Tatler UK - 10.2019

(Joyce) #1
88 Tatler October 2019 tatler.com

seating plan so that I can introduce
guests with similar interests who
perhaps won’t meet each other
without a nudge. Name placements
are kept very simple: small white
cards with handwritten names.
My ideas for the table settings
come from different places. I will al-
ways begin by looking to nature and
the flowers that are growing in my
garden, and from there I’ll plan the
colours and theme for the table. I
generally keep flowers to a single
colour, alongside foliage and other
greenery, such as pots of herbs, and
then add accents of other colours

WHATEVER THE OCCASION, WHETHER
it’s a simple supper for husband and
I, a casual dinner party for friends or
a big celebration, I like to make an
effort. I’ve set up trestle t ables on the
beach, had picnic parties on the
sand, held a celebratory lunch in
our quince orchard in Daylesford’s
Market Garden, with food served
under the branches, the fruit’s gentle
fragrance on the breeze.
As long as everyone is warm
enough and sheltered, I’ll do my
best to be outdoors. There’s some-
thing beautiful and quite magical
about eating surrounded by the
sights and sounds of nature. Even
our New Year’s Eve parties are out-
door buffets where countless times
the heavens have opened, but we’ve
all just kicked off our shoes and car-
ried on dancing in the rain.
To me, mealtimes have always
been important, an opportunity to
bring my family or friends together;
to spend time enjoying our food
and honouring the work that has
gone into its creation by serving and
presenting it beautifully.
The first place I start when I’m
planning a gathering is working out
where I’m going to seat everyone.
Usually, it’s on long tables rather
than round ones because somehow
that feels more intimate to me –
and inevitably as people talk across
the table and the group conversa-
tions start, the chatter and noise
levels rise and you’ve created a lively
atmosphere. I will often make a

fantastic

feasts &

where to

find them

Society super-hostess
Carole Bamford reveals
the secrets of her faultlessly
glamorous entertaining

through the glassware or the linens
and tablecloth. My dear friend, the
late Hubert de Givenchy, taught me
so much and was a huge source of
style inspiration to me. He would
help me source beautiful glasses in
Murano and Venice and introduced
me to a delightful old couple, who
to my mind made the best hand-
blown glassware.
For the tablecloth, my favourite
at the moment is from India. It’s
made with a hand-blocked blue
printed fabric. I like pairing it with
lily of the valley and cornflowers,
but I won’t use anything too heavily

scented. Flowers should act as an
embellishment rather than a distrac-
tion and so I display them in short
vases and old glasses – nothing tall
enough to block anyone’s sight.
One of my favourite springtime
flowers are irises. Iris is my grand-
daughter’s name, too, and for her
first birthday I hosted a lunch where
we decorated the table with nothing
but her namesake bloom. I had a
few single stems in old glass bottles,
but we also transferred whole plants
to rustic wooden boxes for display.
That way, they could be returned
to the ground at the end of the day. PHOTOGRAPHS: MARTIN MORRELL

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