Billboard - 24.08.2019

(lily) #1

the beat


GREY: ADAM FRANZINO. HOPE: DAVID O’DONOHUE. MARINA: KARWAI TANG/WIREIMAGE. TEGAN & SARA: PAUL MORIGI/WIREIMAGE. JEPSEN: MARK SA

GLIOCCO/GETTY IMAGES. PLATT: WALTER MCBRIDE/GETTY IMAGES.

In April 2018, Hope tried to collaborate with Tegan & Sara via Twitter DM — and, she
thought, failed. Then her manager called to say the duo wanted to work together in
person. Hope flew to Vancouver and joined the all-female studio team for the pair’s
new album, out Sept. 27 on Sire Records. “Working with two Virgos is kind of a
dream for me,” says Hope of the hyper-organized duo. As for producing an entire LP
for the first time? “It was fun to feel supported by super-talented women.”

Hope describes her best friend, fellow Aussie singer-songwriter Ben Abraham, as
her partner in binge-watching The Office. But Abraham helped shape her work, too,
by introducing her to Platt in January 2018. The three worked together on the Dear
Evan Hansen star’s debut album, munching on doughnuts in the studio. “It was very
Nashville-style, sitting around with an acoustic guitar,” says Hope. “The two Bens
had been working together for a minute, so they had great synergy.” Sing to Me
Instead reached No. 18 on the Billboard 200.

When Jepsen was ready to follow up 2015’s Emotion, she reached out to Hope,
whom she had met in 2016. They worked in the basement studio in Hope’s former
home, which she calls “a dark little cave with a lot of weird novelty lighting.” They
ended up co-writing “Right Words Wrong Time,” which Hope then co-produced
with Grammy nominee Rogét Chahayed (Travis Scott, Kendrick Lamar).

In 2018, Hope met British singer-songwriter James Flannigan for coffee, and
the two bonded over their shared admiration of Marina, who was on Hope’s list
of dream collaborators. Within days, the trio headed to Flannigan’s Los Angeles
studio for a session that resulted in a standout track off Love + Fear, which hit
No. 28 on the Billboard 200. “It was a good hang that happened to also produce a
song,” says Hope, “which is the best kind.”

MARINA
“No More Suckers,”
Love + Fear

TEGAN &
SAR A
Hey, I’m Just
Like You

BEN PLATT
“Grow As We Go,”
Sing to Me Instead

CARLY RAE
JEPSEN
“Right Words Wrong
Time,” Dedicated

IN DEMAND


Six years ago, when Alex Hope was 19, she signed her first publishing deal with Sony/ATV in her native
Sydney and went on to write songs for contestants on Australia’s version of The X Factor. By early 2014, she and
Troye Sivan — whom she met through Sony/ATV head of A&R Maree Hamblion — were regularly meeting in
Los Angeles for writing sessions. Working with Sivan expanded Hope’s circle of collaborators and inspired her to
try producing. She moved to L.A. that year and quickly started strengthening her résumé. She won breakthrough
songwriter of the year at the 2016 Australasian Performing Right Association Awards; produced and co-wrote
“Lucky Strike” on Sivan’s 2018 album, Bloom; and so far this year has produced for Alec Benjamin, Ingrid
Michaelson, Alanis Morissette and others. No matter the act, working one-on-one remains Hope’s favorite
approach to making music. “It’s a very vulnerable thing,” she says. “It really does feel like therapy.” —GAB GINSBERG

Alex Hope


SONGWRITER-PRODUCER


THE AUSTRALIA NATIVE HAS WANTED TO WRITE SONGS
FOR HER FAVORITE ARTISTS SINCE SHE WAS A TEEN —
N OW, T H E Y ’ R E CO M I N G TO H E R

40 BILLBOARD | AUGUST 24, 2019


SIGNED


Skylar Grey has been in the industry


for over 15 years, but she’s still


looking for new ways to innovate.


Many of her greatest successes


have come as a songwriter — first


with Eminem, with co-writes on his


2010 hit “Love the Way You Lie”


(featuring Rihanna) and the Dr. Dre-


Eminem single “I Need a Doctor”


(on which she guested), and later


on hits like Zedd‘s “Clarity” and


Macklemore’s “Glorious.” After


signing to Interscope in 2011, she


left her prior management in 2017


and then finalized a split with the


label this summer. (Grey describes


the latter as “amicable” and the


result of “creative differences.”)


The 33-year-old went looking


for new representation with a


finished album, and after receiving


recommendations to connect


with Crush Music co-founder


Jonathan Daniel, the two met in


mid-2018. “He wasn’t trying to sell


me some crazy ‘I can make you a


superstar’ story,” says Grey. “It was


real, and he seemed like somebody I


could look up to.” Since the meeting,


Grey has been in frequent contact


with various members of the Crush


team, including head of A&R


Evan Taubenfeld. Now officially


on the roster, she’s preparing to


self-release her new album, Angel


With Tattoos; lead single “Shame


on You” is due Aug. 26. Grey says


the concept project “could end


up having a hundred songs” and


that she’s going to continually add


tracks to digital service providers.


Taubenfeld is confident that Crush


can present Grey as more than a


behind-the-scenes star: “She has


an incredible amount of fans inside


the business. The next phase for us


is creating a large amount of fans of


her artistry.” —JOSH GLICKSMAN


NAME SKYLAR GREY
MANAGEMENT CRUSH MUSIC
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