The Daily Telegraph - 27.08.2019

(Barry) #1

An unapologetic dose of high romance


a fitting farewell for Poldark... or is it?


W


ell, bless my soul.
George Warleggan
has a heart, or at
least a conscience,
after all. Even more
unexpectedly, the
final episode of Poldark (BBC One)
proved to be a gut-tugging emotional
rollercoaster that, happily, waved
goodbye to this hugely popular drama
series on an appropriately high note.
After a distinctly sub-par fifth series,
and an absolute mess of a penultimate
episode, it was almost as much a relief
as a joy to see it end so well. At the
close Ross (Aidan Turner) and
Demelza (Eleanor Tomlinson), having
survived everything the world could
throw against them, again, reiterated
their lifelong commitment to each
other high on a windy Cornish clifftop,

before he marched off, coattails
flapping, to board a ship for France
and who knows what further
adventures.
“I swear to you, my love, I will
return,’ were Ross’s final words. No
doubt causing many a heart to beat
quicker at the prospect of a series
revival further down the line. Even
now it seems only sensible to take the
BBC’s repeated insistence last week
that this would be Poldark’s “last ever”
episode, with a pinch of salt. In a world
of Netflix, Amazon and other rival
streaming platforms, a well-loved
drama can find all sorts of ways to
survive a broadcaster’s axe. Especially
with five of Winston Graham’s novels
still left to be adapted. Even Debbie
Horsfield, the series’ driving force and
screenwriter, has said “Never say
never”. For now, though, Poldark is
overdue a rest after a fifth series that

Male nudity


is too much


to bare, says


Sanditon star


By Hannah Furness
ARTS CORRESPONDENT

VETERAN actress Anne Reid has de-
clared that too much male nudity on
television is “unnecessary” after the
first episode of new period drama Sand-
iton featured a naked seaside skinny-
dip.
The 84-year-old, who plays the for-
midable Lady Denham in the ITV
show, said the modern trend for writ-
ing mild male nudity into prime-time
drama was a sign of the times.
Joking it was the fault of James Bond
actor Daniel Craig and the scene in
which he emerged from the sea in Ca-
sino Royale, she said: “It’s just a thing
now – if you’ve got the sea and you’ve
got a bloke, then he has to take his kit
off and get in the water. There are a lot
of naked males around and I think it’s
unnecessary. Look at Poldark. But I’m
old and it’s what people want nowa-
days,” Reid told Radio Times.
Sanditon, Jane Austen’s unfinished
novel, has been adapted by Andrew
Davies, who has become known for

writing sex into his TV period dramas.
The first episode featured scenes of
three male leads striding nude across a
beach as well as a sex act in the woods
and hints at a storyline about incest.
The beach scene represents some-
thing of a triumph for Davies, who
originally wanted Colin Firth to be na-
ked when he had him take an im-
promptu swim in his 1995 BBC
adaptation of Austen’s Pride and
Prejudice.
Commenting on the beach scene,
Kris Marshall, who plays 19th-century
developer Tom Parker, said: “I don’t
have a problem showing my bum. The
simple fact was female nudity was a lot
more hidden away in those days, and
male nudity was kind of natural. So it’s
historically accurate and Andrew
Davies isn’t sexing Austen up at all.”
The show was watched by an aver-
age of 3.3 million viewers on Sunday
night, peaking at 3.6 million. It was
beaten by the BBC’s Peaky Blinders,
which pulled in an average audience of
3.7 million and topped out at 4 million.

News


Television

Poldark
Season five finale

★★★★★


By Gerard O’Donovan

despite a promising start often seemed
as exhausted of ideas as it was of
spirit, spinning out a dull,
repetitive tale that seemed
more concerned with
wagging a finger at
21st-century
concerns than
doing its job and
sweeping aside our
cares with some
timeless
romance. As a
result, the
final episode
felt like a
separate
event. Here
heroic Ross
was back
again, doing
what he does
best. Not running
around like a
puppy behind a
ranting pub bore


  • but out there,
    risking his life and the love
    of his beloved wife in an
    irrational act of high
    loyalty and courage.
    Namely, secretly
    infiltrating a dastardly plot
    to support a French
    invasion of England and,
    despite the best efforts of
    naysayers, cowards,
    traitors and worms,
    eventually winning
    through after some
    nail-biting moments of
    jeopardy.
    Admittedly, the jeopardy
    veered closer to parody on
    one or two occasions.
    Notably in Demelza’s
    implausible
    efforts to
    convince a
    French
    general to
    kill her
    husband by
    means of a
    of sword
    rather than a
    pistol. Even
    the normally
    flawless Tomlinson
    couldn’t make such
    absurdity work, and it
    almost killed the
    episode stone dead.


Happily, though, it was quickly
cancelled out by the life-affirming
sight of Ross’s enduring arch-enemy
George Warleggan (the fabulous Jack
Farthing) coming to the rescue, saving
the day with his newly discovered
conscience and a pair of smoking
guns. A moment for fans to savour,
especially the subsequent exchange in
which they agreed not to get too
sentimental over the favour, and to
“revert to our usual animosity”. Nice.
Of course, it wasn’t all about
derring-do. There were lashings of
what the series originally won so
many viewers’ hearts with:
winningly written, beautifully
acted, totally escapist romance.
Long in the tooth fans of the
BBC’s vaunted Seventies
Poldark even got to enjoy
their own special moment
when Turner and Robin
Ellis (who back in the
day, and without ever
removing his shirt,
won as much fame
for his portrayal of
Ross) engaged in a
face-to-face
moment of actorly
mutual tribute.
Not everyone
will miss Poldark.
For many it
clogged up
Sundays for
weeks on end with
hopelessly
old-fashioned tales
of swashbuckling
and over-egged
emotion. But there
were millions of us,
too, who
appreciated the
occasional respite it
offered from TV’s
sometimes relentless
diet of gritty thrillers
and gloomy cop
dramas. And the
opportunity it offered
to be swept up, and
away, by the scenery,
the stout-heartedness
and the unapologetic
high romance of
it all.

Feature: Page 22
Editorial Comment:
Page 15

Ross and Demelza
reiterate their
commitment to
each other

sted of ideas as it was of
inning out a dull,
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s than
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th some

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a


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oss
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.
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ly in Demelzaza’s s
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o
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o

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make such
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illed the
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Of course, it wasn’t a
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Long in the tooth f
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Poldark even
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FeatFeu
EditE o
PagePa

reiterate their
commitment to
each other

Here heroic Ross was back
again, doing what he does

best ... risking his life and
the love of his beloved wife

Seaside skinny-
dipping in the
first episode
of Sanditon

The Daily Telegraph Tuesday 27 August 2019 *** 3
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