Elle_Canada_-_October_2019

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ELLECANADA.COM 41


Capote’s legendary Swans—a group of rich


and powerful women who shared an obvious


physical trait with the feathered birds—for


inspiration. While researching the signature


styles of women like Lee Radziwill and Marella


A g nel l i , G oya d i scovered a p ench a nt for h i gh


necklines, including turtlenecks, ruffles and


button-ups. “They sought to complement and


showcase their figure without revealing too


much,” she says, which led her to create pieces


like her Tabatha shirt, a long-sleeved ivory


blou se w it h a n embroidered , r u ffl ed col l a r. T he


effect is commanding. “High necklines refocus


attention. The eye is elegantly drawn upwards,


and you are forced—for the better—to look


at the wearer with consideration,” explains


Goya. “I believe the appeal of this type of


silhouette is in that power.”


Indeed, for such a small area, the collar


is imbued with an incredible amount of


power and instantly communicates status


and authority; consider the jabot necks worn


by judges, the ruff collars favoured by Queen


Elizabeth I and the clerical bands on a priest.


In a time when casual Friday lasts all week


and you’re more likely to work for a CEO in a


crew neck than one in a suit, proudly sporting


a collar has an impact. “It definitely makes


my clients feel quite empowered when they’re


dressed in a higher neckline,” says Stacy


Troke, a personal stylist working in Toronto


and the U.K. Professionally, being buttoned


up can signal confidence and should never


be an afterthought. “It’s kind of a good way


to hide the fact that you might be a little bit


disorganized in the background,” she adds.


Considering that the throat is the location


of the vishuddha, the chakra associated with


expression and communication, it makes sense


that necklines have this power. And as with


a hat or sunscreen, sometimes the best form


of protection is to cover up. 


THINGS ARE LOOKING UP. While it was


once the length of your hemline that dictated


the trendiness of your look, today the neckline


is where it’s at, and designers of all styles are


experimenting with statement-making ways of


dressing this erogenous zone. No matter which


way you up the ante, the final effect is one


that’s polished, powerful and picture-perfect.


On runways this season, there was nary


a collarbone in sight. At Roksanda, the


namesake designer brought the signature


billow of her sleeves to the neckline, with


bows, ruffles and feathers—and sometimes


all three—just under the chin. At Celine,


creative director Hedi Slimane paraded a


carousel of scarves, turtlenecks and buttoned-


up-to-here shirts. Even Donatella Versace,


patron saint of Italian sexy, covered up her


models in ribbed turtlenecks. The silhouette


was later sported by Kim Kardashian, who


stepped out in a psychedelic turtleneck dress


by buzzy Los Angeles label Maisie Wilen.


“When designing, I’m constantly thinking


about the types of silhouettes women really


love wearing, always balancing what’s not


only visually interesting but also comfortable


and flattering,” says designer Maisie Schloss.


For Vancouver’s Laurence & Chico, a high


neckline, like the one on the white-collared


denim-and-pearl jacket spotted on regular


client Cardi B, is a way to elongate the sil-


houette. “It makes the figure super-long and


feminine looking, which we adore,” explains


co-founder Laurence Li.


Stine Goya, whose eponymous


Copenhagen-based label has been worn by


Michelle Obama, Pink and a slew of Instagram


It girls, savours the tension in fashioning a


neckline. “What could I conceal? What should


I reveal? How will the materials I use fall on


the body, and what overall feeling will it cre-


ate?” she says. This fall, she looked to Truman


High Tops


Caitlin Agnew explains why you should


be sticking your neck out this fall.


Style icon Lee Radziwill pictured
in 1968 in a bow blouse

Hillary Clinton in an open-shoulder
Donna Karan dress in 1993

The late Karl Lagerfeld was rarely
seen without a high collar.

Meghan Markle changed into a mock-neck
Stella McCartney gown on her wedding day.
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