56
The Observer
25.08.19
Television
Today Bank holiday Tuesday Wednesday
Peaky Blinders
BBC One, 9pm
Two years on, Tommy Shelby (MP!) and his
nattily dressed mob of henchmen return for a
fi fth series of Steven Knight’s peerless period
romp. See what happens when their world
comes crashing down in the wake of the Wall
Street Crash and fi nd out whether Tommy’s
razorboys really have left their bloody
Brummie past behind. Continues tomorrow.
Peter Taylor: My Journey
Through the Troubles
BBC Two, 10pm
To mark the anniversary of the deployment
of British troops in Northern Ireland in 1969,
Peter Taylor prompts new perspectives on the
confl ict in a retrospective on his 50 years of
reporting in the province, in which reveals he
“probably” would have joined the IRA had he
been a teenager there on Bloody Sunday. MB
Film
Sweet Country
(Warwick Thornton, 2017)
Sky Cinema Westerns, 2.35am
A superb Outback western from the maker of
Samson and Delilah. Set in Australia’s Northern
Territory, the action takes place between
various farms. One is run by religious-minded
Fred Smith (Sam Neill), along with Indigenous
Australian couple Sam and Lizzie Kelly
(Hamilton Morris, Natassia Gorey-Furber).
On another lives a rebellious young boy
named Philomac (twins Tremayne and Trevon
Doolan). Enter another farmer (Ewen Leslie),
scarred by the fi rst world war, and violence
breaks out. Bryan Brown plays the sergeant
out to catch the fugitives involved – and the
historic stresses of a nation play out to riveting
effect in an austerely beautiful landscape
photographed by director Thornton himself. JR
Pick of the Day
Sanditon
ITV, 9pm
Screenwriter Andrew Davies (Pride
and Prejudice, War & Peace) delivers an
eight-part adaptation/completion of
Jane Austen’s unfi nished novel (she only
wrote 11 chapters) which begins with
demure heroine Charlotte Heywood’s
introduction to polite society in the seaside
resort of Sanditon (thought to be based
on Worthing). What’s not so demure is
Davies’s ill-advised inclusion of odd sexual
exploits, but it doesn’t spoil a good tale led
by actors Rose Williams and Theo James.
Pick of the Day
Poldark
BBC One, 8.30pm
It seems hard to believe that Debbie
Horsfi eld’s popular television adaptation
of the Cornish novels by Winston Graham
began as long ago as 2015, but this charac -
teristically compelling fi nale is proof of
its enduring appeal. The show goes out
in style as Ross’s plan to foil the French
invasion almost lands him in hot water,
in particular with a slighted Demel za, and
Messrs Merceron and Hanson get their just
deserts. But why, you wonder, does the
ending seem to promise a new beginning?
Pick of the Day
The Great British Bake Off
Channel 4, 8pm
As judges Paul Hollywood and Prue
Leith reconvene for season three in the
company of presenters Sandi Toksvig and
Noel Fielding, we meet a baker’s dozen of
new faces led by bookies’ early favourite
geography teacher Alice Fevronia, 28, from
a fi eld comprising fashion designers, HGV
drivers and even a vet, all of whom are
looking forward to the challenges of Cake
Week. Watch their efforts to tackle a fruit
cake; a Technical involving a retro classic;
and fi nally a Showstopper birthday cake.
Pick of the Day
Cannabis: Miracle Medicine
or Dangerous Drug?
BBC Two, 9pm
As worries increase about the side-effects
of cannabis use and the world rushes
to embrace the drug as a miracle cure,
it’s the ideal time for A&E doctor Javid
Abdelmoneim (No More Boys and Girls: Can
Our Kids Go Gender Free?) to present the
facts in a hard-hitting Horizon that explains
the latest research, reviews the legalisation
of the drug in its medical form and reveals
a direct correlation between skunk and the
recent rise in cases of psychosis. Excellent.
Keeping Faith
BBC One, 9pm
Season two of Matthew Hall’s Welsh legal
thriller comes to a compelling close as
separate plot strands – Will’s murder, Gael’s
true intentions, Evan’s continuing betrayals
- are interwoven to devastating effect.
Ingeniously, the show (via the brilliant Eve
Myles’s Faith) fi nds time to remind us that life
in Abercorran is all about love and family.
