THE BOSTON GLOBE FRIDAY, AUGUST 30, 2019 | BOSTONGLOBE.COM/ARTS
Weekend
G
H
e may be on top of the world right now, but
for years, Billy Porter wondered if his time
would ever come. A time when he could
play the kinds of characters that were as big
and complex as his own larger-than-life per-
sonality and reflect his own unique experi-
ences.
Before winning a Tony Award for playing indomitable drag
queen Lola in “Kinky Boots” on Broadway, before he became a tele-
vision star thanks to his Emmy-nominated role as the flamboyant
emcee on pioneering LGBTQ television series “Pose,”
and before he shot into the pop culture stratosphere
as a red carpet sensation, Porter was an actor with a
stalled career, living from meager paycheck to meager paycheck,
filing for bankruptcy and crashing on friends’ couches when the
going got especially tough.
“My 30s were an uphill climb. I had moments of feeling like a
breakthrough would come, and a lot of moments where I didn’t,
and I got very comfortable with it not coming,” says Porter, now on
the cusp of 50. “It’s taken a long time. Should it have happened
earlier? Was it long overdue? Yeah, yeah, yeah. But it’s here now.”
Despite his front-of-the-camera stardom, Porter is in Boston
this summer working behind the scenes, directing a new play by
Dan McCabe, “The Purists,” for the Huntington Theatre Company.
Centered on an unlikely clutch of characters, including a rapper, a
DJ, and a show tunes-loving gay man who hang out and debate
music and life on a stoop in Queens, “The Purists” receives its
world premiere at the Calderwood Pavilion, beginning Friday.
Wearing his signature oversize glasses, Porter relaxes on a
PORTER,PageG3
Billy Porter’s
wait is over
Now directing ‘The Purists’ at the Huntington, the ‘Pose’ star and Tony
winner is savoring the breakthrough he wasn’t sure would ever happen
Billy Porter (above and top, directing actors
Morocco Omari and J Bernard Calloway)
during a rehearsal of “The Purists.”
BY CHRISTOPHER WALLENBERG | GLOBE CORRESPONDENT
PHOTOS BY MATTHEW J. LEE/GLOBE STAFF
THEATER
By Ty Burr
GLOBE STAFF
‘B
rittany Runs a Marathon” is a
crowd-pleaser that earns its run-
ner’s high step by sometimes
awkward step. A New York City
empowerment fable, it’s based
on the experiences of a party-hearty friend of
writer-director Paul Downs Colaizzo — she pops
up under the end credits — who got her health
back and life together by setting out one hun-
gover morning for a run.
Thankfully, the movie approaches this sub-
ject the way one might a used car, with suspi-
cion and an extra helping of mordant humor. It
just folds in the endorphins gradually, until you
understand why audiences voted it their favor-
ite film at this year’s Sundance Film Festival.
It matters, too, that the movie’s Brittany is
played by Jillian Bell, a comic actress best
known for the Comedy Central series “Worka-
‘‘BRITTANY,’’PageG7
Lacing
them up
ANNA KOORIS/AMAZON STUDIOS
Jillian Bell with Micah Stock in “Brittany
Runs a Marathon.”
MOVIES
By Lauren Daley
GLOBE CORRESPONDENT
W
hen Neil Young fan Bradley
Cooper went to the Desert
Trip in 2016, he stumbled
upon inspiration.
The music festival’s line-
up also included Bob Dylan, the Rolling
Stones, Paul McCartney, the Who, and Roger
Waters — but it was the young, long-haired
guitar virtuoso holding his own with Young
that caught Cooper’s eye.
Soon, the actor and director was tapping Lu-
kas Nelson to be his “authenticity consultant”
for his character Jackson Maine in what would
become the Oscar-nominated “A Star Is Born.”
Nelson showed Cooper the ropes, worked
NELSON,PageG5
The stars have
aligned for
Lukas Nelson
JOEY MARTINEZ
Lukas Nelson leads Promise of the Real.
MUSIC
AUG30
- OCT6
“SWEET, MELODIC, F
UNNY, AND...
TASTY!”–LATIMES
KATRINA Z PAVAO
& DAN PRIOR
NILE SCOTT STUDIOS
BOOK & LYRICS BY
HOWARDASHMAN
DIRECTED & CHOREOGRAPHED BY
RACHELBERTONE
BASED ON THE FILM BY
ROGER CORMAN,SCREENPLAY
BYCHARLES GRIFFITH
MUSIC BY
ALANMENKEN
MUSIC DIRECTOR,
DANRODRIGUEZ
COPLEY SQUARE
617.585.5678