-dollar three-year deal
with Netflix, giving the streaming service
exclusive rights to her TV series and a first-
look option on any film projects. She reunited
with Murphy to direct an episode of The
Politician and will also executive produce
and direct his upcoming Netflix series
Hollywood, which stars Patti LuPone. Right
now, Mock is writing a feature adaptation
of her 2014 memoir, Redefining Realness.

THE HISTORY MAKER

OLIVIA WILDE
With Booksmart (her feature film directorial
debut), Wilde established herself as an
exciting filmmaker with an irreverent, original
vision. The female buddy comedy earned
an impressive 97 percent rating on review
aggregator site Rotten Tomatoes’ Tomatometer.
Next up, Wilde will coproduce, direct, and
star in Don’t Worry, Darling, a psychological
thriller about a 1950s homemaker that sold
to New Line in a bidding war with 18 studios.
Within weeks of that deal, Wilde sold a holiday
comedy pitch to Universal Pictures, to be
written and coproduced by Booksmart’s Katie
Silberman. She’ll also star in Clint Eastwood’s

LISA NISHIMURA
Nishimura, the former vice president
of original documentary and comedy
programming at Netflix, where she helped
bring about series like Chef’s Table, was
promoted to vice president of independent
film and documentary features earlier this
year. Her new duties entail overseeing the
two categories, as well as documentary
shorts and limited documentary series,
including the streaming service’s blockbuster
nature docuseries, Our Planet.

KATHLEEN KENNEDY
As president of Lucasfilm, Kennedy has been
instrumental in revitalizing the Star Wars
franchise, with 2015’s Star Wars: The Force
Awakens setting a record for the biggest
domestic opening of all time. She’s producing
the upcoming Star Wars: The Rise of Skywalker
(in theaters in December) and is an executive
producer for The Mandalorian, a space
western series for Disney’s new streaming
service, Disney+. The first woman to win the
Academy of Motion Picture Arts and Sciences’
Irving G. Thalberg Memorial Award, she also
helped spearhead Anita Hill’s Hollywood
Commission on Eliminating Sexual Harassment
and Advancing Equality in the Workplace.

RUTH E. CARTER
After two previous nominations, Carter
became the first African American to win
an Oscar for Best Costume Design for her
work on Black Panther. The designer has
worked on several momentous films over
the years, including Ava DuVernay’s Selma
and Steven Spielberg’s Amistad, and has
also collaborated with Spike Lee on over
10 projects, including Do the Right Thing
and Malcolm X. She recently designed the
costumes for Netflix feature Dolemite Is My
Name and signed on to do the same for
the highly anticipated Coming to America
sequel, both starring Eddie Murphy.

HANNAH BEACHLER
This year Beachler became the first
African American to win an Oscar for
Best Production Design for her work on
Black Panther. A longtime collaborator
of director Ryan Coogler, Beachler
has showcased her creativity in a wide
variety of projects, ranging from Creed to
Moonlight to Beyoncé’s Lemonade. Her
next venture, Todd Haynes’s legal thriller
Dark Waters, will be released November


  1. She’s also teamed up with director
    Melina Matsoukas to design the pilot for FX’s
    postapocalyptic series Y: The Last Man,
    slated for 2020, and signed on for the sequel
    to Black Panther, set for May 6, 2022.


AMY SHERMAN-PALLADINO
Gilmore Girls and Bunheads creator and
scribe Sherman-Palladino has a long history
of pushing forward valuable stories of female
characters unafraid to speak their minds.
Last year, she became the first woman to
win an Emmy for writing, directing, and
producing in the same year for The Marvelous
Mrs. Maisel. The second season, which
aired on Amazon Prime Video last year,
earned a staggering 20 Emmy nominations,
and Sherman-Palladino is prepping for the
premiere of the third season this winter.

GRETA GERWIG
Hollywood loves a good remake, and
Gerwig’s exuberantly feminist take on Little
Women is bound to be a hit. The follow-
up to Lady Bird, her Oscar-nominated
directorial debut, reunites Gerwig with that
film’s star, Saoirse Ronan, who plays the
charmingly willful Jo in this time-tested and
much-adored story. Gerwig, a longtime
actress and writer in quirky indie films like
Frances Ha and Mistress America, has also
been tapped to cowrite the forthcoming
Barbie film, another remake of sorts,
for Warner Bros. with her partner and
longtime collaborator, Noah Baumbach.

KASI LEMMONS
Actress-turned-director Lemmons, who made
her feature directorial debut in 1997 with Eve’s
Bayou, has worked tirelessly to bring African
American stories to the screen, including her
latest opus, Harriet. The resonant film, cowritten
and directed by Lemmons, shines a light on the
life of slave-turned-abolitionist Harriet Tubman,
a towering figure in American history. Lemmons
also directed the first two episodes of Netflix’s
limited series Madam C.J. Walker, starring
Octavia Spencer, which recounts the true story
of the black hair care pioneer and mogul.

THE CREATOR
THE EXECUTIVE


THE PRODUCER


THE COSTUME DESIGNER

THE PRODUCTION DESIGNER


THE TRIPLE THREAT

THE DIRECTOR

THE ARTIST
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