2019-09-01 Rolling Stone

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22 | Rolling Stone | September 2019


The Mix


For
reviews,
premieres,
and more,
go to
Rolling
Stone.com/
music


  1. Miranda
    Lambert
    “It All Comes Out in
    the Wash”
    Ever brought a brides-
    maid’s ex to a wedding?
    Ever accidentally told
    your mama that your
    sister got knocked up in
    a truck outside 7-Eleven?
    Hey, it happens. And
    the country queen’s
    latest blast of wry, rocking
    wisdom is the perfect
    antidote to the stains and
    aches of everyday life —
    a Tide stick for the soul.

  2. Velvet Negroni
    “Wine Green”
    A Minnesotan raised
    on classical music and
    evangelical Christianity,
    Jere my Nutz man (a.k.a.
    Velvet Negroni) blurs art
    pop, R&B, and dub into
    something uniquely weird
    and delicately gorgeous.
    Keep an eye on this dude.

  3. Haim
    “Summer Girl”
    Written to send good
    vibes to their producer,
    Ariel Rechtshaid, who had
    contracted cancer, Haim
    came up with a jazzy pick-
    you-up, pulling back their
    sleek Eighties sound to
    highlight its tender core.

  4. Anuel AA,
    Daddy Yankee,
    Karol G, Ozuna,
    and J Balvin
    “China”
    A veritable Justice League
    of Latin pop convenes for
    a Spanish-language cover
    of Shaggy’s reggae-pop
    classic “It Wasn’t Me,” and
    mind-breaking catchiness
    ensues.

  5. Charli XCX
    “Cross You Out”
    The punky U.K. pop diva
    is releasing her first
    LP in five years, full of
    confrontationally weird
    party jams like this emo
    collabo with fellow rules
    hater Sky Ferreira. Over a
    stomping, synth-glazed
    groove, they detonate the
    memory of an ex, creating
    their own killer moment of
    sisterly chaos.

  6. DaBaby and
    Lil Baby
    “Baby”
    Lil Baby’s Drip Harder was
    one of our favorite hip-
    hop albums of 2018, and
    DaBaby’s Baby on Baby is
    one of our favorites from
    this year. What can we
    say? It’s a good time for
    rappers named Baby, as
    their frenetically banging
    tag-team “Baby” attests.

  7. Vivian Girls
    “Sick”
    The Vivian Girls make
    sweetly bracing indie pop
    somewhere between the
    Go-Go’s and My Bloody
    Valentine, and they’re
    finally back after a way-
    too-long eight-year hiatus.


The former Sonic Youth
singer-guitarist is releas-
ing the three-CD box set
Spirit Counsel on Sep-
tember 21st and touring
America in December.

MY

LIST


PATTI SMITH
“Godspeed”
This is a stream-of-con-
scious piece of music that
sounds like it was done
in the middle of the night
with the lights out.

MINOR THREAT
“In My Eyes”
There’s a rage in the
vocal delivery here
that is undeniable. It’s
taking on a youth culture
that believes in the lies
of^ capitalist society.

BUSH TETRAS
“Too Many Creeps”
This is about these girls
walking around New York
dealing with creepy guys.
It’s punk mixed with hip-
hop, jazz, and salsa vibes.

GLENN BRANCA
”Lesson #1 for Electric
Guitar”
Glenn is one of my big-
gest influences. This is an
instrumental guitar piece
that helped inform a lot of
what I did in Sonic Youth.

TAPPER ZUKIE
“Man ah Warrior”
This is reggae music, but
really stripped back. It’s
just intonation and the
clack of a guitar pick on
the strings. Tapper Zukie
is cooler than cool.

FIVE SONGS


THAT


SHAPED ME


By Thurston
Moore

PLAYLIST


OUR FAVORITE
SONGS AND VIDEOS
RIGHT NOW


  1. Ariana Grande
    and Social House
    “Boyfriend”
    The generosity of “Thank
    U, Next” is nowhere to
    be found on Grande’s
    new breakup jam: “I don’t
    want to miss your touch/
    And you don’t seem to
    give a fuck,” she sings, re-
    minding us why her “train
    wreck” is pop’s top drama.

  2. Diiv
    “Skin Game”
    These noise junkies do
    Nineties shoegaze with
    the creepily obsessive
    dedication of Civil War
    re-enactors — and it sure
    does work.

  3. Bonny Light
    Horseman
    “Bonny Light
    Horseman”
    Anaïs Mitchell, author of
    the Tony-winning musical
    Hadestown, fronts this
    fine new folk band,
    channeling an ancient
    ache on its first single.


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