Lecture 6: Characters—Round and Flat, Major and Minor
Characters—Round and Flat, Major and Minor ................................
Lecture 6
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s we’ve said, characters are constructed in different ways for
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different functions. In some narratives, writers provide as much
detail as possible about leading characters because they are the main focus
of the story. In other narratives, the cast of characters is quite large, with
no single dominant character. This kind of story requires the writer to
sketch characters in quick, powerful strokes. Narratives also have minor
characters, who often simply introduce a plot point before they disappear.
These characters need to be useful and vivid and not much more. In this
lecture, we’ll discuss character development and the uses of different types
of characters.
Flat Characters
z 7KHGLVWLQFWLRQEHWZHHQURXQGDQGÀDWFKDUDFWHUVZDVIRUPXODWHGE\
the English novelist E. M. Forster in his book $VSHFWVRIWKH1RYHO.
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types or caricatures; their chief distinguishing feature is that they have
only one chief distinguishing feature. As Forster puts it, “They are
constructed round a single idea or quality.”
z In 7KH$GYHQWXUHVRI+XFNOHEHUU\)LQQ, Huck himself is round, but
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example might be Huck’s father, Pap Finn, who can be summed up in
a single sentence: He’s a mean drunk. Pap exists mainly to further the
plot: When Huck can no longer stand Pap’s abuse, he fakes his own
death and takes off down the Mississippi River with the slave Jim.
z 7KHZRUNVRI&KDUOHV'LFNHQVDUHIDPRXVO\IXOORIÀDWFKDUDFWHUVWKH
conniving and oily Uriah Heep in 'DYLG&RSSHU¿HOG; the brutal criminal
Bill Sikes in Oliver Twist; and Miss Havisham in *UHDW([SHFWDWLRQV,
who was abandoned at the altar on her wedding day and has set herself
apart from the rest of the world ever since.