144 March 2016
ON ASSIGNMENT VOLVO OCEAN RACE
144144 March 2016March 2016
B
ack in March 2015, I was part
of a small team sent by the
Volvo Ocean Race to shoot
boats racing around Cape
Horn – the southern tip of
South America. The Volvo Ocean
Race is a round-the-world yacht race
that star ts in Spain before moving on
to South Africa, the UAE, China, New
Zealand, across to Brazil and then
back to Europe.
I’d covered the race twice
before for Volvo, but this time I
was shooting from a helicopter
instead of a fixed-wing plane.
To say the area is challenging is
an understatement. The nearest
helicopters to Cape Horn are
based in Punta Arenas, some
250 miles away, with huge
mountains in between. The
weather is ever-changing, and
can include high winds, driving
rain, and snow. We travelled to
Punta Arenas from London, via
Chile, then flew in the helicopter to
Puerto Williams, the world’s most
southerly town.
Fuel gauge
Getting good shots of the six boats
as they raced past Cape Horn was all
about optimising the time. I couldn’t
predict when they would arrive. What
if they passed by at night and we
couldn’t fly? What if they rounded
too far offshore? The weather was
a worry, too; snow and ice was a
concern, as helicopters don’t carry
de-icing gear. All the communication
was through satellite phones, as
there was limited internet access.
On the day of the shoot, 30 March,
there was no daylight until 9am. The
weather was awful, with low cloud,
driving rain and very strong winds.
We put as much fuel as possible into
the helicopter, and landed on Cape
Horn, where we got to meet the
lighthouse keeper and his family.
Meanwhile, the helicopter went back
to get even more fuel (a helicopter can
only fly for a couple of hours before
having to refuel).
Once the weather cleared a bit,
things worked out well, as we were
able to calculate the position of the
boats on satellite phones and then
plot them via GPS. Photographically
speaking, the big challenge was to get
sharp images that showed some of
the geography. I wanted to get Cape
Horn in the background – not easy, as
you can’t predict the boats’ direction,
or ask them to change course.
I used a Nikon D810 and Nikon
70-200mm f/2.8. This is the most
practical lens for shooting from a
helicopter, when distances can
change quickly. The key to getting
sharp shots in these conditions is to
keep the shutter speed fast. I shoot
at ISO4 0 0, or 80 0 in poorer light, and
keep the shutter speed at 1/1000 sec
or higher, selecting a wide aperture.
Successful sortie
We made two sorties. First I
shot the leading three boats,
and then we landed back on
Cape Horn. I was able to
download some of the images
and send them off to race HQ.
Then the next two boats came
around, so up we went again.
On this second trip, I got the
shot of the day: I saw a wave
pick up the Team Brunel boat,
and the crew accelerated down
the face of it, burying the bow
and sending a torrent of water
over the deck. I think the shot
epitomises what it ’s like to race in the
Southern Ocean, and it was voted the
2015 Mirabaud Yacht Racing Image of
the Year ( The People’s Choice).
We were ver y luck y. If the boats had
been an hour earlier we would have
missed them, and if the weather had
not cleared we wouldn’ t have seen
them. If we’d gone down, only the
racing yachts would have been there
to rescue us. It was a real team effort,
and a tribute to the experience of all
involved, particularly the helicopter
pilot and engineer.
Marine photographer Rick Tomlinson describes a thrilling
assignment shooting the 2015 Volvo Ocean Race as it rounded
South America’s notorious Cape Horn
Cape Steer
(^1)
The helicopter had
to cross mountains
jus t to get to C a p e
Horn – and then
came the sea
(^2)
T h is sh ot of Te a m
Brunel surfing a
huge wave was
Ric k’s sh ot of th e
day – and proved
popular with the
public too
(^3)
Abu Dhabi Ocean
Racing were the
eventual winners
of the gruelling
nine-month event
1
I saw a wave pick up the Team
Brunel boat, and the crew
accelerated down the face
of it, burying the bow and
sending a torrent of water
over the deck
NEXT MONTH: CHASING STORIES WITH PHOTOJOURNALIST AMI VITALE
http://www.digitalcameraworld.com