You Tuber (2019-03)

(Antfer) #1
EDITOR’S NOTES MARCH 2019
Volume 011

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Matthew York
Patrice York
Mike Wilhelm
Nicole LaJeunesse
Katherine Gabales
Chris Monlux
Susan Schmierer

Terra York
Lindsay Cox
Jessica Rowe

Stephen Awe
Ryan Awe
Natasha Garcia

YouTuber is published monthly by Videomaker, Inc., 645 Mangrove Avenue, Chico, CA 95926. ©2018 Videomaker, Inc. All rights reserved. Reproduction of this publication
in whole or in part without written consent of the publisher is prohibited. The YouTuber name is a pending trademark, property of Videomaker, Inc. Editorial solicitations wel-
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THE COMMODITY OF
ATTENTION

As YouTubers, we’re not as much
in the video business as we’re in the
attention business. We use our video-
making skills to capture attention,
then we sell it to advertisers or trade
it with other YouTubers in collabora-
tions. Viewed this way, attention is a
kind of commodity.
However, unlike traditional com-
modities like gold or oil, attention
can be shared. If I have a gold bar,
and I sell it to you, you now have the
gold and I have the cash. But on You-
Tube, I can sell the attention I gather
while still also keeping it on myself.
Let’s say you want to pay me to
promote your lemonade stand on my
YouTube channel. Doing so directs
the attention on my channel to your
business. But it’s still my channel,
and it might even be my face and
voice, so the attention is still on me.
It doesn’t end there. YouTube also
shares that attention. Do they have
more of a claim over the attention
than I do? Who gets to decide what
to do with that attention? If it’s sold,
who gets to set the price?
Regardless of who owns the atten-
tion, YouTube’s terms of service give
creators a great deal of agency over
what they do with it. They want to
sell it, but you can sell it, too. Or you
can give it away. Or you can try to take
it away from YouTube entirely and
move it onto another platform.

On the Cover:
Devin Super Tramp

PRESENTED BY

Outside of monetization, it’s inter-
esting to think about other uses for
the attention your YouTube channel
acquires. You can direct the attention
to other platforms where it’s eventu-
ally monetizied, or to charity orga-
nizations or up-and-coming YouTu-
bers. Spreading awareness about an
important issue is another great use
of this attention, one that could have
lasting societal benefits.
Then there’s the fact that lots of
people just plain enjoy receiving
attention. As a YouTuber, there’s a
good chance you’re one of them.
Countless YouTubers publish content
for years without ever earning a
profit. Of course, many of them hope
to turn that around someday but
others just love having people watch
their content.
It’s important to occasionally take
a step back and think about how
the attention you generate can offer
value beyond selling it as a com-
modity. The next step isn’t always to
monetize. Instead, you can choose to
share the wealth.
Mike Wilhelm
Editor in Chief

STORIES • ADVICE • TRENDS

INTERVIEWS: Illymation 58
Natalie and Tara 65

How DEVIN SUPER TRAMP
makes world-class content
with brand partnerships

PAGE 11

MARCH 2019

you
ubermagazine

“I get to work with all the companies
that I grew up loving”

ASMR is the Best Artform on YouTube THAT YOU’RE NOT WATCHING 30
Getting your first VIDEO SPONSORSHIP 50
6 Mistakes that new gaming channels make(AND HOW TO AVOID THEM) 38
How to FOLLOW VIDEO TRENDS THE RIGHT WAY 43
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