The New York Times International - 28.09.2019

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16 | WEDNESDAY, AUGUST 28, 2019 THE NEW YORK TIMES INTERNATIONAL EDITION

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Clockwise from top: The pools at the National Hotel, with its Art Deco aura; at the Villa Casa Casuarina, Gianni Versace’s former mansion; and at the Biltmore Hotel.

PHOTOGRAPHS BY ROLANDO DIAZ FOR THE NEW YORK TIMES

One of the enduring pleasures of sum-
mer is a trip to the beach — the blankets
and umbrellas, the briny air, the rhyth-
mic water. Who among us doesn’t love
digging our toes into the sand and loung-
ing in the waves?
Lots of people, it turns out. For many
vacationers, the beach is an inconven-
ience: Sand gets everywhere, waves
knock you down and the prospect of en-
countering one of the two million un-
known species lurking in the water can
be terrifying.
For those who fear the ocean or who
are unable to access the beach because
of disabilities or medical reasons, pools
can be an exciting alternative. And for
some, being in a pool rather than the
ocean simply feels safer because they
can rest their feet on the bottom and see
what’s down below.
We visited four of the most storied
and iconic pools in Miami to see what life
can be like for people who go to the
beach to go to the pool.

AGILDED OASIS
THE VILLA CASA CASUARINA
When Gianni Versace bought 1116
Ocean Drive in 1992, he transformed the
24-apartment building into a private
mansion with eight bedrooms, two
kitchens, three living rooms, a bar, a li-
brary and 10 bathrooms. A year later, he
bought the adjoining Revere Hotel and
added a garden and a 54-foot pool.
Mr. Versace could not have predicted
that his house, where he was murdered
in 1997, would become a popular tourist
destination, largely because of its swim-
ming pool.
The mansion, officially called The
Villa Casa Casuarina, is now a hotel, and
the “million mosaic pool” that Mr. Ver-
sace designed remains the centerpiece.
Built with more than a million tiles
and surrounded by large palm trees and
chairs and tables from the hotel restau-
rant Gianni’s, the pool is a perfect spot
for people looking to rest and take a dip.

AMEDITERRANEAN ESCAPE
THE BILTMORE HOTEL
Holding 600,000 gallons of water and
measuring about half an acre, the pool at
the Biltmore Hotel in Coral Gables
seems as big as an ocean. So why go
there, and not the beach?
The pool isn’t as intimidating as the

beach for children learning to swim, said
Brian Phoenix, who stayed at the hotel
with his wife and two daughters in July.
Recent reports of flesh-eating bacteria
in the ocean also helped turn his family
toward the pool.
When the Biltmore was built nearly a
century ago, its pool was the largest in
the world. Intended to evoke the Medi-
terranean, the hotel’s architecture is a
combination of Italian, Moorish and
Spanish styles, and Roman sculptures
line one end of the pool.

ART DECO BY THE OCEAN
THE NATIONAL HOTEL
The National Hotel, which opened on
Christmas Eve in 1940, has the quintes-
sential Art Deco aura that people vis-
iting Miami often seek. With nods to that
era placed throughout the lobby, bar and
halls, one would expect the hotel’s his-
tory and culture to be the main draw for
guests — but it’s not.
The real attraction here is the hotel’s
205-foot-long swimming pool. The pool
is not heated or chilled and is open 24/7,
unlike most hotel pools.
Guests in the Cabana wing have a
clear view of the pool, which makes
those rooms, especially those on the
first floor, popular among parents who
want to keep an eye on their children.

SOMETHING FOR EVERYONE
THE FONTAINEBLEAU
Even if you’ve never been to the Fon-
tainebleau, there’s a good chance you’ve
seen at least one of its many pools in a
movie or a music video. Frank Sinatra,
Justin Bieber and 50 Cent are just a
handful of the musicians who have per-
formed at the hotel in its 64-year history.
With 11 pools of varying sizes, the ho-
tel has a little something for everyone.
And thanks to the hotel’s famous pools,
guests tend to not realize that it also has
direct access to the beach.
On a recent Friday afternoon, one
pool — for adults only — had a live DJ
playing Akon, Rihanna and DJ Khaled,
Drake and other popular artists. At an
adjacent cabana a group of women in
their twenties were throwing a bach-
elorette party, while another nearby
group celebrated a birthday.
At the same time, a few hundred feet
away, at the hotel’s most iconic pool,
which is shaped like a bow tie, dozens of
families, couples and groups of friends
swam and rested at chairs and cabanas.

Forget the beach and hang poolside in Miami


BY TARIRO MZEZEWA

Ken Price was hired 36 years ago as the
director of public relations at the Palmer
House Hilton. But it’s his other gig at the
renowned Chicago property that speaks
more to him: That of hotel historian, an
official title he has held for 11 years.
Mr. Price is the go-to guy for anything
relating to the history of the hotel, which
opened its doors on Sept. 26, 1871 — and
promptly closed them 13 days later,
when the Great Chicago Fire tore
through the building.
Mr. Price knows when the property
reopened (Nov. 8, 1873); its role in the
creation of the brownie (The owner’s
wife, Bertha Palmer, asked the hotel’s
pastry chef to create something port-
able for the 1893 Chicago World’s Fair);
and what Phyllis Diller, the last per-
former in the hotel’s Empire Room
nightclub before it closed in 1976, was re-
ally like. (“Great. She became a good
friend.”)
“I immersed myself for eight months
in the stacks of the old Chicago Histori-
cal Society and got involved in the mi-
crofiche and clippings and stuff in
boxes,” said Mr. Price, who won a life-
time achievement award last year from
the Historic Hotels of America. “I got in-
volved in the blood and guts and DNA of
the personalities of the people. I began
to realize that the story was remark-
able.”
Part reference librarian, part gossip
columnist, distinct from a concierge, the
historian has become an increasingly
popular figure in high-end hotels or inns
with actual history. Some are employees
who take on the role for love (if not a
paycheck), while others do it for fun.
Still others are real-world professionals
who find it a worthwhile project. As
such, they’ve taken it upon themselves
to learn, in elaborate detail, the back-
ground of their favorite lodge, resort, re-
treat or inn.
It makes sense: Hotels are not just
places to lay one’s head. They’re also
about the history of a particular city or a
particular time period.
“It’s important to share its stories
with the guests, the people who work
there and the city as a whole,” said Pilar
Pérez de Sevilla, who helped to research
the history of Casa Gangotena, in Quito,
Ecuador. Her work led to better under-
standing of the hotel’s location at a cor-
ner of the San Francisco Plaza — the his-
tory of the plaza stretches back to the
time of the Incas, and according to early
Spanish chroniclers, during the 15th
century the plaza was surrounded by
palaces and temples.
Fintan Gorman is the unofficial histo-
rian of Ashford Castle, in Mayo, Ireland.

