Section:GDN 1J PaGe:9 Edition Date:190831 Edition:01 Zone: Sent at 30/8/2019 16:33 cYanmaGentaYellowbla
Sat urday 31 Aug ust 2019 The Guardian •
9
Today’s birthdays: Queen Rania of
Jordan , rights campaigner, 49; Jerry
Allison , drummer, 80; Martin Bell ,
journalist and former independent
MP, 81; Nick Bitel , chair , Sport
England, 60 ; Serge Blanco , rugby
player, 61; Todd Carty , actor, 56 ;
Ann Coff ey , Independent Group
MP, 73; Tina Cook , equestrian , 49;
The Right Rev Stephen Cottrell ,
bishop of Chelmsford, 61; Roger
Dean , artist, 75; Dame Liz Forgan ,
writer and broadcaster, former chair
of the Scott Trust, 75; Richard Gere ,
actor, 70 ; Susan Gritton , soprano,
54; Daniel Harding , conductor,
44; Pádraig Harrington , golfer,
48; Prof Christine King , historian,
75; Clive Lloyd , cricketer, 75 ; Julie
Maxton , executive director, Royal
Society, 64; Sir Van Morrison ,
singer, songwriter and musician,
74; Ed Moses , hurdler, 64 ; Bryan
Organ , painter, 84; Dwayne Peel ,
rugby player, 38 ; Itzhak Perlman ,
violinist, 74; Glenn Tilbrook , singer
and songwriter, 62.
Tomorrow’s birthdays: Anthony
Allen , rugby player, 33 ; Richard
Burden , Labour MP, 65; Dame
Sue Carr , high court judge, 55; Sir
David Carter , clinical surgeon, 79 ;
Clare Connor , cricketer, 43; Sir
Ron Cooke , geographer, 78; Gloria
Estefan , singer and songwriter, 62;
Bruce Foxton , bassist, 64; Nicholas
Garland , political cartoonist, 84;
Nusrat Ghani , MP, transport and
maritime minister, 47; Sir Barry
Gibb , singer and producer, 73;
Burn Gorman , actor, 45; Jessica
Hand , diplomat, 62 ; Dr Stephen
Inglis , virologist, 67 ; Allen Jones ,
pop artist, 82; Padma Lakshmi ,
writer and broadcaster, 49; Dr
Alasdair McDonnell , former
SDLP MP and party leader, 70 ;
Manuel Piñero , golfer, 67; Genevra
Richardson , emeritus professor
of law, King’s College London,
71; Leonard Slatkin , conductor,
75; Daniel Sturridge , footballer,
30 ; Lily Tomlin , comedian, 80;
Alice Walpole , diplomat, 56; Matt
Warman , MP, minister for digital
and broadband, 38; Jasmine
Whitbread , chief executive,
London First, 56.
Martin Charnin
Lyricist of the hit musical
Annie who directed its
original Broadway run
W
hile being
far more
than a
one-hit
wonder,
Martin
Charnin,
who has
died aged 84, is indelibly associated
with one particular show, the high-
spirited musical Annie (1977), which
he conceived and directed and for
which he also wrote the lyrics.
Charnin did so only after securing
the reluctant participation of the
composer Charles Strouse and
the librettist Thomas Meehan , the
latter asking why he should write
a musical he would not want to go
and see. But as the project grew and
backers such as the great director
Mike Nichols came on board, so the
momentum proved unstoppable.
Strouse’s score to Charnin’s lyrics
was robustly melodic, with half a
dozen knock out numbers, including
Hooverville, Hard Knock Life ,
Easy Street and Annie’s signature
song, Tomorrow, which was soon
established as a much-recorded
standard of optimism and open-
hearted get-up-and-go.
The show, which was based on a
long-running American comic strip
and was about the tribulations of
an 11-year-old orphan in the US of
the Depression , won seven Tony
awards and initially ran for six years
on Broadway and for three in the
West End.
It is constantly revived and there
have been three fi lm versions, the
fi rst made in 1982 by John Huston ,
the second by Disney in 1999
and the third , a curious hip-hop
re conception , in 2014. Charnin
stayed close to the show all his life,
directing the 1998 London revival
starring Lesley Joseph and Kevin
Colson , two Broadway revivals and
two unsuccessful off -Broadway
sequels, as well as 42 US touring
productions.
He was born in New York, the son
of William Charnin, who sang in the
chorus of the Metropolitan Opera,
and his wife, Birdie (nee Blakeman).
He studied at the city’s high school
of music and art, and later at the
Cooper Union , spending a holiday at
a summer theatre in the Adirondack
mountains acting, writing revue
sketches and painting scenery.
There he also discovered that
he could sing and so he responded
to an audition call for “juvenile
delinquents” in the 1957 Broadway
premiere of West Side Story. He won
the part of Big Deal, one of the Jets
ranged in gang warfare against the
Sharks, staying in the show from the
opening night through more than
1,000 performances.
Charnin’s experience of working
at close quarters with Leonard
Bernstein , Stephen Sondheim and
Jerome Robbins developed his
enthusiasm for being a powerful
presence behind the scenes. He was
soon a complete man of the theatre,
directing off -Broadway revues and
nightclub shows for Shirley Jones,
Leslie Uggams, Dionne Warwick and
Nancy Wilson.
