Amateur Photographer - 27.09.2019

(avery) #1
14 21 September 2019I http://www.amateurphotographer.co.ukI subscribe 0330 333 1113

is money down the
drain on a regular
basis. Some friends have
had similar success stories.
See: perils-of-the-policy.
co.uk for more information


  • it’s a layman’s guide to
    the pitfalls of insurance.
    David Norris


Somethingfishy
CouldI ask you to please
to run a feature on how to
get really good shots of
fish, and other pets besides
dogs? We have recently
gone back to keeping
tropical fish, and have
two cats as well (who
are probably the most
photographed in England).
I would like to see a feature
on getting the best,
photographically, out of
other pets besides dogs,
which are of course lovely,
but not everyone has a
dog. Here is a picture of
Autumn, our Yellowish
Betta Splendens (above).
Jane Boswell

NTimages on
Facebook
I was interested to read
about the National Trust,
and image infringement.
However where does one
stand on publishing images
on social media? I’m a
member of a Facebook
group promoting
holidaying in the UK, and
have uploaded images
taken at Scotney Castle, on
the property. What are
your views on this?
Ian Hartley

Technically you’re still
publishing them and
copyright still applies,

but the National Trust
is only really interested
in pursuing those
making money out of
photographs of their
properties. Copyright
infringement is so
widespread on Facebook
that the law is, to all
practical intents, virtually
unenforceable on there
for large organisations
such as the NT– Nigel
Atherton, editor

Off-camera flash
with Lumix
I’ma fan of off-camera
flash. Now having just
acquired a Panasonic G
I attended this year’s
Photography Show in
Birmingham looking for
off-camera flash solutions,
and was taken with the
Godox TT350. How does it
perform wirelessly? I asked
the gentleman on the
stand. He said: you need
the commander. I said my
camera is able to control
up to three groups of
flashguns in the flash
sub-menu. Surely the
commander was therefore
surplus to requirements?
He reiterated that a
commander was required.
This would not only entail
extra significant cost, but
add an extra component to
what was supposed to be a
small lightweight system.
He advised I ask at the

Panasonic stand. There,
despite looking through
the flash sub-menu, we
got no further.
Abiding by the principle
of ‘if in doubt don’t spend
your money’, I decided to
do some further research.
As it turns out, modern
Panasonic cameras use a
‘visible light’ system for
controlling compatible
flashguns wirelessly. This
system sends a series of
control pulses, usually from
the camera on-board
flash, to enable TTL flash
exposure using up to
three groups of flashes,
with the ability to control
the intensity of each group
from the camera. The
on-board, or controlling,
flash can be switched to
only send the control
pulses, and so not be part
of the overall exposure.
I am now joyfully
possessed of a (pre-loved)
Nissin i40 flashgun, which
works exactly as described
above! Although there are
drawbacks to visible light
systems, so far I have
successfully experimented
with indoor portraits.
And so to the AP of 29
June and your review of
the Panasonic Lumix G90.
On page 41 you state the
on-board flash cannot be
used for wireless control. I
beg to challenge this. It is
true that googling the G
specs there is no mention
of wireless control, but the
advanced user manual on
page 166 contains full
instructions on the usage
and limitations of recording
using wireless flash.
This simple, convenient,
small system is exactly
what I need right now.
In fact I’m looking for a
‘pre-loved’ brother for
my i40. I hope that my
clarification is of use to
prospective buyers of
the Lumix G90.
Andrew Stefanowski

Jane would like a feature on how to take great images of fish

Back in the day

Awander through the AP archive. This
week we pay a visit to September 1991

A major interview with Yousuf Karsh was a highlight

THISweek the slightly unsettling cover heralds an
interesting interview with Simon Donnelly, who was
a fully fledged photographic pro by the age of 21.
We think, though we are not sure, that Simon is still
working as a professional wedding photographer, so
if you are reading this, please get in touch to confirm.
Another highlight was an interview with the legendary
Yousuf Karsh. Karsh, who would have been 83 when
this was published, gives some great insights into his
way of working and talks about some classic images.
Karsh photographed some of THE major figures in
20th-century history and politics, such as Churchill
and Fidel Castro, as well as Hollywood celebrities. He
was a master of portrait technique and lighting as well
as a generous spirit. It’s also good to see that some of
those who put this AP issue together are still working
for the photography press in various guises, including
Keith Wilson, Steve Fairclough and Chris George.

1991

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