The New York Times International - 30.08.2019

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INTERNATIONAL EDITION | FRIDAY,AUGUST 30, 2019

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into a full-blown international crisis,
Brazil is only one of many significant ar-
eas where wildfires are burning. Their
increase in severity and their spread to
places where fires were rarely previ-
ously seen is raising fears that climate
change is exacerbating the danger.
Hotter, drier temperatures “are going
to continue promoting the potential for
fire,” said John Abatzoglou, an associate
professor in the department of geogra-
phy at the University of Idaho, describ-
ing the risk of “large, uncontainable
fires globally” if warming continues.

In South America, the Amazon basin is
ablaze. Halfway around the world in
central Africa, vast stretches of savanna
are going up in flame. Arctic regions in
Siberia are burning at a historic pace.
While the Brazilian fires have grown

Wildfires contribute to climate
change, not only releasing carbon diox-
ide, a major greenhouse gas, into the at-
mosphere, but also killing trees and veg-
etation that remove climate-warming
emissions from the air.
There has been a drastic increase this
year in wildfires in some Arctic regions
that have rarely burned in the past.
Since July, fire has charred about six
million acres of Siberian forest. In
Alaska, fires have consumed more than
2.5 million acres of tundra and snow for-
est.

The Arctic is warming twice as fast as
the rest of the planet, and some studies
have noted that, as it warms, “there also
is expected to be more lightning,” said
Dr. Abatzoglou. In remote areas, light-
ning is a significant cause of fires.
Some researchers warn that as fires
strike places where they were previ-
ously rare, it threatens to contribute to a
feedback loop in which wildfires poten-
tially accelerate climate change by add-
ing significant amounts of carbon diox-
ide to the atmosphere.
F IRES, PAGE 4

WAHYUDI/AGENCE FRANCE-PRESSE — GETTY IMAGES

Clockwise from top: Dousing a fire at a palm oil plantation in Pekanbaru, Indonesia; a wildfire in the Sonoma Valley of California; and the aftermath of a blaze in Rondônia, Brazil.

VICTOR MORIYAMA FOR THE NEW YORK TIMES KENT PORTER/THE PRESS DEMOCRAT, VIA ASSOCIATED PRESS

Ablaze from Arctic to tropics

Climate change appears
to be a factor in wildfires
in places that rarely burn

BY KENDRA PIERRE-LOUIS

A tangle of drips in all directions; a
hazy rectangle in a field of dark pig-
ment; a rigid zip down an empty can-
vas.
To be an Abstract Expressionist in
New York’s buoyant first postwar
years, it helped to have a signature
look. Yet Lee Krasner was suspicious
of paintings where telltale marks were
like alternative autographs — even
when the autograph was her own
husband’s.
She was proud not to have a single
style. You had to figure out each paint-
ing on its own, she said, or you end up
with something “rigid rather than
being alive.”


Tough, diligent and deadly serious
about the history of art, Krasner might
have been the most intelligent of the
painters who convinced the world in
the late 1940s that New York had dis-
placed Paris as the epicenter of mod-
ern art. That intelligence expressed
itself through an art that ricocheted
across styles and media, from tightly
massed collages to huge abstractions
of Matissean richness.
Intelligence, though, was not enough
to reach the celebrity tier of American
painting, and it even could be a hin-
drance if you were a woman in Ameri-
can art’s most macho era. Krasner
received little attention from museums
until her 60s, and she has rarely
stepped out of the shadow of Jackson
Pollock, her husband from 1945 until
his early death, in 1956.
It’s not wholly right to say she has
remained underappreciated. She is one
of the few female painters to receive a
full retrospective at the Museum of
Modern Art in New York: That show
opened a few months after her death,
K RASNER, PAGE 2

Stepping into a limelight of her own


ART REVIEW
LONDON


BY JASON FARAGO


Lee Krasner retrospective


separates the painter from


her widely known husband


A painting in “Lee Krasner: Living Color,” a touring retrospective now at the Barbican
Art Gallery in London. Krasner was once married to Jackson Pollock.

THE POLLOCK-KRASNER FOUNDATION/ARTISTS RIGHTS SOCIETY (ARS), NEW YORK; BARBICAN ART GALLERY/GETTY IMAGES; TRISTAN FEWINGS

The New York Times publishes opinion
from a wide range of perspectives in
hopes of promoting constructive debate
about consequential questions.


