The Washington Post - 18.09.2019

(C. Jardin) #1

BY EMILY HEIL


White Claw keeps tightening its grip
on a thirsty nation, and its appeal is
understandable. The alcoholic seltzer
has a low calorie count, LaCroix-adja-
cent flavor and a meme-ability that
millennials love — so much so that
stores nationwide are running out, and
this month, the company instituted
panic-inducing rationing. But while the
fizzy drink is getting a generation
buzzed, it’s also not so quietly busting a
glass c eiling. Unlike so m any of its boozy
predecessors, the Claw is equally be-
loved by men and women.
For decades, our televisions told us
that men drank beer, women drank
wine, and that’s just the way the world
was. Beer commercials, even when
they’re not overtly objectifying women,
often still truck in mundane male fanta-
sy: dudes sharing brews with their bros
on game day, hanging out over the grill
or golfing.
Wine, meanwhile, is often sold as
Mommy Juice to stressed-out ladies who
SEE WHITE CLAW ON E3

KLMNO


Food


WEDNESDAY, SEPTEMBER 18, 2019. SECTION E EZ EE

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White Claw


wants to invite


everyone to


the party


Now and then, I revise
a classic scene from t he
Bond m ovie
“Goldfinger,” w hen the
villain has s trapped the
rakish B ritish spy down
and is about to dismember him w ith
an enormous laser.
“Do you expect me t o talk?” B ond
asks, eyeing the laser’s p rogress
toward him.
“No, Mr. Bond, I expect you to die,”
Goldfinger says.
In my version, Goldfinger turns
back a nd hisses, “No, Mr. Bond. I
expect you to apologize for the damage
you have done to the m artini.”
Having daydreamed of this for
years, I laughed aloud when I arrived
at t he James Bond-related part of
drinks writer Robert Simonson’s
terrific new book, “The Martini
Cocktail.”
“This chapter will b e short, because
I find its subject such an irritant,”
Simonson w rites. “Since at l east the
1970s, no journalist has gotten away
with w riting about the Martini
without addressing James Bond. Often
they begin their story with Bond.
Because Bond, more than sixty-five
years after writer Ian Fleming
dreamed up the suave British
superspy, i s still the first thing many
people think of in connection t o the
Martini.”
I guess it’s t oo late to rethink my

lead?
Simonson g oes on to explain our
shared pique: Bond’s f amous “shaken,
not stirred” o rder is infamous i n the
cocktail world ( martinis, most agree,
should not be shaken), as is the fact
that Bond usually orders the drink
with v odka, a spirit w ith much less
complexity than gin.
Simonson a nd I made no such gaffes
when w e sat down recently f or
martinis at Maison Premiere in

Brooklyn. The restaurant’s O ld King
Cole m artini (one of dozens in
Simonson’s b ook) combines O ld Raj
gin, Mancino secco v ermouth and
Angostura orange bitters. Presenting it
is a two-person job: O ne server holds
the tray o f ingredients; another
SEE SPIRITS ON E6

Spirits


M. CARRIE


ALLAN


Want to cause a stir? Talk about martinis.


LAURA CHASE DE FORMIGNY FOR THE WASHINGTON POST; STYLING BY LISA CHERKASKY FOR THE WASHINGTON POST

RECIPES ON E6
Puritan Cocktail l Tuxedo, pictured
above l Batched Martinis

RECIPE
Blackened Broccolini and Bittersweet
Almonds on Toast E4

BY CHARLOTTE DRUCKMAN


Special to The Washington Post

Ella Risbridger’s n ew c ookbook opens predictably
enough: “There are lots of ways to start a story, but
this one begins with a chicken.” Here is the universal
emblem of home cooking in the West — the poultry
for every pot.
The second sentence is a little more ambiguous. “It
was the first story I ever wrote about food, and it
begins with a chicken in a cloth bag hanging on the
back of a kitchen chair.”
And then the third. “It was dark outside, and I was
lying on the hall floor, looking at t he chicken through
the door, and looking at the rust in the door hinges,
and wondering if I was ever going to get up.”
Spoiler alert: As the British writer promises, “this
is a hopeful story... a story about wanting to be
alive.” But before she wanted to be alive, she didn’t.
What she thought about, in the hospital, after
attempting to step in front of a London bus, was
baking pie. “I remember the pie, and I remember the
way I worked through each ingredient, step by step,
and how, when the duty psychiatrist asked me why, I
could only think of short crust and soften the leeks in
Irish butter until translucent and rub the butter into
the flour and bind with milk,” she writes. It’s one of
the only things she remembers about that hospital.
And it was all she could think about until she went
home and, with some assistance, made that pie. It

was a small triumph that helped her begin to see that
she had survived, that maybe she would “stop crying
all the time” and, perhaps, “carry on cooking.” She
did.
“Midnight Chicken (& Other Recipes Worth Living
For)” i s the record of Risbridger’s l earning to cope: “a
kind of guidebook for falling back in love with the
world, a how-to of weathering storms and finding
your pattern and living, really living.”
She might have written a memoir with recipes, the
format followed by Nora Ephron, Madhur Jaffrey,
Nigel Slater and Ruth Reichl, to name a few. But
Risbridger has instead given us a cookbook she
hopes we get full of crumbs and sticky with sauce and
syrup.
She didn’t intend to write a cookbook at age 21,
when she set out on what would be a five-year
project. But cooking saved her life, and she hoped to
pass that along in an actionable way. “I wanted the
book to be useful. Actually, I think that’s probably
why it’s a cookbook, not a memoir,” she said in an
interview. “ There’s things in there that are helpful.”
Because of this, “Midnight Chicken” turns out to
be a double departure; Risbridger dares to share her
experience with depression while also offering reci-
pes as prescriptions for happiness. In addition to
roasting chicken, preparing Uplifting Chilli & Lem-
on Spaghetti, Stuck in a Bookshop Salmon & Sticky
Rice, or Life Affirming Mussels can be a path to a
SEE DEPRESSION ON E4

Cooking can


remind us:


Life is worth


savoring


A cookbook author includes the recipes that
helped her recover from her lowest point

ILLUSTRATION BY GRACIA LAM FOR THE WASHINGTON POST
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