GQ South Africa – September 2019

(coco) #1

T


he temperature
in Southern
California is well
above 27 degrees
Celsius. It’s the
warmest day of
the year so far


  • the kind of Sunday in spring that
    inspires a frenzy of optimism for
    the long, hazy days of summer to
    come. But right before I sit down
    with producer and director Ava
    DuVernay and the cast of her new
    Netflix series, When They See Us,
    the mood changes. News breaks
    that Nipsey Hussle has been shot.
    After the shock of the initial
    report, it’s DuVernay herself
    who shares word that the rapper

  • whom she knows as a close
    family friend – has succumbed to
    his wounds. There is a collective
    moment of silence; the air fills with
    a profound sorrow, and she steps
    out of the room for a bit. Near
    tears, I’m reminded of the bright,
    beautiful weather outside and of
    the ominous hood proverb: folks
    act crazy when it’s hot outside.
    The very first scene of When
    They See Us also takes place on a
    warm day, though in Harlem in
    1989. Five boys join a large
    group of neighbourhood kids
    on their way to Central Park,
    and what follows becomes
    a matter of national news. The
    boys – Raymond Santana Jr
    (played by Freddy Miyares), Kevin
    Richardson (Justin Cunningham),
    Antron McCray (Jovan Adepo),
    Yusef Salaam (Chris Chalk) and
    Korey Wise (Jharrel Jerome) – are
    wrongly ensnared in a sensational
    investigation after a young white
    female jogger is found raped and
    left for dead. The boys come to be
    known as the Central Park Five,
    and their lives change forever.
    DuVernay’s four-part series

    • her first big directing project
      since A Wrinkle in Time – recounts
      not just the highly publicised
      trials that sent the boys to prison
      but also the eventual vacating of
      their sentences and their return
      to society. It makes for the kind
      of viewing experience that some
      would call ‘emotionally gripping’
      and others (read: POC) may find
      triggering, as it mirrors persistent
      and deep-seated personal fears.
      We see futures squandered, lives
      trampled. They could have been




brothers, lovers, husbands, friends
or children.
In restoring to these men some
semblance of their humanity, the
show makes a powerful argument
about an especially cruel aspect
of oppression: after the system
destroys you, it then dictates how
your story gets told. Thirty years
on, DuVernay hopes When They
See Us will correct the record.

GQ: Ava, how did you
choose this story as
your next project?
Ava DuVernay: I received
a tweet from Raymond Santana Jr
asking what my next movie was


  • and would it be CP5? I went into
    his DMs. I said that I’d be in New
    York and while I was there I would
    look him up. We had a meal, we
    talked, and I’d seen a documentary
    and thought it was a compelling
    story. I met all of the men, one by
    one, and told them that I wanted
    to tell it.


GQ: I know a number of
you were able to meet the
person you played before
shooting – including at the

meal Ava organised.
What was it like to
meet these men?
Jharrel Jerome: We were
blessed that they showed up to the
table read, and that’s where I got to
meet Korey. I had so many nerves
just meeting these guys. Just
knowing the responsibility that
we have to play these men.
Everything was so delicate you
could hear a pin drop.
ADV: The men were involved
with the whole process. They were
interviewed extensively by me, by
the other writing staff, and they
were on set. They were just [in LA]
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