Revolutions
BBC Four, 9pm
Robots “Where we are with robots today
is probably about where we were with
computers in the 1950s,” says a scientist at the
start of the fi nal programme in Jim Al-Khalili’s
mesmerising popular science series. What
follows is a stunningly illustrated chronicle of a
timeline that stretches from an eighth-century
self-playing trumpet to the very latest AI. MB
Film
The Angels’ Share
(Ken Loach, 2012)
Film4, 1.05am
Late-period Loach, in a lighter mode than
usual – although he occasionally lets his
hair down with comedy, as in Riff-Raff and
Looking for Eric. This one, scripted by regular
collaborator Paul Laverty, is a Scottish caper
about a young man at odds with the law,
who fi nds he has a nose for fi ne whisky and
is quick to sniff out possibilities for a single
malt heist. Affable craggy-faced John Henshaw
and an imposing Roger Allam are among the
support, while debut actor Paul Brannigan
won a Scottish Bafta for his lead performance.
While you’re left with a warm peaty glow,
you’ll quickly detect signature notes of
political rage, as well as rich undertones of
Alexander Mackendrick’s Whisky Galore! JR
Instinct
Sky Witness, 9pm
It might seem odd to screen a new season of
a show cancelled only nine days ago by its
makers CBS, but anyone who enjoyed the fi rst
run of the dapper American police procedural
starring Alan Cumming as wisecracking
married gay gumshoe Dylan Reinhart will
welcome its return with another intriguing
campaign to catch a New York serial killer.
The Power of Women
Sky Arts, 10pm
Human rights lawyer Helena Kennedy and
comedian/mental health advocate Ruby Wax
are the fi rst participants in the opener to a
stimulating six-part series that each week
brings together two infl uential women to
discuss their approaches to discrimination
and challenges to make their voices heard.
Good sense. Good humour. Good TV. MB
Film
The Muppets
(James Bobin, 2011)
BBC Two, 1.10pm
Looking wryly back to the Muppets’ days of
TV glory, this makes witty post-modern sport
with the idea of Kermit and co as faded stars,
pluckily trying to connect with a new era. As
the gang fi ght Chris Cooper’s evil property
magnate (“Maniacal laugh, maniacal laugh!”),
the in-jokes come thick and fast – Miss Piggy’s
entrance pays sublime homage to The Devil
Wears Prada – while Bret McKenzie’s priceless
songs include the ultimate comedy tearjerker
Man or Muppet. There’s no shame in saying
that the humans upstage their hosts – Jason
Segal, who co-wrote, scores a personal best as
Muppet-identifi ed man-boy Gary, while Amy
Adams joyously sends up her Enchanted image
as a latter-day Julie Andrews. Pure pleasure. JR
Who Do You Think You Are?
BBC One, 9pm
“Family history is a mystery,” says comedian
Paul Merton at the start of this week’s
adventure. “I have absolutely no idea whether
I’m related to the Duke of Cumberland or any
other pub!” Among the ancestors who emerge
with stories to tell are an Irish grandfather
with a controversial past and another relation
who also shared “the performance gene”.
Kevin’s Grandest Design
Channel 4, 9pm
To introduce a new series of the self-build show
and mark its 20th anniversary, Kevin McCloud
hosts a programme in which he reveals his top
fi ve buildings chosen from a total of almost
200 projects. Grand Designs proper returns
next Wednesday with a new run promising
homes made from converted concrete water
tanks and even a one built into a cliff. MB
Film
The Man Who Shot Liberty Valance
(John Ford, 1962)
Sky Cinema Westerns, 9.20am & 8pm
Black and white, studio bound, strangely
theatrical, even artifi cial – a distinct anomaly
among Ford’s lat er westerns, but generally
regarded as one of his greatest. It is certainly
among his most provocative in terms of
the complex light it sheds on the American
imagination and on history and its making.
James Stewart plays Senator Ranse Stoddard,
a man looking back at his past – precisely, a
quarter-century back when, as an attorney,
he tangled with Lee Marvin’s titular bandit.
John Wayne plays Tom Doniphon, a rancher
who takes a hand in the confl ict. The famous
line “When the legend becomes fact, print
the legend” has made this one of the most
controversial fi lms in the Ford canon. JR
The week’s highlights
By Mike Bradley
Films by
Jonathan Romney