In 1959 he appeared in The Girls
Against the Boys, starring Bert Lahr
and Nancy Walker , and he was a
waiter in a Dick Van Dyke sketch.
He wrote lyrics for an ill-received
Judy Holliday vehicle, Hot Spot, in
1963 , and for a version of Federico
Fellini’ s movie La Strada (1969)
which closed on its opening night.
But there was more kudos, and more
success, when he collaborated with
the composer Richard Rodgers on
Two by Two (1970), a Noah’s ark
musical based on a Cliff ord Odets
play and starring Danny Kaye on his
return to Broadway after 30 years
away; it ran to 350 performances.
After Annie he followed up with
an adept and charming production
of Bar Mitzvah Boy – based on Jack
Rosenthal ’s 1976 television play,
with lyrics by Don Black and music
by Jule Styne – in which young Eliot
Green fl e es the synagogue on the
Charnin performing at a press preview in New York, 2013 WIREIMAGE
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the political turmoil of Greece
became increasingly frustrating
to Takis: while his work, at this
point derivative of Giacometti,
was beginning to be exhibited, by
1953 he had had enough. “Greece
is a prison,” he complained. With
the help of the art patron Caresse
Crosby , who was a regular visitor to
Greece, Takis left for Paris.
Living in hotels in Montparnasse,
he briefl y joined the studio of the
modernist sculptor Constantin
Brâncuși , but gained more practical
experience from a blacksmith. His
1955 exhibition at Han over Gallery
in London was characterised
by featureless iron and plaster
fi gures. Soon afterards, he started
to hang around the Beat Hotel
on Rue Gît-le-Cœur and became
friend ly with Burroughs and Allen
Ginsberg , as well as making his fi rst
Télésculptures. In 1961 the Greek
dealer Alexander Iolas gave him a
solo exhibition in New York. There
he befriended the artist Marcel
Duchamp , returning for a second
show at the gallery two years later.
Following his marriage to the
artist Liliane Lijn , Takis moved to
London in 1964, the same year that
Signals Gallery opened in the West
End, taking its name from Takis’s
work. He showed at the gallery later
that year. In 1966 he had a show at
Indica , in Mayfair, from which John
Lennon bought a sculpture. Takis
became friendly with the Beatles
and Yoko Ono , but by the end of the
decade had settled largely in the US,
where he was a visiting researcher
at the Massachusetts Institute of
Technology. There he began creating
work using hydromagnetic force,
inspired by “the perpetual moving
bicycle wheel of Marcel Duchamp”.
In 1969 MoMA included a
Télésculpture in a group exhibition
without the artist’s permission. Takis
storm ed the New York museum and
remov ed the work. This led, a year
later, to the formation of the Art
Workers’ Coalition.
In the 70s Takis began making
his Sculptures Musicales , in which
an electromagnet hidden behind a
wooden panel attracted and repelled
a needle which, in turn, struck a
metal string. Over the decades, as
well as shows in major institutions,
and public commissions, he began
to move into set design and music
composition for fi lm and theatre.
In 1995, having moved back
to Greece, and set up the Takis
Foundation there, the artist was
asked to represent his country at the
Venice Biennale. Takis insisted on
showing his work just outside the
national pavilion , stating : “I am a
citizen of the world.”
He is survived by his daughter,
Anna, from a relationship with the
artist Sheila Fell ; by his son, Thanos ,
from his marriage to Liliane , which
ended in divorce in 1970 ; by three
grandchildren ; and by a sister, Tita.
Oliver Basciano
Takis (Panayiotis Vassilakis), artist,
born 29 October 1925; died 9 August
2019
Discovering he
could sing, he
responded to an
audition call for
juvenile delinquents
in West Side Story
brink of his bar mitzvah. Th e show
played 78 performances at Her
Majesty’s.
A second show with Rodgers ,
I Remember Mama (1979), one of
Rodgers’ weakest, was a fl op, despite
starring Liv Ullmann , and a polite
veil also had to be drawn over The
First (1981), about Jackie Robinson,
the man who broke the colour
barrier in major league baseball, on
which he doubled again as lyricist
and director. In addition, a 1989
comedy revue starring Sid Caesar
had to close after fi ve performances.
One of my favourite revues,
however, was his Upstairs at O’Neal’s
(1982), above a restaurant on 43rd
Street in New York, which collated
many songs by former collaborators,
as well as by Marvin Hamlisch and
Sheldon Harnick. One of its many
literate and punchy numbers was
a spoof on the fad for short names,
invoking Uma, Uta, Ulu, Ava and
Oona in a single couplet. In another
item, Zubin Mehta was coming later
to the the-atre. Some of th at material
surfaced in a less eff ective version,
The 9 ½ Quid Revue (1999), at the
King’s Head in Islington, while he
was in London reviving Annie.
Charnin’s fi rst three marriages – to
the actors Lynn Ross and Genii Prior,
both of whom appeared in West Side
Story, and the fashion journalist Jade
Hobson – ended in divorce.
He is survived by his fourth wife,
the actor Shelly Burch , and by a
son, Randy, from his fi rst marriage,
a daughter, Sasha, from his second
marriage, three stepchildren, three
grandchildren and his sister, Rena
Mueller.
Michael Coveney
Martin Jay Charnin, theatre director
and lyricist, born 24 November 1934;
died 6 July 2019
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