4B❚ FRIDAY, AUGUST 30, 2019❚ USA TODAY LIFE
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Orlando Bloom is returning to the
fantasy past – but not as far back as
“The Lord of The Rings” and “The Hob-
bit” – in his first TV series, Amazon’s
“Carnival Row” (streaming Friday).
“Carnival” offers mythological crea-
tures and magical elements, but it sea-
sons that ethereal air with plenty of
soot, courtesy of a grimy setting that
suggests Victorian-era London with a
steampunk vibe.
“It’s that dingy, dirty, industrial
feeling that life is hard and real,” says
Bloom. “It has that Dickensian Eng-
land feel. When you put a fantasy in
something that is so tangible and real,
it works very well.”
Bloom’s Rycroft “Philo” Philostrate,
who grew up an orphan and is a veter-
an of an ugly war, straddles both
worlds in the eight-episode “Carnival,”
which filmed its city scenes in Prague.
He’s a detective investigating serial
killings along seedy Carnival Row, a
stand-in for Jack the Ripper’s White-
chapel in a city known as The Burgue.
He also is involved in a complicated in-
ter-species relationship with the
winged faerie Vignette Stonemoss
(Cara Delevingne), a member of the
fae folk, one of many species that mi-
grate to The Burgue as refugees from
wars started by men.
There, the fae folk and other spe-
cies, including fauns and centaurs, try
to survive under the oppressive thumb
of unwelcoming humans.
“The story is about fear. The Bur-
guish man fears the fae folk. The fae
folk fear the Dark Asher,” a monster
that preys on faeries, Bloom says. “Phi-
lo has a fear of being found out, be-
cause he’s a man of secrets. He has
things to hide.”
On a larger level, the veneer of the
fantasy and noir crime formats gives
“Carnival” cover to explore difficult
contemporary issues.
“We’re talking about race, migrants
and war-torn refugees, (but) it’s all
cleverly disguised in a serial-killing,
murder thriller,” Bloom says.
The immigration story is especially
relevant today, although its signifi-
cance goes back long before creator
and executive producer Travis Bea-
cham wrote “Carnival Row” 17 years
ago.
“Carnival,” which has been renewed
for Season 2, took a long, circuitous
path to the screen. Once planned as a
movie, it underwent expensive re-
shoots as a TV series. Beacham
thought it would never get made, “so to
be in Prague and literally be standing
on Carnival Row and seeing these peo-
ple in costumes ... it’s very surreal,” he
says.
“The migrant refugee issue has
been going on for generations. But
we’re seeing it today in more of an im-
pactful way than ever before,” Bloom
says. “The thing we are able to do
beautifully is look at the humanity in
many different painful situations that
STREAMING
Bloom
returns to
fantasy in
‘Carnival’
Bill Keveney
USA TODAY
See BLOOM, Page 5B
Orlando Bloom plays detective
Rycroft Philostrate.JAN THIJS/AMAZON
Which movies transformed your summer? ❚As summer is wont
to do, it was a season stuffed with remakes, reboots and tent-
poles, with everything from a Marvel-ous kickoff in April to
Hobbs & Shaw bringing some popular “Fast and Furious” flavor to
the dog days of August. But while we were busy taking in Will
Smith’s rapping turn as Aladdin’s Genie and singing along with
Elton John in “Rocketman,” some movies – even great movies –
failed to make enough noise to attract audiences, while other
blockbuster-hopefuls went bust.❚Here’s a look at the stars who
emerged triumphant – and others who saw their summer dreams
dashed.
Winner: Beyoncé
Queen Bey was just warming up
in April when she dropped her
“Homecoming” concert documen-
tary on Netflix and a surprise ac-
companying live album. In July the
pop superstar voiced Nala in “The
Lion King,” and after walking the red
carpet with Blue Ivy released an en-
tire other new albumfrom the film,
“The Lion King: The Gift,” which fea-
tures a ballad primed for an Oscar
nomination. Buoyed by Timon (Billy
Eichner), Pumbaa (Seth Rogen) and
Simba (Donald Glover), the re-
vamped “Lion King” went on to
score $1.5 billion at the box office.
Loser: The X-Men’s ‘Dark’
send-off
“Dark Phoenix” came, bombed,
and went. The worst-reviewed film
in the X-Men franchise (it got a low-
ly 23% positive reviews on Rotten
Tomatoes) earned just $255 million
worldwide on a $200 million bud-
get. Not even “Game of Thrones”
MOVIES
Beyoncé was queen of many media. RICHARD LUI/USA TODAY NETWORK
Bright, ‘Dark’
times filled
the big screen
this summer
See MOVIES, Page 5B
Andrea Mandell USA TODAY
Sophie Turner, whose Jean Grey
has great power, couldn’t save
“Dark Phoenix.”20TH CENTURY FOX
The country music star is a proud
papa. McGraw shared a video on
Instagram on Tuesday of him and his
daughter Gracie, 22, belting out
“What Kind of Fool” by Barbra Strei-
sand and Barry Gibb. Gracie’s mom is
singer Faith Hill, so she clearly is a
natural. “PIPES!!!!!!......Dang, this girl
can sing! Gracie and I having fun with
Babs and Barry on our trip,” the
52-year-old dad of three captioned
the post, adding the hashtag
#chaseyourdreamsgirl.
JASON KEMPIN/GETTY IMAGES
MAKING WAVES
TIM MCGRAW
The couple packed on the PDA at the
premiere of Netflix’s documentary on
the rapper, “Travis Scott: Look Mom I
Can Fly” Tuesday night. The “SICKO
MODE” artist and make-up mogul
smooched in front of photographers
at Barker Hangar in Santa Monica,
California. The film is currently avail-
able for streaming.
RICH FURY/GETTY IMAGES
CAUGHT IN THE ACT
TRAVIS SCOTT
AND KYLIE JENNER
Carla Guginois 48. Lea Micheleis 33.
Liam Payneis 26.
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