Vanity Fair UK - 10.2019

(Grace) #1

Vanities Opening Act


Harris Dickinson speaks with V. F.’s
Britt Hennemuth.
Your first film was Beach Rats, a
coming-out drama that was
a breakout success at the Sundance
Film Festival in 2017. How were
you discovered?
I spent a lot of time in my mom’s
bedroom making self-tape auditions
because the light was good. I was
working in a hotel in London when I got
the script, and I Skyped [filmmaker]
Eliza Hittman from my childhood
home. I have her to thank for my launch
because you can’t ask for more than
what she gave on that film. She gets a
text from me now and again with a little
smiley face and an update.
What are your memories from your
first trip to Sundance, that all-
American film festival?
The three other, completely uninhibited
actors in Beach Rats just walked over
to Woody Harrelson, gave him some
pizza, and innocently said, “Yo, big fan.”
I just wished I could be as open.
You played a gay character in your
next film as well, a casting decision
that met with some controversy.
As a straight man, do you feel the
conversation on sexuality and casting
has shifted within the last two years?
I’m not sure whether it’s progressed
or come to a sort of standstill. It’s always

subjective, isn’t it? There’s only
so much I can speak on it without it
being opinions pushed on people
and not a sort of general consensus.
You just wrapped The King’s
Man, a prequel to the popular British
spy franchise. Your costars Ralph
Fiennes and Aaron Taylor-Johnson
have made the jump to the States’
screens before you. Did they share
any advice?
I picked up their work ethic, sustainability,
and enjoyment of honing your craft
in an industry that’s so fickle and absurd.

How does your character, Conrad, fit
into the Kingsman universe?
It’s World War I and he’s the son of Ralph
Fiennes’s character, the Duke of Oxford.
The director, Matthew Vaughn, trusted
me to play this character that’s extremely
unlike myself. He’s a brave, young
aspiring soldier, but that’s all I can say.
And this month you enter the
magical (and big-budgeted) world of
Disney, in the Maleficent sequel.
I imagine that was a leap from your
earlier, smaller indies.
I had to approach it like any other project,
but the extensiveness was incredible.
I had my mom, sister, and nieces visit set
since they’re such fans of the original.
“We want to meet Aurora [Elle Fanning],”
they said. “We only came here for her,
not for you.” It was brilliant!
Did the acting bug run in your family?
I’m the youngest of four. A lot of my family
are quite performative, but I’m the only one
who’s managed to make a career out of it.
What was it like to work with Elle
Fanning and Angelina Jolie, two of
Hollywood’s biggest stars?
There’s a real presence with Angelina,
and it was a privilege to watch her—she’s
a force of nature. And it’s hard to accept
that Elle’s only 21, because she’s so
poised. We had a great time learning the
dance scene; we were high-fiving like
a pair of kids when we finished.

Hunger Games In Whoopi Goldberg’s The Unqualified Hostess (Rizzoli), the actor and entrepreneur
offers a guide to entertaining for the practical maximalist. Here, she outlines her ideal dinner party

FAN
MAIL

“He has sickening dance
skills and a giant heart;
although maybe the
heart thing won’t surprise
that many people.”
—AMANDLA STENBERG

“Harris is a true professional
but still knows how to
make me laugh. And then
there’s the charm...he is
Prince Charming after all.”
—ELLE FANNING

GUEST LIST
Gwen Verdon, Bob Fosse,
Liliuokalani, Shaka Zulu,
Queen Victoria, and I.M. Pei

SOUNDTRACK
Soul Town
channel on Sirius
DINNER
Sautéed potato gnocchi,
shaved kale salad,*
pan-roasted pork chop

CONVERSATION PIECE
“Nothing you are interested in talking
about should be considered taboo.
Unless it’s your personal sex life. Nobody
HORS D’OEUVRES wants to hear about that.”
Arancini, classic
bruschetta, baked
Gorgonzola bread with
fig jam and basil


DESSERT
Pear cake with
cinnamon glaze

* “I would not be eating the kale salad but I know other people would like this.” —WG

32 VANITY FAIR OCTOBER 2019

PAGE 32:

ILLUSTRATIONS, TOP, BY LAUREN TAMAKI; BOTTOM, BY SARAH MAYCOCK. PHOTOGRAPHS: FROM LEFT, FROM THE EVERETT

COLLECTION, FROM THE JOHN SPRINGER COLLECTION/CORBIS/GETTY IMA

GES, FROM PHOTO RESOURCE HAWAII/ALAMY, BY GARY GERSHOFF/

GETTY IMAGES, FROM GL ARCHIVE/ALAMY, FROM POPPERFOTO/GETTY IMA

GES, BY MICHAEL N. TODARO/FILMMAGIC. PAGE

33: PHOTO

GRAPHS

BY LIAM GOODMAN, STYLED BY KA

TRINA ROZEVILLE (COACH, DIOR, TODD SNYDER, VERA

WANG). FOR DETAILS, GO TO VF.COM/CREDITS
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