T3 India – August 2019

(Darren Dugan) #1

TENTOP BOLLYWOODSOUNDTRACKSOF ALL TIME


92 T3 Tomorrow’sTechnologyTodayAUGUST 2019 WWW.T3INDIA.COM

Words:H.S.Billimoria


Choosingthe Top 10 tracksfromBollywoodisnoeasytask. It isalsoverysubjective.TheT3selectiongivesalotof


importancetothelongevityofthefilm’s music. An album that is popular longafter its release and soundsfresh or


relevanteventodayhasa lot going forit.


1)BARSAAT( 1949)
Barsaat,whichwasreleasedin1949,hadthreemajordistinctions:

i) Barsaatcatapultedthecareers
of RajKapoorandNargisto
stratosphericheights
ii)Itlaunchedthecareerof
ShankarandJaikishan whocame
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createdanalbumtoremember
iii)ShankarJaikishanchosean
unknownLataMangeshkarto
playback 9 ofthe 10songs.Lata
neverlookedback.
NeverinthehistoryofHindi
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suchanimpression.Barsaat
waseasily thebestsellingmusic
of the1940s.Toyoungsters
whohavenotheardthisalbum,
rushandlistentoit.NoShankarJaikishansarelikelytoemerge from
Bollywoodanymore.Justsamplethreetracks– ‘Mujhekisisepyar
hogaya’,‘Jiyabekararhai’and‘Hawameinudtajaayen’,allLatasolos.
LyricswereprovidedbythenewlydiscoveredShailendraandHasrat
Jaipuri.However,twosongs werewrittenby RameshShastriandJalal
Malihabadirespectively.Barsaat’smusicisindeedspecial; how else do
youexplainitsmagneticpowera full 70 yearslater?

Soundtracks of All Time


2)AWAARA( 1951)
Awaarwasreleasedin 1951 andfeaturedRajKapoorin
theroleofthetramp/vagabond.Nargiswastheheroine.
ShankarJaikishan’s musicagainhitthejackpotandthe
titlesong, ‘AwaaraHoon’renderedbyMukesh,became
aninternationalsuccess.Itsawphenomenalpopularityin
the SovietUnion,Chinaandthe Middle East.Apartfrom
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andMannaDeyalsofeaturedinthe album.Onemore
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eventoday.WithAwaara,ShailendraandHasratJaipuri
became the permanent lyricists of Shankar and Jaikishan.

Top Bollywood


10


3)SHREE 420 ( 1955)
Releasedin 1955 ,Shree 420 was,in
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KapooragainstarredwithNargis
andplayedthe role ofthe trampto
perfection.ShankarJaikishanagain
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theMukeshnumber,‘ Merajootahai
Japaani’becominga cultnumber.
MannaDejoinedLatafortheromantic
duet,‘ Pyarhuaikraarhua’and
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Lataforthelegendary‘Ramaiyya
Vastavaiyya’. TheseTeluguwordswere
usedbyShankar,whoalthougha
Punjabi, wasraisedandbrought up
inHyderabad.


4)AASHIQUI( 1990)
NadeemShravanhitthemusical
scenewithabangin 1990 with
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ear formusicandsawthetalent
inthe NadeemShravanduo.Ifa
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JaikishanhadcatapultedLataMangeshkartofamewith
‘Barsaat’,NadeemShravanmadeKumarSanua household
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thatdoesnotdiminishthemusicalgeniusofNadeemShravan.
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andKumarSanu becamea hit combination.
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