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Vol. XLIII No. 3 Fall 2019
Ph
oto
by
Ka
te^
La
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®
One of Kate’s favorite fi ber tools is her spinner’s notebook.
If you were stranded on a desert island
and could only have one f iber tool, what
would it be?
Soon after I first learned to spin, I moved into
a tiny cabin on a farm in northern Vermont
with my husband. In our 12' square unplumbed
cabin, we made space for my most important
possession: a new Ashford Traveller spinning wheel. I adored that wheel
and still do; it’s the wheel that made me a spinner.
In the Desert Island Tool issue, we asked what you just couldn’t do without or
leave behind. Authors from around the world answered this question in many
ways. Amy Tyler and Emily Wohlscheid both shared ways they are adapting
their favorite blending tools to expand the fiber effects they can create.
A beloved “tool” can manifest in different ways. Josefin Waltin explores
the tool that connects us all: twist. After all, twist is the fundamental tool
we use to create strength, shaping wool as a woodworker might use a chisel.
But how we sit while spinning is also important. Mary Egbert discusses the
significance of posture to help you find a seat that is right for you.
Some of us become attached to our fiber tools, while some spinners are
more focused on the process and product. However, I think most of us are
connected by the contentment we feel when holding a tool that fits perfectly
in our hand and whose use feels like an extension of our own bodies.
What’s your desert island tool?