Bloomberg Businessweek Europe - 23.09.2019

(Michael S) #1
67

In less than a decade, Japanese whisky has risen from relative
obscurity to the most sought-after liquor on the planet.
Much of that demand has been driven by U.S. and
European drinkers who, whether consciously or not, are
seduced by the mysticism of Japanese culture and are paying
top dollar for the expertise of the country’s famed craftsmen.
Last year the U.S. imported more than $40 million of the
spirit, according to the Distilled Spirits Council, up from
$6 million in 2014.
Behind the hype, however, lies an uneasy truth: Japanese
whisky doesn’t have to be made in Japan to be called such.
In fact, an alarming amount of it isn’t. “To say that whisky-
making regulations in Japan are loose is a major understate-
ment,” says Stefan van Eycken, author ofWhisky Rising: The
Definitive Guide to the Finest Whiskies and Distillers of Japan.
“If they were any looser, you’d be able to sell tap water as
Japanese whisky.”
Bourbon is required to be made in the U.S., and Scotch must
come from Scotland, but a bottler in Japan can wrangle its aged
spirits from elsewhere and still label it “Japanese whisky.” Now
that the designation carries more value than ever, a growing
band of opportunists are taking advantage.
It’s not uncommon to spot a newer brand offering
whisky with age statements older than the company itself.
Kurayoshi Distillery, for example, sells an 18-year-old pure
malt even though the distillery opened in 2017. When the
math doesn’t check out, you can assume some portion of
what’s in the bottle was imported. Van Eycken estimates
that around two-thirds of Japan’s producers don’t possess
distilling equipment.
Even the country’s largest producers have been caught off
guard by the rapid success of the category. Suntory and Nikka
Whisky—which control 80% of the market between them—
have had to eliminate age statements and are using younger
Japanese liquids in blends to keep product on the shelf. Suntory
discontinued its popular Hibiki 17 in 2018 in part because its
COURTESY BRANDSreserves were running low. As an extra stopgap, both have


DRINKS Bloomberg Pursuits September 23, 2019

released gins and vodkas to sustain interest in Japanese spirits
while waiting for the aged stock to return to its previous levels.
Much of what ends up in Japanese bottles is from Canada
and Scotland. According to the drinks analysis company
IWSR, Japan imported roughly 70% more Canadian whisky
in 2017 than it did four years prior. In that same period, retail
sales of bottled Canadian whisky in Japan were stagnant.
The Scotch Whisky Association records a similar phenom-
enon with its shipments to Japan, but on a larger scale. Bulk
exports of single and blended grain—the lighter, thinner spirit
that’s often viewed as filler against heartier, more robust
single malt—increased 141% from 2017 to 2018. Meanwhile,
Japanese markets showed no congruent rise in the sales of
bottled Scotch grain whisky.
Much of this practice is hidden in plain sight. Nikka pur-
chased a Scottish distillery 30 years ago and owns up to the
strategic advantages. “Most of our imported stock is coming
from Scotland since we acquired and restarted Ben Nevis
Distillery in 1989,” says Naoki
Tomoyoshi, head of international
business development at Nikka.
The company has been blend-
ing that into its Black Nikka Clear
range not to compensate for sup-
ply shortages, but because “our
style of production is based on
Scottish traditions,” he says.
This lack of clarity in label-
ing hasn’t been a problem inside
Japan, where most whisky is con-
sumed in highballs by salarymen at
izakayas after work. But for whisky
connoisseurs in export markets,
Japanese brands are beginning to
offer so-called international blends.
The Chichibu Distillery in
Saitama prefecture this year
released a $5,000 iteration of its
Malt & Grain “World Blended
Whisky,” which was named the
best limited-release blend at the
2019 World Whiskies Awards.
The label clearly identifies the
provenance of its many compo-
nents; Ichiro Akuto, owner and
master distiller at Chichibu, says the alternative is “whisky
laundering”—the deliberate misleading of consumers. Van
Eycken points out that the labeling isn’t a legal requirement:
“It’s a matter of honesty and transparency.”
Suntory, too, is joining the category with Ao, a blend that
combines mature spirits from all of the world’s major pro-
ducing regions: Japan, Ireland, Scotland, Canada, and the
U.S. The brand also labels its new spirit as a “World Whisky,”
though the packaging design still echoes Suntory’s standard
offerings with kanji and Japanese calligraphy. 

Behind the rise of
the “world blend” trend
By Brad Japhe

Your Japanese


Whisky May Be


Mostly Scotch


THREE WORLD
BLENDS

The Amahagan
World Malt ($200)
is smooth and
mellow. The label
describes the
spirit as a blend of
overseas whisky
and malt from
its Nagahama
distillery.

Suntory’s $200
Ao is finely
balanced, but a
slight suggestion
of peaty smoke
will likely appeal
more to a Scotch
fan than a
bourbon drinker.

Ichiro’s Malt &
Grain can range
from $130 to
$5,000 per bottle.
It’s less robust
than single-malt
fans may prefer,
but what it lacks
in heft it makes up
for in complexity.
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