70 BASS MAGAZINE ; ISSUE 4 ; bassmagazine.com
Abraham Laboriel
O
ld-school bass students may re-
member Abraham’s instructional
videos Funk Bass Concepts (1990)
and Beginning Funk Bass (1994),
which balanced humor, heartfelt advice, and
encouragement with hardcore practical tips.
Over the years, Laboriel has conducted many
clinics and workshops around the world, in-
cluding in Spanish-speaking countries and
for Christian musicians. He has also conduct-
ed masterclasses at his alma mater, Berklee,
which gave him an honorary doctorate in
- More recently, he did two videos for
MyMusicMasterclass.com that covered top-
ics such as rhythmic displacement, playing
ahead of/on top of/behind the beat, tapping,
rhythmic independence, articulation, versa-
tility, on-the-gig advice, pedal tones, chords,
and of course — his ferocious right-hand
technique. We asked him for a few pearls of
wisdom.
Keep your ears open. “One of the
things I say to people in all my clinics is that
when you arrive at the studio, pay attention
to all the conversations that the producers
are having with the other musicians, or the
artist is having with other musicians, because
it will inform how your part fits or doesn’t.”
Pick target notes. “One of the import-
ant things I learned in Berklee is that when
you have a very difficult part, pick your target
notes and play those target notes perfectly in
The Teacher
PHIL AFRNSWORTH
Abe, Patrice
Rushen, and Steve
Gadd at 2005
Berklee
Convocation