Elle_Canada_-_October_2019

(Michael S) #1

46 ELLECANADA.COM


STYLE


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of 50. “When I go on the street in Paris now, this is what I see,”


designer Demna Gvasalia told ELLE. And Donatella Versace


has been creating “moments” with ’90s supermodels since spring/


summer 2018, featuring Cindy Crawford (53), Carla Bruni (51)


and Naomi Campbell (49) in her shows (not that their ages are


important—which is the point). But it was in New York that


brands really championed age inclusivity. Christina Kruse and


Turlington appeared in feathered frocks


and headwear at Marc Jacobs, Hansen


in a metallic-gold tux at Michael Kors


Collection and Cleveland in a searing-


hot-red jumpsuit at Hellessy. The city’s


“cool” cult brands, like Proenza Schouler,


Deveaux and Maryam Nassir Zadeh,


featured a number of older models too.


“What is the point of having another


show with the same girls walking down


the runway?” asks Tommy Ton, street-


style photographer and creative director at Deveaux, a label


co-founded by Matthew Breen and Andrea Tsao. Deveaux’s


presentation was among the most talked about, thanks to its


quietly cool designs and characterful casting. “We wanted to


emulate reality, where you pass people you recognize on the


street,” says Ton. And what are the odds of only passing people


in their late teens? If anyone can answer that, it’s Ton, who


brings his street-style experience to his new role: “It’s a lot of


demographic research. It’s one thing to be a designer, but you


don’t understand what you’re doing until you see the clothes


on regular people.”


Relatable, representative casting proved challenging—


agencies didn’t have a wide selection of older models. “It was


hard,” says Ton. So it was “regular people” we saw in Deveaux’s


presentation: JoAni Johnson (67), a tea-blender turned model,


and Grece Ghanem (54), a personal


trainer by day and influencer by night,


as well as a handful of furniture and


set designers. “We wanted models to


bring a depth of character,” says Ton.


“They’re reflective of who we envisage


buying the clothes.”


As luxury fashion becomes more rep-


resentative, it no doubt starts to reflect


those with greater spending power. So


this increased representation isn’t limited


to fashion. Beauty brands, from start-ups to the old guard, are


holding a mirror up to their customers too. (L’Oréal has ads


fronted by Helen Mirren, and Glossier features grey-haired


models alongside those in their 20s.)


“The funny thing is, we meet people all the time who defy


[age] stereotypes,” says Givhan. “People in fashion defy [them],


but we tend to see that as outlier behaviour rather than normal.


We point to a fashionable 60-year-old woman as if she’s a unicorn


“WE WANTED TO


EMULATE REALITY, WHERE


YOU PASS PEOPLE


YOU RECOGNIZE ON


THE STREET.”


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