Israel has carried out a series of attacks
across the Middle East in recent weeks
to prevent Iran from equipping its Arab
allies with precision-guided missiles,
drones and other sophisticated weapons
that could challenge Israel’s defenses.
The attacks represent a new escala-
tion in the shadow war between Iran and
Israel, which has broken into the open
and threatens to set off a wider con-
frontation.
In one 18-hour period last weekend,
an Israeli airstrike killed two Iranian-
trained militants in Syria, a drone set off
a blast near a Hezbollah office in
Beirut’s southern suburbs and an
airstrike in Qaim, Iraq, killed a com-
mander of an Iran-backed Iraqi militia.
Israel accuses Iran of trying to estab-
lish an overland arms-supply line
through Iraq and northern Syria to Leb-
anon. The attacks, only one of which Is-
rael has publicly acknowledged, were
aimed at stopping Iran and signaling to
its proxies that Israel will not tolerate a
fleet of smart missiles on its borders, of-
ficials and analysts said.
“Iran is building something here in
the region,” said Sima Shine, a former
head of research for Israeli intelligence,
now a scholar at the Institute for Na-
tional Security Studies in Tel Aviv.
“What’s changed is that the process
reached a level in which Israel has to act
differently.”
Iranian officials said the Israeli at-
tacks would not go unanswered. Maj.
Gen. Qassim Suleimani, commander of
Iran’s Quds Force, who oversees covert
military operations outside Iran, said on
Twitter that “the Zionist actions are in-
sane and will be their last.”
While Iran has not publicly acknowl-
edged the transfer of missile technology,
an Iranian with knowledge of Iran’s re-
gional efforts said that in the past year
Iran had shifted its focus from training
its proxy forces for ground battle in Syr-
ia and Iraq to equipping them with high-
tech weapons and training.
Leaders on all sides say they do not
want an all-out war, but the accelerating
pace of violent strikes, often with cheap
drones and other covert technologies,
has raised the possibility that even a mi-
nor attack could spiral into a larger con-
flict. And public taunting, saber-rattling
and domestic politics are all contribut-
ing to an atmosphere of volatility and
brinkmanship.
Israel acknowledged carrying out the
airstrike in Syria on Saturday, which it
said was to prevent militants from
I SRAEL, PAGE 4

Shadow war

between Iran

and Israel

flares up

JERUSALEM

Tehran accused of attempt
to supply regional allies
with high-tech weapons

BY DAVID M. HALBFINGER,
BEN HUBBARD
AND RONEN BERGMAN

LONDON To understand what hap-
pened in British politics on Wednesday,
it’s perhaps useful to turn to the work-
ings of a popular game show, “Morn-
ington Crescent,” that has been on the
radio here for several decades now.
“Mornington Crescent” is, on the
face of it, a complex strategy game. In
it, players take turns announcing sta-
tions along London’s transport routes
— the aim is to be the first to get to
Mornington Crescent, a tube station on
the northern line. It’s a raucous affair
— as players exclaim loudly at particu-
larly good moves by their opponents,
and cheer when someone wins. They
reminisce lovingly about games past.
It is also very complicated. Almost
every game occasions the introduction
of special baroque rules with names
like “Trumpington’s Variations” or
“Tudor Court Rules,”
according to which,
each time, players
obediently abide.
Regular listeners
will also be aware
that the game is
entirely made up.
There are no real
rules; at any point a
player could “win”
“Mornington Cres-
cent” simply by saying the words.
They never would of course. It is sim-
ply not done. But I was strongly re-
minded of that possibility this morning,
when Boris Johnson broke Westmin-
ster’s fragile conventions to announce
that he would, to stop his opponents
blocking a no-deal Brexit, simply sus-
pend Parliament until a no-deal exit
becomes almost inevitable.
He did not put it quite like that of
course. His reason, he said — barely
keeping a straight face — was to intro-
duce an urgent domestic agenda. But
the effect was clear. Mr. Johnson has
promised Britain will leave the Euro-
pean Union, deal or no deal, on Oct. 31.
His opponents are combing through
the system — its rules and conventions
— trying to find ways to thwart him.
Their latest idea was to force the gov-
ernment to seek an extension of the
deadline. Mr. Johnson responded by
simply shutting the system down.
This is, of course, extraordinary — a
minority government deliberately
preventing M.P.s from scrutinizing one
of the country’s biggest decisions in
memory — and steers close to authori-
tarianism. There is no conceivable
democratic mandate for crashing out
of Europe without a deal. Indeed,
various members of the 2016 campaign
to leave the European Union fre-


Did Boris


just break


Parliament?


Martha Gill


OPINION


One of the
world’s oldest
democracies
takes an
alarmingly
authoritarian
turn.


G ILL, PAGE 12


Here to steal your heart.

nytimes.com/mlpodcast

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