38 OCTOBER 2019
Aleks Cvetkovic
Based in London, journalist Aleks Cvetkovic has written for the
Financial Times, The Telegraph and The Jackal, among others.
In this issue, he shines a light on six of the most successful
menswear boutiques around the globe in “Shop the World”
(page 66) and details how to wear an old sartorial favorite in
“Corduroy Goes Large” (page 70). When not penning regular
style coverage for Robb Report, Cvetkovic is busy with his
content consultancy, HandCut Studio.Joshua Scott
Joshua Scott began taking
pictures in high school,
shooting on 35mm film and
developing the photos in a
darkroom. Some 20 years
later he’s still at it—albeit
mostly digitally—working
for, among others, Footwear
News, WWD and, of course,
Robb Report. This month, he
photographed a collection
of steel-bracelet watches for
“Steeling the Spotlight” (page
62), using a textured gray
backdrop to contrast with the
metal’s polish. When not on
set, Scott makes it a point to
get as much sun as possible—
whether a day at the beach or
a bike ride through Brooklyn.Brooke Mazurek
Brooke Mazurek is a writer,
editor and triplet who grew
up on the outskirts of Boring,
Maryland. She spent hours
hunting for design missteps
this month for “The Bold and
the Botched,” speaking to
industry experts, pouring over
library books and journeying
to the ends of the Internet
(page 142). “People are really
good at burying mistakes,”
Mazurek says. “But when
you’re pitting teakettles and
Lamborghini’s together, your
antennae for what a mistake
even looks like must shift.”Raphael Kadushin
While writing about travel
and food for Condé Nast
Traveler, Bon Appétit and The
Wall Street Journal—to name
just a few—Raphael Kadushin
noticed restaurants were
getting quieter. Some even
made a conscious effort to
quell the din, a phenomenon
that he unpacks in “Quiet Is
the New Loud” (page 58).
He is the editor of two travel
anthologies, Wonderlands
and Big Trips, and frequently
journeys from his residence
in Madison, Wisconsin, to
Europe—particularly Holland,
his boyhood home.Contributors
Peter Ross
Peter Ross has shot for
magazines, corporations,
advertising agencies and
(often) himself. In this issue,
for “The Answers” (page 82),
he photographed James Fayed
of British shirtmaker Turnbull
& Asser at the brand’s New
York headquarters. “I was
excited to discover the
building rose from its lower
floors of traditional, polished
luxury retail to a creative
hub upstairs,” he says. “It was
full of surprises—and some
good whiskey.” Ross splits his
time between New York City
and a tiny, crooked barn in
the Catskills.G2G_Oct_ContribsREV.indd 38 9/4/19 10:41 AM38 OCTOBER 2019
AleksCvetkovic
BasedinLondon,journalistAleksCvetkovichaswrittenforthe
FinancialTimes,TheTelegraphandTheJackal,amongothers.
Inthisissue,heshinesalightonsixofthemostsuccessful
menswearboutiquesaroundtheglobein“ShoptheWorld”
(page66)anddetailshowtowearanoldsartorialfavoritein
“CorduroyGoesLarge”(page70).Whennotpenningregular
stylecoverageforRobbReport,Cvetkovicisbusywithhis
contentconsultancy,HandCutStudio.Joshua Scott
Joshua Scott began taking
pictures in high school,
shooting on 35mm film and
developing the photos in a
darkroom. Some 20 years
later he’s still at it—albeit
mostly digitally—working
for, among others, Footwear
News, WWD and, of course,
Robb Report. This month, he
photographed a collection
of steel-bracelet watches for
“Steeling the Spotlight” (page
62), using a textured gray
backdrop to contrast with the
metal’s polish. When not on
set, Scott makes it a point to
get as much sun as possible—
whether a day at the beach or
a bike ride through Brooklyn.Brooke Mazurek
Brooke Mazurek is a writer,
editor and triplet who grew
up on the outskirts of Boring,
Maryland. She spent hours
hunting for design missteps
this month for “The Bold and
the Botched,” speaking to
industry experts, pouring over
library books and journeying
to the ends of the Internet
(page 142). “People are really
good at burying mistakes,”
Mazurek says. “But when
you’re pitting teakettles and
Lamborghini’s together, your
antennae for what a mistake
even looks like must shift.”Raphael Kadushin
While writing about travel
and food for Condé Nast
Traveler, Bon Appétit and The
Wall Street Journal—to name
just a few—Raphael Kadushin
noticed restaurants were
getting quieter. Some even
made a conscious effort to
quell the din, a phenomenon
that he unpacks in “Quiet Is
the New Loud” (page 58).
He is the editor of two travel
anthologies, Wonderlands
and Big Trips, and frequently
journeys from his residence
in Madison, Wisconsin, to
Europe—particularly Holland,
his boyhood home.Contributors
Peter Ross
Peter Ross has shot for
magazines, corporations,
advertising agencies and
(often) himself. In this issue,
for “The Answers” (page 82),
he photographed James Fayed
of British shirtmaker Turnbull
& Asser at the brand’s New
York headquarters. “I was
excited to discover the
building rose from its lower
floors of traditional, polished
luxury retail to a creative
hub upstairs,” he says. “It was
full of surprises—and some
good whiskey.” Ross splits his
time between New York City
and a tiny, crooked barn in
the Catskills.