T3 India – August 2019

(Darren Dugan) #1

Horizon


38 T3 Tomorrow ’s Technology TodayAUGUST 2019 WWW.T 3 INDIA.COM

or 20 years,JensKronvold
Frederiksenhasbeen the
residentJedi Master in
charge ofLego StarWars.
Ascreativedirector,he’soverseenits
transformationfroma coolconcept
intoajuggernautofcreativityand
desire.Speakingtohim,it’sclear
hehasa deeploveforthebrandhe
shepherds. Hetalks abouthis work
withapersonalconnectionand
affectionthat’snosurprise,givenhow
muchofhislife he’sbeendoingthis.
Thefirstthingweask,obviously,
is whichoftheshipsovertheyears
hasbecomehisfavourite.Jenswalks
usovertoa pairofMillenniumFalcons



  • thetwoversionsoftheexpensive
    UltimateCollectorSeriesmodelsthat
    havebeenreleasedoverthe years.
    Thefirstversionwasdesignedby
    him.It startedlife asa bitoffunafter
    people onlinehadcomplainedthat
    alltheFalconsmadeuptothatpoint
    couldn’tfitfourminifiguresin the
    cockpit, likein themovies,soJens
    startedexperimentingwithwhata
    modelofthatscalewouldlooklike.
    Whenotherssawit, hewas
    encouragedtogowildandmake
    thebestFalconhecould,nomatter
    thesizeorhowmanypieces.Forhim,
    it wasa kindoffreedomthatonly
    reallycamearoundonce.Sincethen,
    anew versionofthe Ultimate


Collector Series Millennium Falconhas
beenreleased,butit’sthatveryfirst
onethatclearlyholdsthefondest
memoriesfor him.HereT 33 speaksto
JensaboutallthingsLegoStarWars,
fromthemoreobscure TIEfighters to
fanfavourites...

DOYOUHAVEOTHERFAVOURITE
SHIPSINTHISROOM?
“There’sanothermodelI wouldalso
reallyliketomention.It’sveryspecial
to me.It’sthe DeathStar.We’vehad
twoversionsofthatproduct.I can’t
remember when it was launchedthe
firsttime,butit’sbeenavailablefor
manyyearsnow.AndwhatI reallylike
about that set is that itcontainsallthe
scenes– allthemajorscenes– from
theDeathStars in themovies. Sokids
arereallyabletoplayoutthescenes.
“Weknowchildrenbuildit. I think
it’smarked14+,butveryoftenit’s
somethingthat’sona kid’swishlist.
Thefamilyputit together,whichis
somethingI reallylike,specifically,
aboutthatproduct.”

WHENYOU’REMAKINGSOMETHING
LIKETHEDEATHSTAR,HOWDO
YOUDECIDEWHATYOU’REGOING
TOFITINTOTHEDIFFERENT
SCENES?
“That wasalongprocess.The two
designersthatmadethefirstversion
spentmany, manyhourswatchingthe
movies,andthenwedecided
togetherwhichoneswerethemost
important.Wealsoinvolvedchildren
alongthe way. In a caselike that,
we’relookingatwhetherthekidscan
handlethefunctions.Dothey
understandthem?Dotheymake
senseforthechildren?Aretheyfun?
Thingslike that are super-important
forus.”

WHAT’STHEPROCESSOF STARTING
WORKON SETSBASEDON A NEW
FILMTHATYOU DON’TKNOW
ANYTHINGABOUTYET?
“Thebigchallengeis thatwe’re
startingmorethanayearbeforeit
willendupona shelfin stores.They’re
filmingatthesametimeaswe’re
decidingandmakingthe products.
Normally, thefirstthingthathappens
is we’llbetakenthrough– veryoften
bythedirector– thefullstoryofthe
movie,sowecangeta pictureof
whataretheimportantthings in the
movie.Sothenwegetthereference
material. Andbasedon that –or the

F


T 333 interviewstheman
whow runsu oneofthe

coolest brands in history


“Whentheystart
filmingweareinvited
tovisittheset

g
often.
So we’ll seethe sets
andthe costumes”

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