Words: Pragya Agarwal
monoprinting
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Y
ou don’t need to be a professional artist
to make a monoprint – it’s perfect for
anyone, particularly those new to
printmaking, even if you don’t consider
yourself to be artistic. It’s relatively
simple and experimental and allows us to break out of
traditional boundaries, play with light and shade, and
see myriad possibilities. The best thing about
monoprinting is that there are no hard and fast rules.
Everyday objects can be used as stencils and
templates to create imprints, marks and textures
in the ink and you don’t need any sophisticated
tools to get started.
A monoprint is a printed image created by making
marks in a layer of rolled ink, then placing a sheet of
paper over the top and applying weight to create a
one-off print. It is not to be confused with a monotype
- a similar printing technique through which you
never get exactly the same image twice. In
monoprinting, several images are created from the
same template, with natural variation between them;
but the image you get from a monotype is more
ephemeral. When you transfer paint or ink from a
gelatin (soft) plate onto paper it can’t be repeated as
the paint has been transferred and the original image
no longer exists on the plate.
There is no recorded history of monotype or
monoprinting, but many great artists have used these
techniques. From Picasso and Rembrandt to Jasper
Johns and Tracey Emin, artists have used this almost
painterly form of printing to explore lines and forms.
Influenced by the presence of contrast in photography,
Edgar Degas revived the practice in the 1860s, using
rags, brushes and even his fingers to paint onto a
metal plate. He was so enthralled with the process
that he created almost 400 monotypes capturing the
spirit of human life.
Nature, as always, is a great source of inspiration
for printing. In this case, it’s a wonderfully practical
resource too – beautiful botanical forms make
Beautiful
botanicals
Capture the calming inf luence of the natural world in a simple
print made with leaves and blooms collected on a mindful wander
Pragya used thick card and
glue to create a textured
plate to add interest to the
background of her print.