Today's Quilter - UK (2020-01)

(Antfer) #1

TECHNIQUES l string piecing


Left,Stringpiecingis the
ultimate stash buster

themdance.Themorevariety there is
in placementthebetter.
Mystringcollectingis simple.I start
witha basketundermycuttingtable
andI putin anything‘stringworthy’
thatI don’twantto cutintootherscrap
sizes.Everyprojectleavesstrings.I have
suchanaddictionto odd-sizenarrow
stripsthatI’llevenmovetherulerover
aninchorsowhenstraighteningup
a pieceof fabricsoI cansavea whole
string,insteadof discardingin of
trimmings.Varietyis key:the more you
save,themoreyou’llhave.
Whenthebasketis fullI havea
coupleof choicesto make– doI want
to makea stringquiltwithallof the
coloursof therainbowincluded?Ordo
I wantto playwitha fewselectcolour
familiesfora moreplannedlook?
If a quiltwitha certaincolour
schemeis at theforefront,thesorting
takesplace.It’sa funandmessy
process,thesortingof thestrings.
I dumpthebasketonthefloor,and
whilewatchinga movieI sortthesaved
stripsbycolourfamily,storingeach
familyin itsowncleartubsoI cansee
what’swhatandcaneasilydigintoan
evening of string piecing by colour.


Foundations
ThereasonsI wantfoundations in my
stringpiecingaretwo-fold.
QA foundationstabilisestheblock
whenworkingwithnarrowstrips,
especiallyif thestripsareslightlyo
grain,ordon’thavestraightedges.
QA foundationgivesmea boundaryto
aimfor.I knowthesizeof myblock,
andwhetherthestripwillfitornot
becausethepapershowsmethesize
of theunitI ammaking.I canvery
eectivelyusemyscrapsto fill the
block dimensions this way.


Inlookingat vintagequilts,youwill
findanyandeveryfabricusedfor
foundationsin stringpiecing,including
muslin,printedcotton,batiste,
lawn,andmanyothers.Inthepaper
foundationcategory,I’veseenevery
kindof paperused– includingsheet
music,churchbulletins,newspaper,
andevenfamilyletters.
I preferto usepaperfoundations
in mystringpiecingformanyreasons.
Onereasonis thatI findsewing
straightstripsof fabricacrossthe
biasof a fabricfoundationcancause
warpingandrollinganda foundation
thatwon’tlieflat.Paperis sturdyin
everydirection,havingnobias.
Myquiltsarefullof smallpieces
and,therefore,manyseams.Being
ableto removethepaperfromthe
stringpiecingalsohelpseliminate
excessbulkthatwouldaddmore
weightif I leftfabricfoundationsin
placewhensewingthetoptogether.
Therearemanykindsof paper
suitableforstringpiecing.Pagesfrom
telephonebooks,financialprospectus
pagesthatcomequarterly,cheap
doodlepadsfromthestore,and
newsprintendrollshaveallbeenused
successfullyin thepast.Lookfora
thin,crisptypeof paperthattears
awayeasilyafterstitching.Pieces
of tracingpaperandvellumarenot
recommendedas theymaycurlor
shrinkwhentouchedwithaniron.
Therearealsowonderfulfoundation
papersavailableforpurchase.Try
CarolDoak’sfoundationpaper(by
C&Tpublishing),especiallywhen
printingfoundationswheresewingon
a lineis necessary.It is designedfor
stitchingandtearingaway.The
8 in x 11inand 8 in x 14insheets
feed through a printer easily.

For easypaperremoval
Paperremovalis easy if you remember
thefollowing:
QUsea size 14 needlein yourmachine
to makebiggerholesin thepaper.
QSetthestitchlengthverysmall–
to 1.5ona digitalmachineorabout
17 stitchesperinchon a vintage
sewingmachine.
Smallerstitchesandbiggerneedleholes
makethepaperveryeasyto remove.
If thepaperis fallingotoosoon,
lengthenthestitcha bit.If thestitches
aretoolarge,youmayfindthestitches
pullinganddistorting as you fight to
removethepaper.
Aspaperis hardestto removewhen
seamlinescrossotherseamlines,
I squareupmyblocksandremovethe
paperbeforejoiningunitstogetherin
thequilt.Oncetheunitsarepieced,
squared,andde-papered,I cansimply
sewthemtogetherin thequilt just like
anyotherpiecedblock.

Pressing
Whilepiecingstringblocks,I tendto
workwitha dryiron(nosteam).
Somestringblockswillhavebias
edges.Toaddstabilityandminimise
stretchwhenremovingpaper,lightly
spraythecompletedblockwitha
spritzof spraystarchandpressbefore
trimmingandpaperremoval.
Removingpaperis anacquired
technique.I findthatif I placethe
thumbnailof mylefthandonthe
seamlineI ampullingpaperaway
from,thestitchesareheldsecure
asI removethepaperthesameway
I wouldfroma perforatednotebook
withmyrighthand.I startat one
cornerandworkmywayacross
theblockinthereverse order that
pieces were sewn.
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