Daily Mirror - 06.09.2019

(Nandana) #1

mirror.co.uk FRIDAY 06.09.2019 DAILY MIRROR^43


DM1ST

The


BIG


release


Watch at home STAR RATINGS ★★★★★Brilliant ★★★★Good ★★★Average ★★Poor ★Dreadful


DOUBLE
DATE
Cert 15 ★★★

Digital & disc Monday
Much more than the town
ends up painted red in this
energetic and bloody British
comedy horror, which offers shots of gore, sex and humour
in roughly equal measure.
Michael Socha plays an idiot Jack–the–lad trying to
engineer the loss of his guileless mate’s virginity, in a quest
for casual sex that leads to them meeting two sisters in a
bar. Kelly Wenham is impressively ripped as a kickboxing
vamp while Georgia Groome is the sweet and sensitive
young sibling. But the women have a butterfly fixation,
daddy issues and their own agenda.

JOHN WICK:
CHAPTER 3
PARABELLUM
Cert 15 ★★★★

Digital tomorrow, disc
September 10
Keanu Reeves returns as the dog-loving assassin in this
blistering all-action thriller sequel, a non-stop barrage of
inventive ultra-violent fights, including one in a stable full of
horses and another on motorbikes.
The series has taken over £450million at the global box
office with this one the biggest yet, contributing more than
half the total. Fast, ferocious and surprisingly funny, we join
John Wick exactly where the previous film left him, alone in
New York with a $14million bounty on his head and every
hitman in the Big Apple gunning for him.

BEATS
Cert 18 ★★★

Digital Monday, disc
September 13
Experience the thrill of an
illegal warehouse rave in
this sincere if slight
Scottish coming-of-age drug-taking drama where the
energy is driven by the soundtrack of 1990s dance music.
To mark the forced end of their close friendship, two teens
run off with a fistful of stolen cash to a rave where various
family conflicts are brought to a head. It’s mostly in black
and white except when colour is used to communicate the
intensity of ecstasy, and the sweaty drug-fuelled ambience of
the 1990s club culture is convincingly recreated.

IT: CHAPTER TWO


Cert 15 Running time 169mins ★★★★


P


ennywise – the demon killer clown


  • returns to scare you out of your
    cinema seat with this shockingly
    great supernatural sequel which
    improves on the first chapter from
    two years ago that was a monster half-a-
    billion pound box office success.
    Director Andy Muschietti and writer Gary
    Dauberman are back with an abundance of
    confidence to bring the second part of
    Stephen King’s 1986 novel to terrifying life,
    with even stronger character work, greater
    grisly and gory thrills and a surprising
    amount of humour.
    It’s set in 2016, 27 years after the events of
    Chapter 1, and the child heroes of the self-


styled Losers’ Club are now adults and
tormented once again not just by the
nightmarish Pennywise, but also a local
psychopath. Swedish actor Bill Skarsgard
veers between self-pitying pathetic
and magnificent malevolence as
the rabbit-toothed Pennywise, and
gleefully torments a great cast
which includes James McAvoy,
Jessica Chastain and Bill Hader.
As Chastain typically plays
strong, confident characters, it’s all
the more disturbing to see her
fragile and desperate. Few actors
can switch between emotional states as
quickly and convincingly as McAvoy can, and
Hader is a caustic and cowardly delight as an
off-duty stand-up comic.
They’re so great together and generate so

much convincing chemistry that it’s a pity
they’re split up for the movie’s lengthy middle
section, which demands each collect an
artefact of personal importance in order to
perform a supernatural rite to
kill Pennywise.
After a stomach-churning
opening featuring a thoroughly
nasty assault at a fairground, we’re
plunged into a world of Native
American shamanic rituals,
domestic abuse and mind-twisting
scary horror.
This compares favourably with
the very best of King big-screen adaptations,
and next month Ewan McGregor stars in a
sequel to The Shining, called Doctor Sleep.
Until then, let Pennywise give you your
nightly dose of nightmares.

All the fun of the fair


NO CHANGE
Pennywise
is back

‘‘We’re plunged
into shamanic
rituals, abuse
and mind
twisting horror

In Quentin Tarantino’s Once Upon A Time In Hollywood, Brad Pitt
plays second fiddle to Leonardo DiCaprio. The film is now Tarantino’s
second-biggest grossing film worldwide, sitting above Inglourious
Basterds, which starred Brad Pitt, and behind only Django Unchained, which
featured, er, Leonardo DiCaprio.

@ChrisHunneysett


A MINUSCULE ADVENTURE
Cert U Running time 92mins ★★★★
Buzzing with charm and humour, this wonderfully inventive
and engaging animation is a fun-packed family treat combining
action, romance and a strong eco theme.
A standalone companion to 2013’s award-winning adventure
Minuscule: Valley of the Lost Ants, this uses the same
technique of seamlessly mixing real-life locations and people
with animated insects.
When a pair of ladybirds inadvertently undergo a perilous
trip from their French Alpine home to the Caribbean, a spider
and an ant team up to rescue them.
Storms, sharks and Venus flytraps are among the dangers,
but rather than being scary, the musical accompaniment gives
the action the feel of a 1930s’ cliffhanger serial.
The creatures communicate with appealing whistles and
raspberries, and the absence of dialogue adds to the feeling of
old-fashioned fun. The emphasis on the need for cooperation
across cultural borders offers a timely message too.

BUZZ OFF
Ladybirds are
far from home

RAPID
RESPONSE
Cert 12A Running time 99mins
★★★
Drivers and doctors discuss
death on the track as we’re
taken on a forensic journey
in this middle-of-the-road
documentary which looks at
the introduction of safety and
medical support in US motor racing.
It’s a straightforward combination of talking heads
intercut with race footage of fatal crashes, which make for
an occasionally terrifying watch.
With frank contributions from drivers including more
than one winner of US premier racing event the
Indianapolis 500, it centres on the work of lifelong racing
fan Dr Stephen Olvey.
He went from being a medical student trackside
volunteer to kick-starting the drive to collecting data
which became instrumental in improving car safety.
But he faced an uphill struggle because each new
safety feature involved a financial cost and a
“performance penalty” – they led to heavier and therefore
slower cars.
Interviews with engineers and promoters are noticeably
absent, highlighting in a roundabout way the tension in
racing between safety, spectacle and profit.

SOBERING The firm shows
real-life fatal crash footage

MOVIES with CHRIS HUNNEYSETT

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