His mother worked at the castle mainly
in housekeeping, and was there when
John Wayne filmed “The Quiet Man” on
the estate in 1951. A former primary
schoolteacher and high school principal,
Mr. Gorman began conducting tours of
the castle after retiring in 2014. When-
ever a guest wants a tour of the prop-
erty, he’s the man to talk to.
“I try to outline the historic develop-
ment of the castle in the context of na-
tional and international events,” he said.
“While highlighting the social and eco-

nomic importance of the estate to the
area, I get to meet, chat with and learn
from very interesting and pleasant peo-
ple from all over the world.”
For David Pupo, learning about Blan-
tyre, in Lenox, Mass., was about re-
claiming his own past. Mr. Pupo grew up
about half a mile from the luxury hotel,
which was built in 1902.
As a teenager, Mr. Pupo, who doubles
as Blantyre’s director of membership
and concierge services, spent his sum-
mers swimming in the grand pool be-
hind the main house, back when it was a
swim club for locals. Mr. Pupo wanted to
know more about the 110-acre estate
that played such a prominent role in his
youth.
So he read everything that had been
written on the place. He now leads daily
history tours in the mansion, which was
once briefly owned by the filmmaker
D.W. Griffith.
“We show how the house was used in
the Gilded Age period, and compare and
contrast it to how it is being used today

as a five-star hotel,” he said.
Others are utilizing the property’s his-
tory to help inform the present.
When the real estate developer An-
thony Champalimaud took over Trout-
beck, a country estate-turned-guest-
house in Amenia, N.Y., in 2016, he and
his wife, Charlie, spent two years ex-
haustively researching the history. (Mr.
Champalimaud is the former managing
director of Champalimaud, a design
firm that has overseen renovations and
redesigns at many hotels and guest
properties, including the Singapore Raf-
fles.)
Troutbeck was built in 1765 by Myron
Benton, a farmer, poet and writer. In
1902, the property was purchased by
Colonel Joel Spingarn and his wife, Amy.
Mr. Spingarn, who founded the publish-
ing house Harcourt Brace & Company,
entertained the likes of Ernest Heming-
way, Sinclair Lewis and Theodore
Roosevelt. (Roosevelt, the 26th United
States president, favored Room 8.) Lat-
er visitors included Justice Thurgood
Marshall of the Supreme Court, W.E.B.
Du Bois and Langston Hughes.
Through her research, Mrs. Champal-
imaud made some amazing discoveries,
like letters to Amy Spingarn from
Hughes and Dr. Martin Luther King Jr.
The Champalimauds used some of
their findings to shape the property’s
aesthetic. “We recreated a new font and
logo that derived from Joel Spingarn’s
personal stationery,” said Mr. Champali-
maud.
His Ex-Libris art nouveau style de-
sign is on every room’s key card, while
copies of Dr. King’s letter hang in the
inn’s 37 guest rooms.
“There was also so much tangible her-
itage there which I think is unusual,”
said Mrs. Champalimaud. “Troutbeck’s
history was one of the central reasons
we found it so attractive.”

Hotel historians on call


Part reference librarian,
part gossip columnist
at select high-end locales

BY ABBY ELLIN

David Pupo, the resident historian at the Blantyre, in Lenox, Mass. He grew up about
half a mile away from the luxury hotel, which was built in 1902.

LAUREN LANCASTER FOR THE NEW YORK TIMES

Hotels are not just places to lay
one’s head. They’re also about
the history of a particular city
or a particular time period.

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RELEASED


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RELEASED


tory of the plaza stretches back to the
time of the Incas, and according to early

RELEASED


time of the Incas, and according to early
Spanish chroniclers, during the 15th

RELEASED


Spanish chroniclers, during the 15th
century the plaza was surrounded by

RELEASED


century the plaza was surrounded by
palaces and temples.

RELEASED


palaces and temples.

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tory of the plaza stretches back to the

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time of the Incas, and according to early

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TELEGRAM:


Spanish chroniclers, during the 15th
century the plaza was surrounded by

TELEGRAM:


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palaces and temples.

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palaces and temples.
Fintan Gorman is the unofficial histo-

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rian of Ashford Castle, in Mayo, Ireland.
TELEGRAM:

rian of Ashford Castle, in Mayo, Ireland.

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Pérez de Sevilla, who helped to research

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the history of Casa Gangotena, in Quito,

t.me/whatsnws


the history of Casa Gangotena, in Quito,
Ecuador. Her work led to better under-

t.me/whatsnws


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standing of the hotel’s location at a cor-

t.me/whatsnws


standing of the hotel’s location at a cor-
ner of the San Francisco Plaza — the his-

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time of the Incas, and according to early
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