Art New Zealand – August 2019
56 Christchurch Joanna Braithwaite Warbler PG gallery192 21 May–14 June JASMINE GALLAGHER Joanna Braithwaite’s surreal collectio ...
57 Dunedin Nocturnal Projections and Other Small Happenings 17–31 July EDWARD HANFLING Opening night was a blast. Over two hours ...
58 Bruce Connew is a New Zealand photographer and artist who has made images since the early 1970s. He earned wide respect for h ...
59 read (my copy still has its underlines): ‘Whatever diminishes constraint, diminishes strength.’ I embraced this book, read an ...
60 present its solutions. The solutions to reading the work are those of the viewers, not mine. S.P.: Collaboration with both su ...
61 B.C.:Deanis ona crucialmissionforhistamariki to retrieve his customary right to collect titi/ muttonbirds undisturbed. At our ...
62 manifestations of the coup itself. Eventually, I was led to an Indian Fijian sugar cane farmer, Dharmen Kumar, and his family ...
63 S.P.: I find the play of intimacy and distance very striking in your work. So much of what you do is about adventure ‘out the ...
64 B.C.: I have photographed my family forever, right from my first box camera to the now ubiquitous mobile, but never as a proj ...
65 significant layer to the abstraction. I’ve tried every which way to debunk that thought, and I can’t. It was a happy moment w ...
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67 with another book proposal, I nudged him for an answer why. I respected this man a lot, I liked him before we had even shaken ...
68 HANAHIVAROSE EdithAmituanaiis capturingtheworldasit happens. Hersareimagesthatrespondtothetimes,andin doingsoachievea remarka ...
69 it down.‘JustbecauseI happentobea Samoanthey put a tapa on the wall. It’s so cliché, you know, it’s so offensive.’ At the rea ...
70 from a teenager serving tea to ‘Miss Amituanai’. I’m particularly interested in Ioka who, despite appearing repeatedly in Ami ...
71 the weight of the responsibilities she is expected to carry in order to adhere to fa’a Samoa. As Tonga writes: ‘This interest ...
72 MICHAEL DUNN Jack Trolove paints directly and boldly, slashing layers of thick oil paint onto canvas. His process is tangible ...
73 we see fragments of the face rather than the whole. In some cases the eyes are closed, in others open but not in contact with ...
74 but Trolove focuses inward, searching for the unique energy concealed behind personal appearance. He probes the interface bet ...
75 he did not allow the imagery the freedom found with the slabs of pigment applied wet-on-wet in his latest works. Back then, t ...
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