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SPOTLIGHT ON
H
AVING SPENT ALMOST TWO
decades working in the bridal
business you’d think that
Richard Lill’s enthusiasm may
have waned slightly, but it’s clear
to see the world of white dresses
holds a dear place in his heart.
“I am like a kid at Christmas every season,” he
says. “If I wasn’t then I would just leave.”
Richard began his career as a national sales
manager for bridal magazine Bliss, who co-
incidentally were based in the same building,
Claro Court Business Centre, that Alfred
Angelo UK now occupies. After receiving a call
from Nick Day, who was then at Alfred Angelo,
Richard considered his options for some time
before joining the brand two weeks before the
September Harrogate show 18 years ago. And
the rest, as they say, is history.
With 18 years at the brand under his belt the
industry has undergone much change during
this time.
“One of the things that has changed more
than anything else is brand loyalty,” Richard
explains. “It is almost gone. I don’t think it is
because of the internet so much, but because
it became even harder when the recession hit.
Retailers, like anybody else, were stabbing in
the dark at what to do, some manufacturers
were offering big discounts in desperation and
retailers were understandably enticed until they
realised that without the backing of a great
business package and support it was false
economy. Stockists want more from suppliers
than ever before.”
Richard adds: “The business focused retailers
have had to step up their game and it has
become more important for them to ask for the
sale. Gone are the days when ‘I don’t want to be
pushy’ is enough to secure a sale. In years gone
by no one would ask the girl if they were going
to buy it, that’s one of the changes we have seen
in the industry. But there are other retailers
that still don’t ask whether they are going to
buy it even if the bride and mother are in tears
at how beautiful it looks.”
The internet has also given rise to the birth
of social media, something that has given small
retailers the chance to
compete on a global scale
and speak to brides all
over the world.
Richard says there is
now a divide of old school
and new school retailing.
“Old school still works if
the retailer is very good,
but new school is the
way forward to generate
footfall,” he says. “It is vital
for retailers that deal with
suppliers like ourselves
who are committed
to advertising and
stimulating a need for the
gowns they carry. Then
once through the door old school is still the
best received approach, every bride wants to feel
special and so stores that can instill confi dence
in them and make them feel comfortable in their
own skin will always succeed.”
Success is something that Alfred Angelo has
enjoyed itself over recent years, thanks in part
to its collaboration with Disney.
“The Disney collection fi rst launched in
2011,” explains Richard, “and strangely enough
even now our number one and number two
bestselling dresses in the UK are Cinderella and
Belle in that order from the original collection.
And bearing in mind we have less stockists of
Disney than we have of Alfred Angelo or the
other collections, it is a vast and phenomenal
success story. Parts of the industry thought it
was a ridiculous concept but the brides’ reaction
and the fi gures speak from themselves. We are
so proud of our award-winning partnership
w it h D i s n e y.”
When Alfred Angelo launched the original
range it had more than 100 orders from brides
before even one sample had been delivered into
a shop, meaning more than 100 brides bought
their dresses without trying them on or even
seeing them. “That is the power of Disney; it
gives a woman the inner confi dence, which is
upmost on a bride’s wedding day,” says Richard.
Each year Alfred Angelo brings out a new
collection with versions of each princess. The
The Alfred Angelo and Disney
Cinderella gown (left page) is the
brand’s bestselling dress in the UK
ÒOne of the
things that has
changed the
most is brand
loyalty. It is
almost gone.Ó
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