Writing Great Fiction

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Lecture 1: Starting the Writing Process


This approach allows you to discover the story in much the same way
that a reader does.

Psychological Question Revisited
z It’s clear that starting a story involves making a number of choices,
and that, in turn, can ratchet up a writer’s anxiety. Let’s return, then, to
the psychological question mentioned earlier: How do you gear up—
emotionally—to begin? One way to sneak up on this question is to
remind yourself of what you
don’t need to do or know to
start a story.

z First of all, writing a story
is not necessarily linear;
you don’t have to write it
the way the reader will read
it. Writing can be more like
putting a puzzle together:
You can start anywhere in
the story; then, when the
larger picture gets clearer,
you can craft a beginning.

z You also don’t have to
know how the story ends.
Sometimes knowing the ending is a good thing because it gives you a
point to aim at, but sometimes not knowing can allow you to discover
where the story itself wants to go along the way.

z Further, you don’t have to have an outline, and even if you do, you don’t
have to stick to it. Be prepared for happy accidents.

z Your story doesn’t even have to be good to begin with. As a writer, you
have the luxury of being able to do as many drafts of a story as it takes
to get it right, or you can revise as you go along. Don’t be afraid to
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the process.

A whole novel might be developed by
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a baseball game, working backward and
forward in the characters’ lives.

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